Erasmus Van Rotterdam: Éloge de la Folie - Praise of Folly - Elogio de la Locura (This release comes as a book; the 3 first CDs contain the narrative in French. Other releases contain other narrative languages.)

~ Release by Louise Moaty, Marc Mauillon, René Zosso, La Capella Reial de Catalunya, Hespèrion XXI, Jordi Savall (see all versions of this release, 1 available)

Tracklist

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▼ SACD 1: Erasmus CD1: Érasme de Rotterdam: Éloge de la Folie
#TitleArtistRatingLength
1Folias (Imperfectas)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
Anonyme1:44
2Narration I (1): "La Folie, par sa seule présence, dirige les soucis de ses auditeurs"
spoken vocals:
Louise Moaty
Anonyme1:46
3La Folia: Yo Soy La Locura
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
percussion:
Pedro Estevan
viola da gamba:
Jordi Savall (viol player, conductor and composer)
soprano vocals:
Montserrat Figueras (soprano)
Henry du Bailly12:38
4Narration III (2): "Comment la Folie est conduite à faire son propre Éloge" / Musique: Passamezzo Antico
vihuela:
Thor-Harald Johnsen (classical guitarist) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
spoken vocals:
Louise Moaty
Diego Ortiz0:54
5Narration VII (3): "Origines de la Folie"
spoken vocals:
Louise Moaty
Anonyme2:11
6Recercada quarta sobre la Folia
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
vihuela:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Diego Ortiz1:28
7Narration VIII (4): "Son lieu de naissance, ses années d’enfance" / Musique: Folias de la costa
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme1:38
8Narration IX (5): "Ses suivantes" / Musique (Suite): Folias de la costa
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme1:22
9La Gamba In Basso, E Soprano (1564)
vihuela:
Rafael Bonavita
viola da gamba:
Fahmi Alqhai, Philippe Pierlot (Belgian violist and conductor) and Jordi Savall (viol player, conductor and composer)
Vincenzo Ruffo1:57
10Narration X (6): "Des titres qu’a la Folie à figurer parmi les déesses" / Musique: Romanesca
classical guitar:
Enrique Solinis
spoken vocals:
Louise Moaty
Alonso Mudarra0:53
11Folía: "Rodrigo Martínez" (improvisation d’après le villancico du C. M. Palacio No. 12)
bell:
Adela González-Campa
chamber organ:
Michael Behringer (conductor, organist and harpsichordist)
classical guitar:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
harp:
Arianna Savall (harpist, soprano)
percussion:
Pedro Estevan
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Anonyme3:10
12Narration XI (7): "Comment elle perpétue l’espèce humaine" / Musique: Folía: "Rodrigo Martínez" (improvisation d’après le villancico du C. M. Palacio No. 12)
bell:
Adela González-Campa
chamber organ:
Michael Behringer (conductor, organist and harpsichordist)
classical guitar:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
harp:
Arianna Savall (harpist, soprano)
percussion:
Pedro Estevan
viola da gamba:
Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
Anonyme1:45
13Narration XII (8): "Comment elle fait le bonheur de la vie" / Musique (Suite): Folía: "Rodrigo Martínez" (improvisation d’après le villancico du C. M. Palacio No. 12)
bell:
Adela González-Campa
chamber organ:
Michael Behringer (conductor, organist and harpsichordist)
classical guitar:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
harp:
Arianna Savall (harpist, soprano)
percussion:
Pedro Estevan
viola da gamba:
Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
Anonyme0:51
14Si habrá en este baldrés (C. M. Palacio No. 179)
alto vocals:
Laurence Bonnal
baritone vocals and bass vocals:
Jordi Ricart (baritone)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Joan Cabero
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XXI
recording of:
Si abrá en este baldrés
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Enzina1:28
15Narration XIII (9):" Des liens qui unissent la Folie et l’enfance et cette seconde enfance qu’est la vieillesse" / Musique: Las Vacas (Improvisation)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme1:56
16Diferencias Sobre Las Vacas (Improvisation) (C. M. Medinaceli)
orchestra:
Hespèrion XXI
Anonyme1:57
17Narration XIV (10): "Comment elle prolonge l’Enfance et recule la Vieillesse" / Musique: Folías antiguas (C. M. Palacio No. 121)
