The California Concerts

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
When It’s Sleepy Time Down South (on 1951-01-30)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong & His All‐Stars0:57
2(Back Home Again In) Indiana
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
Indiana (Back Home Again in Indiana) (on 1951-01-30)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Louis Armstrong & His All‐Stars5:30
3Some Day
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
Louis Armstrong & His All‐Stars4:00
4Back o' Town Blues
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30) and Jack Teagarden (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
Back o’ Town Blues (on 1951-01-30)
writer:
Louis Armstrong and Luis Russell
Louis Armstrong & His All‐Stars5:46
5Way Down Yonder in New Orleans
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
’Way Down Yonder in New Orleans (on 1951-01-30)
lyricist:
Henry Creamer
composer:
Turner Layton
Louis Armstrong & His All‐Stars5:42
6Star Dust
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
Stardust (the jazz standard) (on 1951-01-30)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Louis Armstrong & His All‐Stars3:34
7The Hucklebuck
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
The Hucklebuck (on 1951-01-30)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
additional writer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
composer:
Andy Gibson (trumpet, arranger, composer)
Louis Armstrong & His All‐Stars3:36
8Honeysuckle Rose
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live cover recording of:
Honeysuckle Rose (on 1951-01-30)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Louis Armstrong & His All‐Stars3:56
9How High the Moon
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
How High the Moon (on 1951-01-30)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong & His All‐Stars4:43
10Just You, Just Me
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Just You, Just Me (on 1951-01-30)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
Louis Armstrong & His All‐Stars6:22
11Bugle Blues
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
Louis Armstrong & His All‐Stars5:39
12My Monday Date
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
My Monday Date (on 1951-01-30)
composer:
Earl Hines (jazz pianist and bandleader)
Louis Armstrong & His All‐Stars6:37
13You Can Depend on Me
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live cover recording of:
You Can Depend on Me (on 1951-01-30)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Louis Armstrong & His All‐Stars4:07
▼ CD 2
#TitleArtistRatingLength
1That's a Plenty
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
That’s a Plenty (on 1951-01-30)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
Louis Armstrong & His All‐Stars3:02
2Body and Soul
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
Body and Soul (on 1951-01-30)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong & His All‐Stars4:42
3Big Daddy Blues
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
Louis Armstrong & His All‐Stars3:45
4Baby It's Cold Outside
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30) and Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter) (on 1951-01-30)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 22)
Louis Armstrong & His All‐Stars5:42
5Muskrat Ramble
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
Muskrat Ramble (1926 original instrumental version) (on 1951-01-30)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Louis Armstrong & His All‐Stars3:02
6When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong & His All‐Stars3:28
7Indiana
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Indiana (Back Home Again in Indiana) (on 1955-01-21)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Louis Armstrong & His All‐Stars4:22
8The Gypsy
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars4:42
9Some Day
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Someday (on 1955-01-21)
composer:
Louis Armstrong
live recording of:
Someday You’ll Be Sorry (in 1955)
writer:
Louis Armstrong
Louis Armstrong & His All‐Stars4:55
10Tin Roof Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Tin Roof Blues (original instrumental version) (on 1955-01-21)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
is based on:
Tin Roof Blues
Louis Armstrong & His All‐Stars5:12
11My Bucket's Got a Hole in It
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Barney Bigard (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
My Bucket’s Got a Hole in It (on 1955-01-21)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1933)
Louis Armstrong & His All‐Stars3:08
12Rose Room
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
live instrumental recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
Louis Armstrong & His All‐Stars6:08
13Perdido
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Perdido (original instrumental version) (on 1955-01-21)
composer:
Juan Tizol
live recording of:
Perdido (with lyrics) (on 1955-01-21)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music Inc
version of:
Perdido (original instrumental version)
Louis Armstrong & His All‐Stars3:54
14Blues for Bass
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars4:23
15Me and My Brother Bill
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Me and Brother Bill (on 1955-01-21)
writer:
[traditional] (special purpose artist)
Louis Armstrong & His All‐Stars3:34
▼ CD 3
#TitleArtistRatingLength
1When You're Smiling
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When You’re Smiling (The Whole World Smiles With You) (on 1955-01-21)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong & His All‐Stars3:37
2'Tain't What You Do (It's the Way That You Do It)
