Annotation

Annotation last modified on 2016-11-05 00:55 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 William Tell Overture
Gioachino Rossini 3:38
2 Clarinet Concerto in A major, K. 622: II. Adagio
Wolfgang Amadeus Mozart 7:31
3 Ride of the Valkyries (From the Valkyrie)
Richard Wagner 5:05
4 Vocalise
Сергей Васильевич Рахманинов 6:47
5 The Toreador Song (From Carmen Suite)
Georges Bizet 2:08
6 Symphony no. 9 in E minor "New World Symphony": Largo
Antonín Dvořák 4:06
7 Marche Militaire no. 1 in D
Franz Schubert 4:11
8 Serenade From String Quartet in F
Joseph Haydn 3:40
9 Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Ludwig van Beethoven 7:22
10 Triumphant March (From Aida)
Giuseppe Verdi 6:26
11 Hungarian Dance no. 5
Johannes Brahms 2:30
12 Polka (From the Bartered Bride)
Bedřich Smetana 4:46
13 Nimrod (From Enigma Variations)
Sir Edward Elgar 3:18
14 Intermezzo (From Cavalleria Rusticana)
Pietro Mascagni 3:34
15 Light Cavalry Overture
Franz von Suppé 7:34
16 Wedding March (From a Midsummer Night’s Dream)
Felix Mendelssohn 3:56
CD 2
# Title Artist Rating Length
1 Arrival of the Queen of Sheba from Solomon
George Frideric Handel 2:55
2 Orchestral Suite no. 3 in D major, BWV 1068: Air on the G String
Johann Sebastian Bach 3:27
3 Flute Concerto no. 3 in D major, RV 428 "Il Cardellino" (The Goldfinch): I. Allegro
Antonio Vivaldi 4:02
4 Flute Concerto no. 3 in D major, RV 428 "Il Cardellino" (The Goldfinch): II. Adagio
Antonio Vivaldi 2:35
5 Flute Concerto no. 3 in D major, RV 428 "Il Cardellino" (The Goldfinch): III. Allegro
Antonio Vivaldi 3:17
6 Largo (Ombra mai fü) from Xerxes
George Frideric Handel 3:38
7 Canon from Canon and Gigue in D major
Johann Pachelbel 4:33
8 Concerto in G major, RV 151 "Alla rustica": I. Presto
Antonio Vivaldi 1:22
9 Concerto in G major, RV 151 "Alla rustica": II. Adagio
Antonio Vivaldi 1:24
10 Concerto in G major, RV 151 "Alla rustica": III. Allegro
Antonio Vivaldi 1:46
11 Musique de Table, Production I - Ouverture (Suite) and Conclusion in E minor (excerpts): Ouverture: Lentement - Vite - Lentement
Georg Philipp Telemann 7:52
12 Musique de Table, Production I - Ouverture (Suite) and Conclusion in E minor (excerpts): Réjouissance
Georg Philipp Telemann 3:34
13 Musique de Table, Production I - Ouverture (Suite) and Conclusion in E minor (excerpts): Rondeau
Georg Philipp Telemann 2:19
14 Musique de Table, Production I - Ouverture (Suite) and Conclusion in E minor (excerpts):Loure
Georg Philipp Telemann 5:15
15 Musique de Table, Production I - Ouverture (Suite) and Conclusion in E minor (excerpts): Passepied
Georg Philipp Telemann 2:32
16 The Fairy Queen: Symphony While the Swans Came Forward
Henry Purcell 2:08
17 The Fairy Queen: Second Musick: Rondeau
Henry Purcell 1:22
18 Air from Water Music (Suite in F major), HWV 348
George Frideric Handel 5:06
19 Toccata and Fugue in D minor, BWV 565: Toccata
Johann Sebastian Bach 2:43
20 Toccata and Fugue in D minor, BWV 565: Fugue
Johann Sebastian Bach 6:39
21 Pifa (Pastoral Symphony) from Messiah
George Frideric Handel 3:21
22 Pastorale from Concerto Grosso in F minor, op. 1 no. 8 "Christmas Concerto"
Pietro Antonio Locatelli 4:57

