A New Approach to Johann Sebastian Bach

~ Release by Alberto Basso (see all versions of this release, 1 available)

Annotation

2 digipak style holders in front cover

Annotation last modified on 2016-11-06 08:34 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Symphoniacus / Dramaticus / Melismaticus / Madrigalescus / Eccleslasticus / Canonicus / Motecticus / Phantasticus / Hyporchematicus
Johann Sebastian Bach8:29
2Hexachordum Apollinis: Fifth Aria, Theme and Variations 1-3
organ:
John Butt (conductor and organist)
Johann Pachelbel4:24
3Chorale and 3 Partitas, BWV 767: O Gott, du Frommer Gott
organ:
Lionel Rogg (organist)
partial recording of:
O Gott, du frommer Gott, BWV 767
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 767)
Johann Sebastian Bach5:39
4Christ Lag In Todesbanden
organ [Matheu Bosch organ at Sant Geroni (Palma de Mallorca)]:
Francis Chapelet (French organist)
recording of:
Chorale "Christ lag in Todesbanden"
composer:
Georg Böhm (composer)
Georg Böhm4:18
5Armonico Tributo, Concerto Grosso no. 3 in A major: Sonata. Grave / Armonico Tributo, Concerto Grosso no. 3 in A major: Allegro
instruments:
Ensemble 415 (Swiss Baroque ensemble)
violin:
Chiara Banchini (violinist and conductor)
Georg Muffat3:31
6Toccata & Fugue in F major, BuxWV 157
organ:
René Saorgin
recording of:
Toccata in F major, BuxWV 157
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 157)
Dieterich Buxtehude4:29
7Yale Manuscript: Choral 88, Erhalt'uns, Herr, Bei Deinem Wort
organ [Bozeman-Gibson organ at Brookline (Massachusetts)] and pipe organ:
Joseph Payne (player of harpsichord, clavichord & organ)
recorded at:
St. Paul's Church (Brookline MA) in Brookline, Massachusetts, United States
recording of:
Erhalt uns, Herr, bei deinem Wort, BWV 1103
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1103)
Johann Sebastian Bach1:09
8Yale Manuscript: Choral 60, Aus Tiefer Not Schrei Ich Zu Dir
organ [Bozeman-Gibson organ at Brookline (Massachusetts)] and pipe organ:
Joseph Payne (player of harpsichord, clavichord & organ)
recorded at:
St. Paul's Church (Brookline MA) in Brookline, Massachusetts, United States
recording of:
Aus tiefster Not schrei ich zu dir, BWV 1099
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1099)
Johann Sebastian Bach2:06
9Yale Manuscript: Choral 93, Jesu, Meine Freude
organ [Bozeman-Gibson organ at Brookline (Massachusetts)] and pipe organ:
Joseph Payne (player of harpsichord, clavichord & organ)
recorded at:
St. Paul's Church (Brookline MA) in Brookline, Massachusetts, United States
recording of:
Chorale Prelude, Jesu, meine Freude, BWV 1105
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: K178) and Bach-Werke-Verzeichnis (number: BWV 1105)
Johann Sebastian Bach1:49
10Trauerode, Cantata BWV 198: I.1 Laß, Fürstin, Laß Noch Einen Stahl
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:58
11Trauerode, Cantata BWV 198: I.2 Dech Sachsen
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:11
12Trauerode, Cantata BWV 198: I.3 Verstummt!
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach3:52
13Trauerode, Cantata BWV 198: I.4 Der Glocken Bebendes Getön
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach0:58
14Trauerode, Cantata BWV 198: I.5 Wie Starb Die Heldin So Vergnugt
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach7:23
15Trauerode, Cantata BWV 198: I.6 Ihr Leben Ließ Die Kunst Zu Sterben
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach1:09
16Trauerode, Cantata BWV 198: I.7 Du Fürbild Großer Frauen
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:09
17Trauerode, Cantata BWV 198: II.1 Der Ewigkeit Saphirnes Haus
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach4:07
18Trauerode, Cantata BWV 198: II.2 Was Wunder Ist?
bass vocals:
Peter Kooij (baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach2:29
19Trauerode, Cantata BWV 198: II.3 Königin!
choir vocals:
Collegium Vocale Gent and Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach5:07
▼ CD 2
#TitleArtistRatingLength
1Fantasy in G major, BWV 572
organ and pipe organ:
Lionel Rogg (organist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
Johann Sebastian Bach9:21
2Pastorella in F major, BWV 590: I.
organ [Silbermann organ in Arlesheim]:
Lionel Rogg (organist)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590: I. (Pastorella)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590
Johann Sebastian Bach2:28
3Concerto for Two Violins, BWV 1060 : III. Allegro
engineer:
Brad Michel (engineer) (in 1996-10)
producer:
Robina G. Young (producer) (in 1996-10)
editor:
Paul F. Witt (engineer/editor)
violin:
Andrew Manze (violinist and conductor) (from 1996-10-17 until 1996-10-20) and Rachel Podger (violinist) (from 1996-10-17 until 1996-10-20)
orchestra:
Academy of Ancient Music (from 1996-10-17 until 1996-10-20)
conductor:
Andrew Manze (violinist and conductor) (from 1996-10-17 until 1996-10-20)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (from 1996-10-17 until 1996-10-20)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach3:24
