Original Album Series

~ Release by Bonnie Raitt (see all versions of this release, 1 available)

Tracklist

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CD 1: Streetlights
#TitleRatingLength
1That Song About the Midway
producer:
Jerry Ragovoy
cover recording of:
That Song About the Midway
lyricist and composer:
Joni Mitchell
24:45
2Rainy Day Man
producer:
Jerry Ragovoy
cover recording of:
Rainy Day Man
writer:
James Taylor (singer-songwriter and guitarist) and Zach Wiesner
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Country Road Music, Inc. (ASCAP-affiliated), EMI Blackwood Music Inc. (1989-07-24–present), フジパシフィックミュージック SBK事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2.53:42
3Angel From Montgomery
producer:
Jerry Ragovoy
cover recording of:
Angel From Montgomery
lyricist and composer:
John Prine
publisher:
Cotillion-Sour Grapes (ended), Cotillion Music Inc. (BMI), Sour Grapes Music, Inc., Walden Music, Inc. and WB Music Corp. (1929–2019)
43:59
4I Got Plenty
producer:
Jerry Ragovoy
cover recording of:
I Got Plenty
writer:
Jim Carroll (Songwriter) and Joey Levine
publisher:
Churchmouse Music
43:10
5Streetlights
producer:
Jerry Ragovoy
cover recording of:
Streetlights
writer:
Bill Payne
publisher:
Naked Snake Music
45:05
6What Is Success
recording engineer:
Blaise Castellano, Harry Maslin and Bruce Tergesen
producer:
Jerry Ragovoy
drums (drum set):
Stephen Gadd (drummer)
electric bass guitar:
Bob Kreinar (Babbitt)
guitar:
Jerry Friedman (guitar, session musician) and David Spinozza
keyboard:
LeRoy Pendarvis
percussion:
Arthur Jenkins and Ralph McDonald
background vocals:
Carl Hall, Sharon Redd and Tasha Thomas
vocals:
Bonnie Raitt
remixer:
Harry Maslin
horn arranger and strings arranger:
David Matthews (US jazz/bop keyboardist, pianist, and arranger)
arranger:
Jerry Ragovoy
cover recording of:
What Is Success
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing)
43:32
7Ain’t Nobody Home
producer:
Jerry Ragovoy
cover recording of:
Ain’t Nobody Home
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
33:05
8Everything That Touches You
producer:
Jerry Ragovoy
cover recording of:
Everything That Touches You
writer:
Michael Kamen (American score composer)
publisher:
Mother Fortune, Inc.
33:28
9Got You on My Mind43:51
10You Got to Be Ready for Love43:09
CD 2: Home Plate
#TitleRatingLength
1What Do You Want the Boy to Do
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
What Do You Want the Girl to Do? (from 1975-06 until 1975-09)
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
43:20
2Good Enough
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
recording of:
Good Enough (from 1975-06 until 1975-09)
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Hall Music, Mojohanna Music and Siren Songs
32:56
3Run Like a Thief
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
autoharp:
John Sebastian (from 1975-06 until 1975-09)
solo guitar:
Will McFarlane (from 1975-06 until 1975-09)
background vocals:
Jackson Browne (American singer-songwriter) (from 1975-06 until 1975-09), Rosemary Butler (from 1975-06 until 1975-09), Terry Reid (from 1975-06 until 1975-09) and J.D. Souther (from 1975-06 until 1975-09)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
Run Like a Thief (from 1975-06 until 1975-09)
lyricist and composer:
John David Souther
publisher:
Benchmark Music and Golden Spread Music
43:03
4Fool Yourself
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
background vocals:
Jackson Browne (American singer-songwriter) (from 1975-06 until 1975-09), Rosemary Butler (from 1975-06 until 1975-09) and Terry Reid (from 1975-06 until 1975-09)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
Fool Yourself (from 1975-06 until 1975-09)
lyricist and composer:
Fred Tackett
publisher:
Hoceanna Music
33:05
5My First Night Alone Without You
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
acoustic guitar:
Fred Tackett (from 1975-06 until 1975-09)
drums (drum set):
Dennis Whitted (from 1975-06 until 1975-09)
electric guitar:
John Hall (US guitarist/vocalist for Orleans, later US congressman) (from 1975-06 until 1975-09) and Will McFarlane (from 1975-06 until 1975-09)
fretless bass [Fender fretless bass]:
Freebo (from 1975-06 until 1975-09)
piano:
Jai Winding (from 1975-06 until 1975-09)
vocals:
Bonnie Raitt (from 1975-06 until 1975-09)
horn arranger and strings arranger:
Nick de Caro
concertmaster:
Harry Bluestone
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
My First Night Alone Without You (from 1975-06 until 1975-09)
lyricist and composer:
Kin Vassy
publisher:
Quill Music Co.