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Trummy Young (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
It Ain’t What You Do (It’s the Way That You Do It) (on 1955-01-21)
writer:
Sy Oliver and Trummy Young
Louis Armstrong & His All‐Stars2:54
3Lover, Come Back to Me
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live cover recording of:
Lover, Come Back to Me (The New Moon) (on 1955-01-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Louis Armstrong & His All‐Stars3:12
4Don't Fence Me In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Don’t Fence Me In (on 1955-01-21)
lyricist:
Robert Fletcher (US poet) (in 1934) and Cole Porter (composer) (in 1934)
composer:
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong & His All‐Stars5:21
5Basin Street Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Basin Street Blues (on 1955-01-21)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong & His All‐Stars5:16
6When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong & His All‐Stars2:00
7Shadrack / When the Saints Go Marching In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live medley including a recording of:
Shadrack (on 1955-01-21)
writer:
R. McGimsey
live medley including a recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1955-01-21)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong & His All‐Stars7:04
8C'est Si Bon
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
C’est si bon (English version) (on 1955-01-21)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
Louis Armstrong & His All‐Stars2:25
9The Whiffenpoof Song
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
The Whiffenpoof Song (on 1955-01-21)
lyricist:
Meade Minnigerode (American writer) and George S Pomeroy (American lyricist)
composer:
Tod B Galloway (American composer and songwriter)
Louis Armstrong & His All‐Stars5:11
10Rockin' Chair
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Trummy Young (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1955-01-21)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong & His All‐Stars4:16
11Twelfth Street Rag
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars7:34
12Muskrat Ramble
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Muskrat Ramble (1926 original instrumental version) (on 1955-01-21)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Louis Armstrong & His All‐Stars5:53
13St. Louis Blues
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
St. Louis Blues (on 1955-01-21)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong & His All‐Stars3:29
14The Man I Love
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
The Man I Love (on 1955-01-21)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Louis Armstrong & His All‐Stars4:46
15Back o' Town Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Back o’ Town Blues (on 1955-01-21)
writer:
Louis Armstrong and Luis Russell
Louis Armstrong & His All‐Stars5:08
16Old Man Mose
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Ol’ Man Mose (on 1955-01-21)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong & His All‐Stars3:17
▼ CD 4
#TitleArtistRatingLength
1Jeepers Creepers
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Jeepers Creepers (on 1955-01-21)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Louis Armstrong & His All‐Stars3:35
2Margie
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Margie (aka “My Little Margie”) (on 1955-01-21)
lyricist:
Benny Davis (US vaudeville performer and songwriter) (in 1920)
composer:
Con Conrad (in 1920) and J. Russel Robinson (in 1920)
Louis Armstrong & His All‐Stars3:51
3Big Mama's Back in Town
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars3:08
4Big Butter and Egg Man
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Big Butter and Egg Man (on 1955-01-21)
writer:
Louis Armstrong and Percy Venable (in 1926)
Louis Armstrong & His All‐Stars4:03
5Stompin' at the Savoy
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
Stompin’ at the Savoy (on 1955-01-21)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Louis Armstrong & His All‐Stars3:44
6When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong & His All‐Stars2:08
7Struttin' With Some Barbecue
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Struttin’ With Some Barbecue (on 1955-01-21)
composer:
Lil Hardin Armstrong
Louis Armstrong & His All‐Stars5:43
8(Up a) Lazy River
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Lazy River (on 1955-01-21)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
Louis Armstrong & His All‐Stars4:10
9Old Man Mose
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Ol’ Man Mose (on 1955-01-21)
writer:
Louis Armstrong and Zilner Randolph
Louis Armstrong & His All‐Stars4:01
10My Bucket's Got a Hole in It
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Barney Bigard (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
My Bucket’s Got a Hole in It (on 1955-01-21)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1933)
Louis Armstrong & His All‐Stars2:59
11's Wonderful
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
’S Wonderful (on 1955-01-21)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Louis Armstrong & His All‐Stars7:24
12Big Mama's Back in Town
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars3:18
13Since I Fell for You
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Since I Fell for You (on 1955-01-21)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Louis Armstrong & His All‐Stars4:02
14Mop Mop
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
Louis Armstrong & His All‐Stars2:56
15When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club (1950s Hollywood, CA Nightclub) in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Louis Armstrong & His All‐Stars2:50

Credits

Release

ASIN:US: B000003N3I [info]