F/X: The Deluxe Edition

~ Release by Bill Conti (see all versions of this release, 2 available)

Annotation

Limited edition of 2000 copies

Annotation last modified on 2023-02-21 00:00 UTC.

Tracklist

▼ CD 1
#	Title	Rating	Length
1	Main Title engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Main Title composer: Bill Conti		3:06
2	The Scam engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: The Scam composer: Bill Conti		1:13
3	Rollie's Diversion engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Rollie's Diversion composer: Bill Conti		2:51
4	Defranco engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Defranco composer: Bill Conti		3:13
5	Bust the Bust engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Bust the Bust composer: Bill Conti		2:41
6	No Loose Ends engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: No Loose Ends composer: Bill Conti		1:09
7	My Van engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: My Van composer: Bill Conti		0:47
8	Tap, Tap, You're Dead engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Tap, Tap, You're Dead composer: Bill Conti		1:40
9	Rollie's Scared engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Rollie's Scared composer: Bill Conti		1:12
10	The Wrong Hit engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: The Wrong Hit composer: Bill Conti		5:23
11	Baldy Takes a Bath engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Baldy Takes a Bath composer: Bill Conti		3:34
12	To the Boathouse engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: To the Boathouse composer: Bill Conti		1:17
13	All in One Night engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: All in One Night composer: Bill Conti		2:08
14	He's in the Building engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: He's in the Building composer: Bill Conti		2:07
15	Lipton's Last Ride engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Lipton's Last Ride composer: Bill Conti		2:29
16	The Bombs engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: The Bombs composer: Bill Conti		3:11
17	The Chase engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: The Chase composer: Bill Conti		3:54
18	Rollie's F/X engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Rollie's F/X composer: Bill Conti		3:25
19	He's in the House engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: He's in the House composer: Bill Conti		0:57
20	Rollie and Baldy engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Rollie and Baldy composer: Bill Conti		1:48
21	Hi Rollie, I'm Leo engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Hi Rollie, I'm Leo composer: Bill Conti		4:10
22	Baldy Takes A Bath (album version) engineer: Keith Grant (classical recording engineer) producer: Bill Conti editor: Stephen A. Hope orchestra: London Symphony Orchestra conductor: Harry Rabinowitz phonographic copyright (℗) by: Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) recorded at: Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom recording of: Baldy Takes A Bath (album version) composer: Bill Conti		1:05

Credits

Release

Discogs:	https://www.discogs.com/release/7269585 [info]
ASIN:	US: B000WXF01E [info]
purchase for mail-order:	http://www.varesesarabande.com/details.asp?pid=VCL-0707-1064 [info]
other databases:	https://rateyourmusic.com/release/album/bill_conti/f_x__the_deluxe_edition/ [info]

Release group

Discogs:	https://www.discogs.com/master/641123 [info]
reviews:	http://scoremagacine.com/Resenas_det.php?Codigo=803&letra= [info] https://www.mundobso.com/bso/fx-efectos-mortales [info]
other databases:	http://soundtrackcollector.com/title/29467/ [info] https://rateyourmusic.com/release/album/bill_conti/f_x/ [info]
IMDb:	https://www.imdb.com/title/tt0089118/ [info]

F/X: The Deluxe Edition

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