43:07
6Walk Out the Front Door
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
piano:
William (Smitty) Smith (organist/keyboardist) (from 1975-06 until 1975-09)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
Walk Out the Front Door (from 1975-06 until 1975-09)
writer:
Mark Jordan and Rip Stock
publisher:
Jewelyard Music
43:10
7Sugar Mama
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
baritone horn:
George Bohanon (from 1975-06 until 1975-09)
baritone saxophone:
Jim Gordon (saxophonist) (from 1975-06 until 1975-09)
bass trumpet:
Dick Hyde (from 1975-06 until 1975-09)
clavinet:
Jai Winding (from 1975-06 until 1975-09)
drums (drum set):
Gary Mallaber (from 1975-06 until 1975-09)
electric guitar:
Will McFarlane (from 1975-06 until 1975-09)
electric guitar [electric lead guitar]:
John Hall (US guitarist/vocalist for Orleans, later US congressman) (from 1975-06 until 1975-09)
fretless bass [Fender fretless bass]:
Freebo (from 1975-06 until 1975-09)
percussion:
Jeff Porcaro (from 1975-06 until 1975-09) and Joe Porcaro (from 1975-06 until 1975-09)
Rhodes piano [Fender Rhodes]:
Fred Tackett (from 1975-06 until 1975-09)
slide guitar [electric slide guitar]:
Bonnie Raitt (from 1975-06 until 1975-09)
trombone:
George Bohanon (from 1975-06 until 1975-09) and Dick Hyde (from 1975-06 until 1975-09)
background vocals:
Venetta Fields (from 1975-06 until 1975-09), Maxayn Lewis (from 1975-06 until 1975-09) and Robbie Montgomery (from 1975-06 until 1975-09)
vocals:
Bonnie Raitt (from 1975-06 until 1975-09)
horn arranger:
Jerry Jumonville and Fred Tackett
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
cover recording of:
Sugar Mama (from 1975-06 until 1975-09)
writer:
Glen Clark and Delbert McClinton
publisher:
Amnesty Music, Solid Bottom Music and Walden Music, Inc.
43:46
8Pleasin’ Each Other
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
solo tenor saxophone [tenor sax]:
Jerry Jumonville (from 1975-06 until 1975-09)
horn [horns] arranger:
Bill Payne
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
recording of:
Pleasin' Each Other (from 1975-06 until 1975-09)
writer:
Bill Payne and Fran Tate
publisher:
Streetlights Music (ASCAP-affiliated)
43:45
9I’m Blowin’ Away
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
background vocals:
Jackson Browne (American singer-songwriter) (from 1975-06 until 1975-09), Emmylou Harris (from 1975-06 until 1975-09) and J.D. Souther (from 1975-06 until 1975-09)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
recording of:
I'm Blowin' Away (from 1975-06 until 1975-09)
lyricist and composer:
Eric Kaz
publisher:
Glasco Music Company
33:26
10Your Sweet and Shiny Eyes
engineer:
Fritz Richmond
producer:
Paul A. Rothchild
background vocals:
Jackson Browne (American singer-songwriter) (from 1975-06 until 1975-09), Debbie Greene (from 1975-06 until 1975-09), John Herald (from 1975-06 until 1975-09), Willow Van Der Hoek (from 1975-06 until 1975-09), Greg Prestopino (from 1975-06 until 1975-09) and Tom Waits (from 1975-06 until 1975-09)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States (from 1975-06 until 1975-09)
recording of:
Sweet and Shiny Eyes (from 1975-06 until 1975-09)
writer:
Nan O'Byrne (American songwriter and composer)
publisher:
Dry Clam Music
2.52:47
CD 3: Sweet Forgiveness
#TitleRatingLength
1About to Make Me Leave Home
engineer:
John Haeny and Roger Mayer
producer:
Paul A. Rothchild
acoustic guitar:
Fred Tackett (from 1976 until 1977)
drums (drum set):
Dennis Whitted (from 1976 until 1977)
electric guitar:
Will McFarlane (from 1976 until 1977)
fretless bass:
Freebo (from 1976 until 1977)
keyboard:
Jef Labes (from 1976 until 1977)
slide guitar:
Bonnie Raitt (from 1976 until 1977)
additional vocals:
Lester Chambers (from 1976 until 1977), Maxayn Lewis (from 1976 until 1977) and Carlena Williams (from 1976 until 1977)
vocals:
Bonnie Raitt (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
About to Make Me Leave Home (from 1976 until 1977)
lyricist and composer:
Earl Randall
publisher:
JEC Publishing Corporation
34:15