Credits

CD 1

clarinet:
Donald Westlake (track 2)
composer:
Georges Bizet (track 5)
Roman Hoffstetter (track 8)
Gioachino Rossini (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (track 7)
Franz von Suppé (track 15)
Giuseppe Verdi (Italian opera composer) (track 10)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 2)
Ludwig van Beethoven (1804 – 1808) (track 9)
Felix Mendelssohn (1842) (track 16)
Richard Wagner (1854 – 1856) (track 3)
Johannes Brahms (1858 – 1868) (track 11)
Bedřich Smetana (1863 – 1870) (track 12)
Pietro Mascagni (1888) (track 14)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 6)
Edward Elgar (1899) (track 13)
conductor:
Leonard Dommett (conductor and violinist) (tracks 1, 5, 15–16)
Myer Fredman (British-Australian conductor) (track 13)
David Measham (tracks 3, 11–12)
Robert Pikler (track 2)
José Serebrier (Uruguayan conductor and composer) (track 6)
Elyakum Shapirra (track 14)
David Stanhope (track 4)
Patrick Thomas (conductor) (tracks 7–8, 10)
orchestra:
Melbourne Symphony Orchestra (tracks 1, 5, 15–16)
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010) (tracks 7–8, 10)
Sydney Symphony Orchestra (tracks 2, 6, 9, 13)
orchestrator:
previously attributed to:
Joseph Haydn (track 8)
publisher:
Schott Music (Germany) (track 3)
recorded at:
ABC Odeon in Hobart, Tasmania, Australia (1999-09-14 – 1999-09-16) (track 4)
arrangement of:
arrangements:
Agnus Dei (track 13)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 5)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 3)
Die Walküre: Walkürenritt (for piano, Brassin) (track 3)
Hungarian Dance no. 5 (catch-all for arrangements) (track 11)
Hungarian Dance no. 5 (for trombone octet, Elkjer) (track 11)
Hungarian Dances no. 5 (for violin and strings, arr. Dupin) (track 11)
Hungarian Dances: No. 5 in F-sharp minor [trans. G minor] (for violin and piano, Joachim) (track 11)
Light Cavalry Overture (for brass band, Langford) (track 15)
Marche militaire (for solo piano, Tausig) (track 7)
Nimrod (for organ, Harris) (track 13)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 3)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 3)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 9)
The 5th (track 9)
Ungarischer Tanz Nr. 5 (Comedian Harmonists arrangement) (track 11)
Wedding March from "A Midsummer Night's Dream" (for organ, Woods) (track 16)
is based on:
Carmen : Prélude (track 5)
is the basis for:
A New World (track 6)
Ave Maria (Adapted from the Intermezzo of Cavalleria Rusticana) (track 14)
Goin’ Home (track 6)
Hungarian (track 11)
Más allá (track 6)
Più delle valchirie (Il mio nome è Nessuno) (track 3)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 14)
Sanctus (based on "Nimrod" from Variations on an Original Theme ('Enigma'), op. 36) (track 13)
Swingin' Willie (track 1)
The Globalist (track 13)
ワルキューレの騎行 (スーパーロボット大戦F) (track 3)
later versions:
Andante cantabile (Stokowski orchestration) (track 8)
Going Home (Largo "From the New World") (James Last pop arrangement) (track 6)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 6)
Nimrod (track 13)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 4)
orchestrations:
Hungarian Dance for Orchestra no. 5 in G minor: Allegro - Vivace (for unknown orchestrations - please move recordings to the correct work) (track 11)
Hungarian Dance no. 5 in G minor: Allegro - Vivace (for violin and orchestra, orch. Kennedy, Lenehan, Messiter) (track 11)
Hungarian Dances, WoO 1 no. 5 (orch. Breiner) (track 11)
part of:
Leichte Kavallerie (track 15)
Carmen Suite no. 1 (track 5)
partial recording of:
recording of:
Aida: Grand March (catch-all for arrangements) (track 10)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 5)
Guillaume Tell: Overture (catch-all for arrangements) (track 1)
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (1999-09-14 – 1999-09-16) (track 4)
referred to in medleys:
Hooked on Classics, Part 3 (tracks 3, 6, 16)
Hooked on Romance (track 2)
Hooked on Romance, Part 2 (tracks 13–14)

