The World of Early Music: From the Middle Ages to the Dawn of the Enlightenment

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Medieval and Renaissance Music
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1Kyrie
soprano vocals:
Manuela Schenale (Soprano)
conductor:
Alberto Turco
performer:
In Dulci Jubilo (Italian women's gregorian choir)
[anonymous]1:39
2Ego sum resurrectio: In paradisum
choir vocals:
Aurora Surgit
orchestra:
Aurora Surgit
conductor:
Alessio Randon
[anonymous]1:37
3O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:29
4Ja nuis homs pris
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford, West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Ja nus hons pris (from 1995-04-18 until 1995-04-20)
lyricist and composer:
Richard I (king of England)
Richard I.2:26
5Palästinalied
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford, West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde) (from 1995-04-18 until 1995-04-20)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide3:12
6Cantigas de Santa Maria: Entre Av'e Eva
orchestra and performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Cantiga de Santa María no. 60 "Entre Av'e Eva"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 60)
part of:
Cantigas de Santa María
[anonymous]2:23
7Chominciamento di gioia: Saltarello
orchestra and performer:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
recording of:
Saltarello No. 1 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
[anonymous]2:40
8Puis qu'en oubli
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Puis qu'en oubli (a 3)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:53
9Codex Faenza: Jay grant espoir
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
[anonymous]2:51
10Ce jour de l'an
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Ce jour de l'an
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:22
11Ay je rien fet
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
instruments and orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
choir vocals:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
conductor:
Michael Posch (Recorder and flute player) (from 1995-12-03 until 1995-12-06)
recorded at:
Lutherische Stadtkirche in Innere Stadt, Wien, Austria (from 1995-12-03 until 1995-12-06)
recording of:
Ay je rien fet (from 1995-12-03 until 1995-12-06)
composer:
Alexander Agricola (Franco-Flemish Renaissance composer, c. 1446-1506)
arranger:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
Alexander Agricola3:13
12Missa L'homme armé: Kyrie
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa L'homme armé: Kyrie
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa L’homme armé
Johannes Ockeghem3:08
13Absalon, fili mi
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
orchestra:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
conductor:
Jeremy Summerly (conductor) (from 1995-04-20 until 1995-04-21)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-04-20 until 1995-04-21)
recording of:
Absalon, fili mi (from 1995-04-20 until 1995-04-21)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:28
14Missa Prolationum: Sanctus
orchestra:
Musica Ficta (Danish vocal ensemble)
conductor:
Bo Holten (Danish composer, conductor)
recording of:
Missa prolationum: Sanctus
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa prolationum (a4)
Johannes Ockeghem3:18
15Sephardic Songs: A la nana
instruments:
Accentus Austria
mezzo-soprano vocals:
Carmen Cano (mezzo-soprano)
conductor:
Thomas Wimmer (viola-da-gamba player)
recording of:
A la nana y a la buba
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]3:14
16Saltarello, "La traditora"
lute:
Shirley Rumsey (lutenist)
recording of:
La traditora
composer:
Marco Dall’Aquila
Marco Dall'Aquila2:27
17Fantasia sexta
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) and Christopher Wilson (lute and theorbo player)
lute:
Shirley Rumsey (lutenist) (on 1993-03-01) and Christopher Wilson (lute and theorbo player) (on 1993-03-01)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (on 1993-03-01)
recording of:
Fantasia sexta (on 1993-03-01)
composer:
Francesco Canova da Milano (Italian composer & lutist, 1497-1543)
Francesco Canova da Milano2:01
18Cancionero musical de Palacio: Todos los bienes del mundo
choir vocals:
Accentus (Chœur de chambre Accentus)
conductor:
