Scène pour l’art 2001

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Magnificat
recorded in:
Seurre, Côte-d'Or, Bourgogne-Franche-Comté, France (in 2000-08)
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-08)
producer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-08) and Hervé Niquet (conductor) (in 2000-08)
assistant editor:
María Díaz (editor) (in 2000-08)
harpsichord:
Hervé Niquet (conductor) (in 2000-08)
edit of:
Feste de Pentecoste au Couvent des Visitandines: Magnificat by François d'Agincourt
François d’Agincourt2:16
2Marche des Magnes et des Peuples
engineer:
Henk Jansen (from 1996-09 until 1997-02) and Dick van Schuppen (from 1996-09 until 1997-02)
producer:
Gerd Berg (producer) (from 1996-09 until 1997-02) and Hartwig Paulsen (from 1996-09 until 1997-02)
orchestra:
Orchestra of the Eighteenth Century (from 1996-09 until 1997-02)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1996-09 until 1997-02)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-09 until 1997-02)
recording of:
Zoroastre, tragédie en musique (Orchestral Suite): Marche des Mages et des Peuples
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Zoroastre, tragédie en musique (Orchestral Suite)
Jean‐Philippe Rameau1:29
3Contredanse
engineer:
Henk Jansen (from 1996-09 until 1997-02) and Dick van Schuppen (from 1996-09 until 1997-02)
producer:
Gerd Berg (producer) (from 1996-09 until 1997-02) and Hartwig Paulsen (from 1996-09 until 1997-02)
orchestra:
Orchestra of the Eighteenth Century (from 1996-09 until 1997-02)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1996-09 until 1997-02)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-09 until 1997-02)
recording of:
Zoroastre, tragédie en musique (Orchestral Suite): Contredanse
writer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Zoroastre, tragédie en musique (Orchestral Suite)
Jean‐Philippe Rameau1:20
4Por conforter
engineer:
Tony Faulkner (recording engineer) (in 1995)
producer:
Stevie Wishart (in 1995)
performer:
Sinfonye (in 1995)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (in 1995)
[anonymous]3:37
5Te Deum: Chœur
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-07)
producer:
Dominique Daigremont (in 2000-07) and Hervé Niquet (conductor) (in 2000-07)
assistant editor:
María Díaz (editor) (in 2000-07)
conductor:
Hervé Niquet (conductor) (in 2000-07)
performer:
Le Concert Spirituel (French baroque ensemble) (in 2000-07)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-07)
Marc‐Antoine Charpentier1:34
6Te Deum: Air de dessus
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-07)
producer:
Dominique Daigremont (in 2000-07) and Hervé Niquet (conductor) (in 2000-07)
assistant editor:
María Díaz (editor) (in 2000-07)
conductor:
Hervé Niquet (conductor) (in 2000-07)
performer:
Le Concert Spirituel (French baroque ensemble) (in 2000-07)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-07)
Marc‐Antoine Charpentier2:32
7Mazurka, op. 67 no. 3
engineer and producer:
Carlos Céster (producer and engineer) (in 1997-09)
piano:
Patrick Cohen (pianist) (in 1997-09)
recorded at:
Royal Site of San Lorenzo de El Escorial in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1997-09)
recording of:
Mazurka no. 44 in C major, op. 67 no. 3 (in 1997-09)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 67
Frédéric Chopin2:02
8Mazurka, op. 67 no. 4
engineer and producer:
Carlos Céster (producer and engineer) (in 1997-09)
piano:
Patrick Cohen (pianist) (in 1997-09)
recorded at:
Royal Site of San Lorenzo de El Escorial in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1997-09)
Frédéric Chopin3:42
9Messe pour Mr Mauroy: Introit
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 1999-06)
producer:
Dominique Daigremont (in 1999-06)
organ:
Michel Chapuis (in 1999-06)
bass vocals:
Christophe Sam (bass) (in 1999-06)
countertenor vocals:
Serge Goubioud (in 1999-06)
soprano vocals:
Claire Gouton (soprano) (in 1999-06)
tenor vocals:
Pierre Evreux (tenor) (in 1999-06)
conductor:
Hervé Niquet (conductor) (in 1999-06)
performer:
Le Concert Spirituel (French baroque ensemble) (in 1999-06)
recorded at:
Abbaye de Saint-Michel in Saint-Michel, Aisne, Hauts-de-France, France (in 1999-06)
recording of:
Messe de Monsieur de Mauroy: Introit (in 1999-06)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Messe pour Mr Mauroy, H. 6
Marc‐Antoine Charpentier1:36
10Dezlide al caballero
engineer and producer:
Carlos Céster (producer and engineer) (from 2000-05 until 2000-09) and José Miguel Moreno (from 2000-05 until 2000-09)
classical guitar [renaissance guitar], guitar and vihuela:
José Miguel Moreno
soprano vocals:
Núria Rial (soprano)
recorded at:
Antigua Hospedería in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 2000-05 until 2000-09) and Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 2000-05 until 2000-09)
recording of:
Dezilde al cavallero
composer:
Diego Pisador (1509/10? - after 1557)
Diego Pisador2:04
11Quintet in D: Pastorale
sound engineer:
Carlos Céster (producer and engineer) and Isidro Matamoros
producer:
Carlos Céster (producer and engineer) (in 2000-06)
cello:
Wouter Möller (cellist)
guest classical guitar:
José Miguel Moreno (in 2000-06)
tiple:
Eligio Quinteiro (theorbo, lute and early guitar player)
viola:
Wim ten Have (Classical viola and viol player)
violin:
Enrico Gatti (violinist) and Emilio Moreno (violist/violinist)
orchestra:
La Real Cámara (in 2000-06)
performer:
La Real Cámara
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": I. Pastorale
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : I, Pastorale
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini5:04
12Canarios
recorded in:
Sama, Asturias, Spain (in 2000-04)
engineer and producer:
Carlos Céster (producer and engineer) (in 2000-04)
classical guitar:
José Miguel Moreno (in 2000-04)
conductor:
José Miguel Moreno (in 2000-04)
performer:
José Miguel Moreno and Orphénica Lyra (Spanish early / baroque music ensemble) (in 2000-04)
recorded at:
Conservatorio Profesional de Música Mancomunidad Valle del Nalón in Sama, Asturias, Spain (in 2000-04)
recording of:
Canarios
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz54:07
13Sonata V: Cantabile
engineer:
Isidro Matamoros (in 2000-09)
producer:
Wilbert Hazelzet (flautist) (in 2000-09) and Emilio Moreno (violist/violinist) (in 2000-09)
editor:
Bertram Kornacher (in 2000-09)
harpsichord:
Jacques Ogg (in 2000-09)
violin:
Emilio Moreno (violist/violinist) (in 2000-09)
recorded at:
Iglesia de Santa Maria de La Asunción in Sajazarra, La Rioja, Spain (in 2000-09)
Luigi Boccherini4:44
14Combustion espontanea
engineer:
Carlos Céster (producer and engineer) and José Luís Crespo
producer:
Pedro Estevan (from 1998 until 1999)
mixer:
José Luís Crespo (in 2000) and Pedro Estevan (in 2000)
bouzouki:
Δημήτρης Ψώνης (from 1998 until 1999)
clarinet:
Salvador Vidal (clarinetist) (from 1998 until 1999)
double bass:
Julio Andrade (from 1998 until 1999)
harp:
Arianna Savall (harpist, soprano) (from 1998 until 1999)
percussion:
Pedro Estevan (from 1998 until 1999)
violin:
Marco Ambrosini (from 1998 until 1999)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1998) and Estudios Kirios in Alcorcón, Comunidad de Madrid, Spain (in 1999)
Pedro Estevan5:23
15Suite I: Sarabande
recorded in:
Sajazarra, La Rioja, Spain (in 2000-10)
engineer:
Isidro Matamoros
producer:
Andrea Fossá (producer) and Paolo Pandolfo (viol and double bass player)
editor:
Carlos Céster (producer and engineer) and Bertram Kornacher
viola da gamba:
Paolo Pandolfo (viol and double bass player) (in 2000-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (in 2000-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach3:31