2Runaway
engineer:
John Haeny and Roger Mayer
producer:
Paul A. Rothchild
acoustic guitar:
Fred Tackett (from 1976 until 1977)
drums (drum set):
Dennis Whitted (from 1976 until 1977)
electric guitar:
Will McFarlane (from 1976 until 1977)
fretless bass:
Freebo (from 1976 until 1977)
harp:
Norton Buffalo (from 1976 until 1977)
keyboard:
Jef Labes (from 1976 until 1977)
additional vocals:
Rosemary Butler (from 1976 until 1977) and Michael McDonald (R&B & soul singer) (from 1976 until 1977)
vocals:
Bonnie Raitt (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Runaway (from 1976 until 1977)
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Mole Hole Music, Noma Music Inc. and Vicki Music
23:57
3Two Lives
producer:
Paul A. Rothchild
guest Rhodes piano [Fender Rhodes]:
Bill Payne (from 1976 until 1977)
guest vocals:
Rosemary Butler (from 1976 until 1977) and Michael McDonald (R&B & soul singer) (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recording of:
Two Lives (from 1976 until 1977)
lyricist and composer:
Mark T Jordan
publisher:
Jewelyard Music
3:50
4Louise
engineer:
John Haeny and Roger Mayer
producer:
Paul A. Rothchild
acoustic guitar:
Bonnie (from 1976 until 1977) and Fred Tackett (from 1976 until 1977)
fretless bass and guitar:
Freebo (from 1976 until 1977)
mandocello:
David Grisman (from 1976 until 1977)
vocals:
Bonnie Raitt (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Louise (from 1976 until 1977)
lyricist and composer:
Paul Siebel
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
2:45
5Gamblin’ Man
producer:
Paul A. Rothchild
guest vocals:
Rosemary Butler (from 1976 until 1977) and Michael McDonald (R&B & soul singer) (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Gamblin' Man (from 1976 until 1977)
lyricist and composer:
Eric Kaz
publisher:
Glasco Music Company and United Artists Music Co., Inc.
3:28
6Sweet Forgiveness
producer:
Paul A. Rothchild
guest congas:
Sam Clayton (from 1976 until 1977)
guest vocals:
Rosemary Butler (from 1976 until 1977) and Michael McDonald (R&B & soul singer) (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recording of:
Sweet Forgiveness (from 1976 until 1977)
lyricist and composer:
Daniel Moore (producer, songwriter and vocalist)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:12
7My Opening Farewell
producer:
Paul A. Rothchild
electric guitar:
Bonnie (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
My Opening Farewell (from 1976 until 1977)
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
Open Window Music
5:21
8Three Time Loser
producer:
Paul A. Rothchild
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Three Time Loser (from 1976 until 1977)
writer:
Don Covay and Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music and Warner/Chappell Music Scandinavia AB
3:19
9Takin’ My Time
producer:
Paul A. Rothchild
slide guitar:
Will McFarlane (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Takin' My Time (from 1976 until 1977)
lyricist and composer:
Bill Payne
publisher:
Abraham Music
3:37
10Home
producer:
Paul A. Rothchild
acoustic guitar:
Bonnie (from 1976 until 1977)
guest piano:
Bill Payne (from 1976 until 1977)
guest vocals:
John David Souther (from 1976 until 1977)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
cover recording of:
Home (from 1976 until 1977)
lyricist and composer:
Karla Bonoff
publisher:
Sky Harbor Music and 大洋音楽
3:28
CD 4: The Glow
#TitleRatingLength
1I Thank You
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
cowbell and drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
piano:
Bill Payne (from 1979-04-26 until 1979-07-12)
background vocals:
Rosemary Butler (from 1979-04-26 until 1979-07-12), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1979-04-26 until 1979-07-12), John David Souther (from 1979-04-26 until 1979-07-12) and Maxayn Lewis (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
I Thank You (from 1979-04-26 until 1979-07-12)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Walden Music, Inc., WB Music Corp. (1929–2019) and Birdees Music (in 1968)