Thomas Wimmer (viola-da-gamba player) (from 1995-05-09 until 1995-05-12)
performer:
Accentus Austria (from 1995-05-09 until 1995-05-12)
recording of:
Todos los bienes del mundo (from 1995-05-09 until 1995-05-12)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Encina3:05
19Motets, Book II: Super flumina Babylonis
engineer:
Giovanni Melloncelli
producer:
Syliva Melloncelli (producer)
choir vocals:
Soloists of the Cappella Musicale di S. Petronio di Bologna (in 1995-10)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1995-10)
recorded at:
Chiesa di San Zeno a Cavalo in Verona, Verona, Veneto, Italy (in 1995-10)
recording of:
Offertoria, Secunda Pars: L. Super flumina Babylonis (Dominica XX post Pentecosten) (in 1995-10)
composer:
Giovanni Pierluigi da Palestrina (composer)
part of:
Offertoria, Secunda Pars
Giovanni Pierluigi da Palestrina3:24
20Missa Bell' amfitrit' altera: Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: I. Kyrie (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:15
21Missa O quam gloriosum: Gloria
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
Missa O Quam Gloriosum: II. Gloria
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Missa O Quam Gloriosum
Tomás Luis de Victoria4:03
22Peccantem me quotidie, W. 8 No. 36
engineer:
Dave Harries (engineer)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-09-21 until 1992-09-23)
conductor:
Jeremy Summerly (conductor) (from 1992-09-21 until 1992-09-23)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1992-09-21 until 1992-09-23)
recording of:
Sacrarum cantionum quinque vocibus, Liber primus: XIV. Peccantem me quotidie (from 1992-09-21 until 1992-09-23)
composer:
Carlo Gesualdo (composer) (in 1603)
part of:
Sacrarum cantionum quinque vocibus, Liber primus (for 5 voices, SATTB)
Carlo Gesualdo5:29
23Psalm 128: Bienheureux est quiconque
orchestra:
Ensemble Claude Goudimel (French vocal ensemble)
conductor:
Christine Morel
recording of:
Psaume 128 "Bienheureux est quiconque"
composer:
Claude Goudimel (French composer & music publisher, c. 1514/20-1572)
Claude Goudimel1:28
24Second Booke of Songes, No. 2: Flow, my teares
lute:
Dorothy Linell
countertenor vocals:
Steven Rickards (countertenor)
recorded at:
Fordham Town Hall in New York, United States (from 1995-10-26 until 1995-10-30)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (from 1995-10-26 until 1995-10-30)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:05
25I care not for these Ladies
engineer and producer:
Douglas R. Dillon
lute:
Dorothy Linell (from 1996-02-06 until 1996-02-09)
countertenor vocals:
Steven Rickards (countertenor) (from 1996-02-06 until 1996-02-09)
recorded at:
The Lodge in Indianapolis, Indiana, United States (from 1996-02-06 until 1996-02-09)
recording of:
I Care Not for These Ladies (from 1996-02-06 until 1996-02-09)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Thomas Campion (English composer, poet & physician, 1567-1620)
Thomas Campion2:37
26La zia Bernadina
choir vocals:
Coro della Radio Svizzera, Lugano (Swiss radio chorus of Lugano)
orchestra:
Sonatori de la Gioiosa Marca
conductor:
Diego Fasolis (conductor)
Adriano Banchieri2:04
27Pavan á 6 in C major
choir vocals:
Red Byrd (Medieval music group)
orchestra:
Rose Consort of Viols
recording of:
Pavan and Galliard a 6 in C major: Pavan
composer:
William Byrd (English composer)
William Byrd4:05
28A Mask: The Fairest Nymph, MB 43
choir vocals:
Red Byrd (Medieval music group)
orchestra:
Rose Consort of Viols
recording of:
Mask (for keyboard), MB 43: The Fairest nymph
composer:
Orlando Gibbons (composer)
part of:
Musica Britannica Volume 20's catalogue of Orlando Gibbons' keyboard works (number: 43)
Orlando Gibbons1:34
▼ CD 2: The Baroque
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1Rappresentatione di Anima e di Corpo, Act II Scene 3: Ahi caso acerbo
baritone vocals:
Roberto Abbondanza
bass vocals:
Carlo Lepore (operatic bass), Gastone Sarti (bass-baritone) and Marcello Vargetto (bass)
countertenor vocals:
Alessandro Casari (counter-tenor), Gian Luigi Maria Ghiringhelli (counter-tenor) and Michel van Goethem (counter-tenor)
soprano vocals:
Rosita Frisani (soprano), Marinella Pennicchi (soprano) and Patrizia Vaccari (soprano)
tenor vocals:
Alessandro Carmignani (countertenor) and Giovanni Pentasuglia (tenor)
orchestra:
Cappella Musicale di San Petronio di Bologna
conductor:
Sergio Vartolo (Italian harpsichordist & conductor)
recording of:
Rappresentatione de Anima et de Corpo
composer:
Emilio de' Cavalieri (composer) (in 1600)
librettist:
Agostino Manni
Emilio de' Cavalieri2:27
2La favola d'Orfeo, Act 3: Possente spirto (excerpt)
vocals:
Alessandro Carmignani (countertenor)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor)
performer:
Cappella Musicale di San Petronio di Bologna
partial recording of:
L'Orfeo: Atto terzo. Possente spirto
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi3:04
3Arianna: Lament (excerpt)
vocals:
Anna Caterina Antonacci (soprano)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor)
performer:
Soloists of the Cappella Musicale di San Petronio
partial recording of:
Lamento d’Arianna, SV 22
lyricist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 22)
Claudio Monteverdi2:27
4Vespers, SV 206 No. 3: Nigra sum
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:21
5Kleine geistliche Konzerte, Part 1 No. 8: Erhöre mich, wenn ich rufe, SWV 289
organ:
Laurence Cummings (harpsichordist, organist and conductor)
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Erhöre mich, wenn ich dich rufe, SWV 289
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 289)
Heinrich Schütz2:57
6Sacrae Symphoniae, No. 6: Sonata pian'e forte à 8
brass:
London Symphony Brass
conductor:
Eric Crees (trombonist)
recording of:
Sacrae Symphoniae: Sonata pian' e forte a 8, alla bassa quarta, C.175
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli5:08
7Terpsichore: Ballet der Baccanales / Ballet des feus / Ballet der Matelotz
orchestra:
Westra Aros Pijpare
recording of:
Terpsichore, No. 274: Ballet à 4 / No. 278: Ballet des Baccanales à 4 / No. 280: Ballet des Matelotz à 4 / No. 254: Ballet des coqs à 4
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius3:21
8Echo Fantasia in A minor No. 3, D. 15
organ:
James David Christie (US organist)
recording of:
Echo Fantasia Aeolian A minor (D. 15 in Pieter Dirksen's collection)
composer:
Jan Pieterszoon Sweelinck (composer and organist)
part of:
SwWV (Sweelinck-Werke Verzeichnis) (number: 275)
Jan Pieterszoon Sweelinck4:15
9Captain Hume's Poeticall Musicke: The Spirit of Gambo: The Lord Dewys favoret
chitarra battente:
Stephen Stubbs (US early music lutenist)
harpsichord:
Réjean Poirier
lute:
Paul Audet
recorder:
Francis Colpron (flutist)
strings:
Les Voix humaines (French baroque ensemble, founded in 1995 by Christine Payeux)
countertenor vocals:
Daniel Taylor (Canadian countertenor)
recording of:
Captain Hume's Poeticall Musicke: The Lord Dewys favoret
composer:
Tobias Hume
recording of:
The Spirit of Gambo
composer:
Tobias Hume
Tobias Hume3:33
10Lamento della Madre Ebrea (excerpt)
orchestra:
Cappella Musicale di San Petronio di Bologna
conductor:
Sergio Vartolo (Italian harpsichordist & conductor)
recording of:
Lamento della Madra Ebrea
composer:
Antonio Cesti
Antonio Cesti3:49
11Ballet d'Alcidiane et Polexander: Air
conductor:
Kevin Mallon (conductor) (from 1996-10-08 until 1996-10-10)
performer:
Aradia Ensemble (from 1996-10-08 until 1996-10-10)
recording of:
Ballet d'Alcidiane et Polexandre: Ritournelle et Recit de la Fortune chante par Mademoiselle Hilaire (from 1996-10-08 until 1996-10-10)
composer:
Jean‐Baptiste Lully (composer)
part of:
Ballet d'Alcidiane et Polexandre
Jean‐Baptiste Lully3:25
12Dido and Aeneas: When I am laid in earth
engineer:
Chris Craker (UK musician, producer, engineer and label manager) (from 1994-10-16 until 1994-10-18) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1994-10-16 until 1994-10-18)
producer:
Chris Craker (UK musician, producer, engineer and label manager)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1994-10-16 until 1994-10-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1997)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet, London (Greater London), England, United Kingdom (from 1994-10-16 until 1994-10-18)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:57
13Missa Azzolina: Agnus Dei
choir vocals:
Le Concert Spirituel (French baroque ensemble) (from 1995-10-02 until 1995-10-05)
orchestra:
Le Concert Spirituel (French baroque ensemble)
conductor:
Hervé Niquet (conductor) (from 1995-10-02 until 1995-10-05)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1995-10-02 until 1995-10-05)
recording of:
Missa Azzolina: Agnus Dei (from 1995-10-02 until 1995-10-05)
composer:
Orazio Benevoli
part of:
Missa Azzolina
Orazio Benevoli2:07