CD 2

violin:
Barbara Jane Gilby (violinist) (tracks 11–15)
Imogen Lidgett (violin) (tracks 11–15)
violin [Baroque violin]:
Alice Evans (Classical music violinist) (track 22)
Anna McDonald (violinist) (track 22)
cello:
Sue-Ellen Paulsen (cellist) (tracks 11–15)
Rosemary Quinn (cellist) (track 22)
flute:
Paul Curtis (flautist) (tracks 3–5)
Jane Dickie (flautist) (tracks 11–15)
Douglas Mackie (flautist) (tracks 11–15)
organ:
Michael Dudman (organist) (tracks 19–20)
harpsichord:
Erin Helyard (track 22)
composer:
Johann Sebastian Bach (tracks 19–20)
Arcangelo Corelli (track 22)
Johann Pachelbel (track 7)
Henry Purcell (baroque composer) (track 17)
Georg Philipp Telemann (tracks 11, 13)
Antonio Vivaldi (tracks 3–5, 8–10)
George Frideric Handel (German‐British baroque composer) (1717) (track 18)
Johann Sebastian Bach (1730) (track 2)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 6)
George Frideric Handel (German‐British baroque composer) (1741) (track 21)
George Frideric Handel (German‐British baroque composer) (1748) (track 1)
conductor:
Erin Helyard (tracks 16–17)
Anna McDonald (violinist) (tracks 16–17)
Geoffrey Lancaster (pianist / conductor) (tracks 11–15)
David McBride (tracks 3–5)
David Measham (tracks 1, 6)
Guy Noble (conductor) (track 21)
Albert Rosen (tracks 8–10)
José Serebrier (Uruguayan conductor and composer) (track 18)
David Stanhope (tracks 2, 7)
instruments:
Sinfonia Australis (track 21)
Sirius Ensemble (tracks 16–17)
orchestra:
Sydney Symphony Orchestra (tracks 3–5, 11–15)
West Australian Symphony Orchestra (tracks 1, 6, 8–10)
publisher:
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 2)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 2)
Air on the G String (for cello and orchestra, arr. Cullen) (track 2)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 7)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 7)
Largo from "Xerxes" (for violin, harp, organ and strings, arr. Hellmesberger) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 2)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 2)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 2)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 6)
The Arrival of the Queen of Sheba (arranged by Beecham) (track 1)
Toccata (for brass band, Sykes) (track 19)
Toccata and Fugue in D minor, BWV 565: Fugue (arr. S. Skrowaczewski) (track 20)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 19)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 19)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (for piano 4 hands, Reger) (track 20)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (catch all for arrangements) (track 20)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2: I. Toccata (Busoni piano arrangement) (track 19)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2: II. Fugue (Busoni piano arrangement) (track 20)
is the basis for:
Bach Aire (track 2)
Christmas Canon (original version) (track 7)
Crux fidelis (track 6)
Happy (track 7)
Lemming 1 (Lemmings, Commodore 64) (track 7)
Lullaby (track 7)
Simple Joy (track 7)
Toccata (lyrics by Tanzwut) (track 19)
the Fifth Death (UnEpic) (track 19)
later versions:
Messiah: Sinfonia Pastoral (Stokowski orchestration) (track 21)
Toccata (track 19)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 2)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 19)
part of:
Ouverture-Suite in E minor, TWV 55:e1 (TWV 55:e1 is **not** the same as TWV 55:E1) (tracks 11, 13)
partial recording of:
recording of:
referred to in medleys:
Hooked on Romance (tracks 2, 6)