2:52
2Your Good Thing (Is About to End)
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12)
piano:
Bill Payne (from 1979-04-26 until 1979-07-12)
saxophone:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.) (from 1979-04-26 until 1979-07-12) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist) (from 1979-04-26 until 1979-07-12)
solo saxophone:
David Sanborn (from 1979-04-26 until 1979-07-12)
trumpet:
Steve Madaio (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Your Good Thing (Is About to End) (from 1979-04-26 until 1979-07-12)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) and East Memphis Music (in 1967)
4:03
3Standin’ by the Same Old Love
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
piano:
Bill Payne (from 1979-04-26 until 1979-07-12)
slide guitar:
Bonnie Raitt (from 1979-04-26 until 1979-07-12)
vocals:
Waddy Wachtel (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
Standin' by the Same Old Love (from 1979-04-26 until 1979-07-12)
writer:
Bonnie Raitt
publisher:
Kokomo Music (in 1979)
4:13
4Sleep’s Dark and Silent Gate
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
piano:
Bill Payne (from 1979-04-26 until 1979-07-12)
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1979-04-26 until 1979-07-12) and Craig Fuller (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Sleep’s Dark and Silent Gate (from 1979-04-26 until 1979-07-12)
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019) and Swallow Turn Music (in 1976)
3:28
5The Glow
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass guitar:
Bob Magnusson (jazz, pop and classical bassist) (from 1979-04-26 until 1979-07-12)
drums (drum set):
John Guerin (from 1979-04-26 until 1979-07-12)
piano:
Don Grolnick (from 1979-04-26 until 1979-07-12)
vocals:
Bonnie Raitt (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
The Glow (from 1979-04-26 until 1979-07-12)
lyricist and composer:
Veyler Hildebrand
publisher:
Veyler's Music (in 1979)
4:13
6Bye Bye Baby
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set) and percussion:
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
harmonica:
Paul Butterfield (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
Bye Bye Baby (from 1979-04-26 until 1979-07-12)
lyricist and composer:
Mary Wells (Motown singer)
publisher:
Stone Agate Music Division (in 1960)
3:18
7The Boy Can’t Help It
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set) and percussion:
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
slide guitar [National Steel Slide Guitar]:
Bonnie Raitt (from 1979-04-26 until 1979-07-12)
background vocals:
Peter Asher (from 1979-04-26 until 1979-07-12), Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
The Girl Can’t Help It (from 1979-04-26 until 1979-07-12)
lyricist and composer:
Bobby Troup
publisher:
Robbins Music Corp. and Twentieth Century Music Corp. (in 1956)
3:40
8(I Could Have Been Your) Best Old Friend
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Freebo (from 1979-04-26 until 1979-07-12)
drums (drum set) and percussion:
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Waddy Wachtel (from 1979-04-26 until 1979-07-12)
electric piano:
Bill Payne (from 1979-04-26 until 1979-07-12)
slide guitar:
Bonnie Raitt (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
I Could Have Been Your Best Friend (from 1979-04-26 until 1979-07-12)
writer:
Andy McMahon and Tracy Nelson (country and blues singer)
publisher:
Rose Hips Music (in 1976)
2:54
9You’re Gonna Get What’s Coming
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Danny Kortchmar (from 1979-04-26 until 1979-07-12) and Waddy Wachtel (from 1979-04-26 until 1979-07-12)
synthesizer [Oberheim Synthesizer]:
Bill Payne (from 1979-04-26 until 1979-07-12)
background vocals:
Rosemary Butler (from 1979-04-26 until 1979-07-12), Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1979-04-26 until 1979-07-12), John David Souther (from 1979-04-26 until 1979-07-12) and Maxayn Lewis (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