16Presto: Partita in E-flat
engineer:
Isidro Matamoros (in 2000-05)
producer:
Emilio Moreno (violist/violinist) (in 2000-05) and Carlos Riera (in 2000-05)
editor:
Bertram Kornacher (in 2000-05)
conductor:
Eric Hoeprich (clarinetist) (in 2000-05)
performer:
Nachtmusique (in 2000-05)
engineered at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 2000-05)
Franz Krommer3:42
17Sonata in D minor: Adagio
engineer:
Carlos Céster (producer and engineer) (in 1998-12) and Isidro Matamoros (in 1998-12)
producer:
Emilio Moreno (violist/violinist) (in 1998-12)
flute [traverso]:
Wilbert Hazelzet (flautist)
harpsichord:
Jacques Ogg
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (in 1998-12)
Johann Sebastian Bach5:54
18Dido & Aeneas: If Not For Mine
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-05)
producer:
Dominique Daigremont (in 2000-05) and Hervé Niquet (conductor) (in 2000-05)
editor:
María Díaz (editor) (in 2000-05)
conductor:
Hervé Niquet (conductor) (in 2000-05)
performer:
Le Concert Spirituel (French baroque ensemble)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:12
19Dido & Aeneas: To The Hills and The Vales
engineer:
Manuel Mohino (Belgian classical music engineer/producer) (in 2000-05)
producer:
Dominique Daigremont (in 2000-05) and Hervé Niquet (conductor) (in 2000-05)
editor:
María Díaz (editor) (in 2000-05)
conductor:
Hervé Niquet (conductor) (in 2000-05)
performer:
Le Concert Spirituel (French baroque ensemble)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-05)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:08
20Ricerear
engineer:
Edoardo Lambertenghi (engineer) (in 2001-03)
producer:
Fabio Bonizzoni (in 2001-03) and Franco Pavan (Lutenist) (in 2001-03)
editor:
Bertram Kornacher (in 2001-03)
harpsichord:
Fabio Bonizzoni
recorded at:
Conservatorio della Svizzera Italiana in Lugano, Ticino, Switzerland (in 2001-03)
Annibale Padovano5:10
21Ecco, moriro dunque
recording engineer:
Davide Ficco
producer:
Sigrid Lee and La Venexiana (Italian early music ensemble)
editor:
Giuseppe Maletto (Italian tenor vocalist, conductor & sound engineer)
choir vocals:
La Venexiana (Italian early music ensemble) (in 2000-03)
conductor:
Claudio Cavina (in 2000-03)
recorded at:
Chiesa della BV Maria Del Monte Carmelo al Colletto in Roletto, Torino, Piemonte, Italy (in 2000-03)
edit of:
Il Quarto Libro di Madrigali: Ecco, morirò dunque, W. 4 No. 59 by La Venexiana (Italian early music ensemble), Claudio Cavina
recording of:
Madrigals, Book 4: “Ecco, morirò dunque”, W. 4 No. 59 (in 2000-03)
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 4
Carlo Gesualdo3:45
22Canzone francese
engineer:
Martin Andrae and Mark Hohn (engineer)
producer:
Michael Peschko and Christian Schmitt (organist)
editor:
Thomas Becher (editor), Irene Van Dreyke (editor) and Dirk Franken
organ:
Fabio Bonizzoni
recorded at:
Madonna della Campagna in Ponte in Valtellina, Sondrio, Lombardia, Italy (in 1999-06)
Giovanni Salvatore4:06
23Che non t’ami
engineer:
Davide Ficco (in 2000-12)
producer:
Sigrid Lee (in 2000-12) and La Venexiana (Italian early music ensemble) (in 2000-12)
editor:
Bertram Kornacher
choir vocals:
La Venexiana (Italian early music ensemble)
vocals:
La Venexiana (Italian early music ensemble) (in 2000-12)
conductor:
Claudio Cavina (in 2000-12)
recorded at:
Chiesa Della Beata Vergine Del Monte Carmelo in Roletto, Torino, Piemonte, Italy (in 2000-12)
recording of:
Che non t'ami, cor mio?
composer:
Sigismondo d’India (Italian Renaissance / Baroque composer, c. 1582-1629)
Sigismondo d’India2:55
24El eco de la soledad…
percussion:
Pedro Estevan
Pedro Estevan4:14

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other databases:http://www.maniadb.com/album/369083 [info]