4Advent Cantata, BWV 61: Nun Komm, Der Heiden Heiland
choir vocals:
Collegium Vocale
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Bach Compendium (number: A1) and Bach-Werke-Verzeichnis (number: BWV 61)
Johann Sebastian Bach3:21
5Cantata Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia (Adagio Assai)
solo oboe:
Marcel Ponseele (oboist)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach2:58
6Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane
orchestra:
Akademie für Alte Musik Berlin
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066
Johann Sebastian Bach1:19
7Orchestral Suite no. 1 in C major, BWV 1066: ,V. Menuets I & II
orchestra:
Akademie für Alte Musik Berlin
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066
Johann Sebastian Bach2:26
8Mass in B minor, BWV 232: Et Incarnatus Est
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:16
9Mass in B minor, BWV 232: Crucifixus
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:07
10Mass in B minor, BWV 232: Et Resurrexit
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:09
11Saint Matthew Passion, BWV 244: Petrus Aber / Saint Matthew Passion, BWV 244: Warlicht, Du Bist
choir vocals:
Collegium Vocale (in 1984-09)
tenor vocals:
Howard Crook (tenor) (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
12Saint Matthew Passion, BWV 244: Erbarme Dich
alto vocals and countertenor vocals:
René Jacobs (conductor) (in 1984-09)
choir vocals:
Collegium Vocale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1984-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:11
13Saint Matthew Passion, BWV 244: Bin Ich Gleich
choir vocals:
Collegium Vocale (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1984-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
14Saint Matthew Passion, BWV 244: Des Morgens Aber / Saint Matthew Passion, BWV 244: Was Gehet Uns Des An? / Saint Matthew Passion, BWV 244: Und Er Warf
choir vocals:
Collegium Vocale (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
tenor vocals:
Howard Crook (tenor) (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:54
15Motet, BWV 225: I. Singet Dem Herrn Ein Neues Lied
choir vocals:
RIAS Kammerchor (German chamber choir)
countertenor vocals:
René Jacobs (conductor)
orchestra and performer:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1995-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach4:23
16Magnificat, BWV 243: Sicut Locutus Est
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and Ryo Terakado (violinist) (in 1990-01)
choir vocals:
Collegium Vocale (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1990-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:40
17Ascension Oratorio, BWV 11: Ach, Ich Bleibe Doch
choir vocals:
Collegium Vocale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:26
18Mass in B minor, BWV 232: Agnus Dei
choir vocals:
Collegium Vocale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:08
196 Part Fugue, BWV 686: Aus Tieƒer Not Schrei Ich Zu Dir
organ and pipe organ:
Lionel Rogg (organist)
recorded at:
Domkirche Arlesheim in Arlesheim, Basel-Landschaft, Switzerland
recording of:
Aus tiefer Not schrei ich zu dir, BWV 686 (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 18) and Bach-Werke-Verzeichnis (number: BWV 686)
Johann Sebastian Bach5:24
20Goldberg Variations, BWV 988: Theme
harpsichord:
Kenneth Gilbert (harpsichord player)
recording of:
Goldberg-Variationen, BWV 988: Aria
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach1:06
21Goldberg Variations, BWV 988: Variation no. 25
harpsichord:
Kenneth Gilbert (harpsichord player)
recording of:
Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach1:31
22The Art of Fugue: Contrapunctus 1
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach0:52
23The Art of Fugue: Contrapunctus 3
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach0:33
24The Art of Fugue: Contrapunctus 6
harpsichord:
Davitt Moroney (cembalist)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach0:39
25The Art of Fugue: Canon in Hypodiatesseron per Augmentationem in Contrario Motu
harpsichord:
Davitt Moroney (cembalist)
Johann Sebastian Bach0:39
26The Musical Offering, BWV 1079: Ricercar a 3 (beginning)
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079
Johann Sebastian Bach1:37
27The Musical Offering, BWV 1079: Ricercar a 6 (beginning)
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
The Musical Offering, BWV 1079: V. Ricercar a 6 voci (orch. Webern)
orchestrator:
Anton Webern (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6
Johann Sebastian Bach2:58
28The Musical Offering, BWV 1079: Largo of Sonata Sopr'il Sogetto Reale
cello:
Jaap ter Linden (cellist/violist/conductor)
flute:
Janet See
harpsichord:
Davitt Moroney (cembalist)
violin:
John Holloway (violinist/conductor)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079
Johann Sebastian Bach5:59