You’re Gonna Get What’s Coming (from 1979-04-26 until 1979-07-12)
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Ackee Music Inc. and Porpoise Publishing Ltd. (in 1978)
3:36
10(Goin’) Wild for You Baby
recording engineer:
Val Garay (from 1979-04-26 until 1979-07-12)
assistant engineer:
Niko Bolas and George Ybarra
producer:
Peter Asher
mixer:
Val Garay
bass:
Bob Glaub (from 1979-04-26 until 1979-07-12)
drums (drum set):
Rick Marotta (US drummer/percussionist) (from 1979-04-26 until 1979-07-12)
electric guitar:
Waddy Wachtel (from 1979-04-26 until 1979-07-12)
electric piano and synthesizer [Oberheim Synthesizer]:
Bill Payne (from 1979-04-26 until 1979-07-12)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1979-04-26 until 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California, United States
cover recording of:
(Goin’) Wild for You Baby (from 1979-04-26 until 1979-07-12)
writer:
David Batteau and Tom Snow (US keyboardist/songwriter)
publisher:
Braintree Music (in 1978), David Batteau Music (in 1978), Porchester Music (in 1978) and Snow Music (in 1978)
5:27
CD 5: Green Light
#TitleRatingLength
1Keep This Heart in Mind
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
recording of:
Keep This Heart in Mind
lyricist and composer:
Fred Marrone
publisher:
Dat’s All Music and Home Grown Music, Inc. (work publisher)
3:20
2River of Tears
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
recording of:
River of Tears
writer:
Eric Kaz
34:54
3Can’t Get Enough
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
recording of:
Can't Get Enough
writer:
Bonnie Raitt and Walt Richmond
2:52
4Willya Wontcha
additional assistant engineer:
Thom Yuill
additional engineer:
Terry Becker (engineer)
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
bass guitar:
Ray O'Hara
drums (drum set):
Ricky Fataar
guitar:
Bonnie Raitt and Johnny Lee Schell
keyboard:
Ian "Mac" McLagan
slide guitar:
Bonnie Raitt
vocals:
Bonnie Raitt and Johnny Lee Schell
recording of:
Willya Wontcha
lyricist and composer:
Johnny Lee Schell
publisher:
Hot Sheet Music
33:22
5Let’s Keep It Between Us
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
cover recording of:
Let's Keep It Between Us
lyricist and composer:
Bob Dylan (from 1980 until 1980-10)
publisher:
Special Rider Music (from 1982 to present)
4:43
6Me and the Boys
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
cover recording of:
Me and the Boys
lyricist and composer:
Terry Adams (pianist / composer)
publisher:
Albion Music Ltd., Hi-Varieties Music Inc. (ASCAP) and NRBQ Music, Inc. (ASCAP)
3:39
7I Can’t Help Myself
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
recording of:
I Can't Help Myself
writer:
Ricky Fataar, Ray O'Hara, Bonnie Raitt and Johnny Lee Schell
3:06
8Baby Come Back
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
cover recording of:
Baby, Come Back (The Equals song)
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
2:48
9Talk to Me
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
recording of:
Talk to Me
writer:
Jerry Lynn Williams
3:23
10Green Lights
engineer:
Tim Kramer (engineer)
producer:
Rob Fraboni (US record producer & audio engineer)
cover recording of:
Green Lights
writer:
Terry Adams (pianist / composer) and Joseph Spampinato
publisher:
NRBQ Music, Inc. (ASCAP)
3:14

Credits

Release

manufactured in:Europe
art direction:John Van Hamersveld (photographer and designer)
photography:Michael Dobo
Getty Images
Norman Seeff
John Van Hamersveld (photographer and designer)
graphic design:Cabalka Studio
design:Mac James (graphic design)
copyrighted (©) by and phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974, in 1975, in 1977, in 1979, in 1982)
Rhino Entertainment Company (not for release label use!) (in 2011)
marketed by:Rhino Entertainment Company (not for release label use!)
Discogs:https://www.discogs.com/release/4141706 [info]
ASIN:US: B00FW6776C [info]

Release group

includes:Green Light
Home Plate
Streetlights
Sweet Forgiveness
The Glow
part of:Original Album Series (Rhino / Warner 5 album compilations) (order: 23)