14Messe Kyrie eleison: Kyrie
Marc‐Antoine Charpentier3:51
15I will sing unto the Lord, Z. 22
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
organ:
Laurence Cummings (harpsichordist, organist and conductor) (from 1994-06-09 until 1994-06-10)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-06-09 until 1994-06-10)
conductor:
Jeremy Summerly (conductor) (from 1994-06-09 until 1994-06-10)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-06-09 until 1994-06-10)
recording of:
I will sing unto the Lord as long as I live, Z. 22 (from 1994-06-09 until 1994-06-10)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 22)
Henry Purcell3:27
16Fantazia upon One Note in F major, Z. 745
strings:
Rose Consort of Viols
recording of:
Fantasia for strings upon one note, Z. 745
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 745)
Henry Purcell3:08
17Pièces de clavecin, No. 111: Menuet de Poitou et son Double in A minor
harpsichord:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Menuet & double "de Poitou" (Gustafson 111)
composer:
Louis Couperin (composer)
part of:
Louis Couperin's Harpsichord Works (Gustafson numbering) (number: 111)
Louis Couperin2:17
18Pièces de clavecin, Volume 1 Book I No. 9: Les abeilles
harpsichord:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Premier ordre de clavecin en sol mineur: No. 9. Les Abeilles
composer:
François Couperin (French composer of the Baroque era)
part of:
Premier ordre de clavecin en sol mineur
François Couperin1:26
19Magnificat Fuge No. 10, secundi toni, T. 133
harpsichord:
Joseph Payne (player of harpsichord, clavichord & organ)
recording of:
Fugues on the "Magnificat secundi toni": X.
composer:
Johann Pachelbel (composer)
Johann Pachelbel1:37
20Chorale prelude in G minor "Nun komm der Heiden Heiland", BuxWV 211
organ:
Joseph Payne (player of harpsichord, clavichord & organ)
recording of:
Nun komm, der Heiden Heiland, BuxWV 211
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 211) and Buxtehude-Werke-Verzeichnis (number: BuxWV 211)
Dietrich Buxtehude2:28
21Sonate da camera a tre in E minor, Op. 2 No. 4: Allemanda: Allegro - Grave - Adagio
engineer:
Hubert Geschwandtner (producer/engineer) (from 1990-10-21 until 1990-10-23)
producer:
Karol Kopernický (producer)
cello:
Ján Slávik (cellist) (from 1990-10-21 until 1990-10-23)
harpsichord:
Daniela Ruso (pianist and harpsichordist) (from 1990-10-21 until 1990-10-23)
violin:
Anna Hölbling (violinist) (from 1990-10-21 until 1990-10-23) and Quido Hölbling (violinist) (from 1990-10-21 until 1990-10-23)
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1990-10-21 until 1990-10-23)
recording of:
Sonate da camera a trè in E minor, op. 2 no. 4: II. Allemanda: Presto (from 1990-10-21 until 1990-10-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1685)
part of:
Sonata da camera a trè in E minor, op. 2 no. 4
recording of:
Sonate da camera a trè in E minor, op. 2 no. 4: III. Grave: Adagio (from 1990-10-21 until 1990-10-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1685)
part of:
Sonata da camera a trè in E minor, op. 2 no. 4
Arcangelo Corelli3:54
22Il Barcheggio, Part I: Sinfonia in D major: III. Canzona / IV. Aria: Allegro
baroque trumpet:
Niklas Eklund (Swedish baroque trumpeter, Gothenburg) and Edward H. Tarr (trumpet player)
viola da gamba:
Charles Medlam (cellist, viol player and conductor)
choir vocals:
London Baroque (founded 1978 by Charles Medlam)
soprano vocals:
Susanne Rydén (soprano)
recording of:
Il Barcheggio, Part I: Sinfonia in D major: III. Allegro ma non troppo
composer:
Alessandro Stradella (composer)
part of:
Il Barcheggio, Part I: Sinfonia in D major
recording of:
Il Barcheggio, Part I: Sinfonia in D major: IV. Allegro
composer:
Alessandro Stradella (composer)
part of:
Il Barcheggio, Part I: Sinfonia in D major
Alessandro Stradella2:58
23Concerto Grosso in G minor "Christmas Concerto", Op. 6 No. 8: Pastorale ad libitum: Largo
producer:
Hubert Geschwandtner (producer/engineer) (from 1990-01 until 1990-06) and Karol Kopernický (producer) (from 1990-01 until 1990-06)
orchestra:
Capella Istropolitana (from 1990-01 until 1990-06)
conductor:
Jaroslav Krček (from 1990-01 until 1990-06)
recorded at:
Moyzesova sieň in Bratislava, Bratislavský kraj, Slovakia (from 1990-01 until 1990-06)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (from 1990-01 until 1990-06)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:20