chamber organ:
Carlos García Bernalt
harp:
Arianna Savall (harpist, soprano)
percussion:
David Mayoral
theorbo:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
violone:
Xavier Puertas (Violone player)
spoken vocals:
Louise Moaty
Anonyme1:43
18Narration XVI (11): "De la prééminence de la Folie dans le monde" / Musique: Harke, harke
viola da gamba:
Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
Tobias Hume2:03
19Browning my Dear
orchestra:
Hespèrion XXI
Clement Woodcock2:24
20Narration XIX (12): "La Folie est nécessaire à l’amitié" / Musique: Belle qui tiens ma vie d’après Thoinot Arbeau (chanson)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Thoinot Arbeau1:30
21Narration XX (13): "Il n’est point de mariage durable sans la complicité de la Folie" / Musique (Suite): Belle qui tiens ma vie d’après Thoinot Arbeau (chanson)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Thoinot Arbeau0:51
22Cucú, cucú, cucucú ! (C. M. Palacio No. 94)
alto vocals:
Laurence Bonnal
baritone vocals and bass vocals:
Jordi Ricart (baritone)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Joan Cabero
Juan del Enzina0:56
23Narration XXI (14): "La Folie est le bien de la société humaine" / Musique: Paduana del Re (Mss. Venezia)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
Anonyme1:41
24Todos los Buenos Soldados (La Guerra)
bassoon and dulcian:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
percussion:
Pedro Estevan
sackbut:
Daniel Lasalle (Sackbut player) and Stefan Légée (baroque trombonist)
Mateo Flecha1:44
25Narration XXIII (15): "Elle inspire les exploits guerriers" / Musique: Pavana La Battaglia
bassoon:
Lorenzo Alpert
chalumeau:
Béatrice Delpierre
chamber organ:
Luca Guglielmi (conductor, composer, harpsichordist and organist)
cornett:
Jean-Pierre Canihac
percussion:
Pedro Estevan
sackbut:
Daniel Lasalle (Sackbut player) and Stefan Légée (baroque trombonist)
spoken vocals:
Louise Moaty
Clément Janequin, Tylman Susato1:48
26Narration XXV (16): "De l’infériorité de cette même sagesse dans toutes les circonstances de la vie" / Musique: Vederlo (Improvisation)
guitar:
Thor-Harald Johnsen (classical guitarist) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
spoken vocals:
Louise Moaty
Anonyme2:03
27Narration XXVIII (17): "Elle est mère des arts" / Musique: My Lady Carey’s Dompe (Danse traditionnelle anglaise)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme3:01
28Saltarello (Mss. Venezia)
percussion:
Δημήτρης Ψώνης
theorbo:
Xavier Díaz-Latorre
viola da gamba:
Fahmi Alqhai, Sergi Casademunt, Philippe Pierlot (Belgian violist and conductor) and Jordi Savall (viol player, conductor and composer)
Anonyme1:06
29Narration XXIX (18): "Elle revendique elle même la palme de la sagesse vraie" / Musique: Las Vacas (Improvisation)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme3:43
30Narration XXX (19): "Comment la Folie est un guide de sagesse" / Musique: Pavana con su Glosa (1557)
vihuela:
Rolf Lislevand (Baroque guitar, lute and theorbo player)
viola da gamba:
Eunice Brandão, Sergi Casademunt, Lorenz Duftschmid and Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
Antonio de Cabezón2:07
31Narration XXXII (20): "Des rapports de la Folie avec l’ignorance" / Musique: Desperada (Anonyme Elizabéthaine)
viola da gamba:
Sergi Casademunt and Jordi Savall (viol player, conductor and composer)
spoken vocals:
Louise Moaty
orchestra:
Hespèrion XXI
Anonyme1:47
32La Spagna (XVe siècle)
bassoon and dulcian:
Josep Borràs (bassoonist, dulcian player)
chalumeau:
Béatrice Delpierre
chamber organ:
Michael Behringer (conductor, organist and harpsichordist)
cornett:
Jean-Pierre Canihac
percussion:
Pedro Estevan
sackbut:
Daniel Lasalle (Sackbut player)
Anonyme1:38
33Narration LV (21): "Folie des Rois" / Musique: Las Vacas (Romanesca)
guitar:
Thor-Harald Johnsen (classical guitarist) and Rolf Lislevand (Baroque guitar, lute and theorbo player)
spoken vocals:
Louise Moaty
Anonyme3:47
34Narration LVII-LIX (22): "Folie des Evêques, des cardinaux et des souverains pontifes" / Musique: Estas Noches á Tan Largas (Instrumental)
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
viola da gamba:
Eunice Brandão, Sergi Casademunt, Jordi Savall (viol player, conductor and composer) and Sophie Watillon (viola da gamba player)
spoken vocals:
Louise Moaty
Anonyme4:55
35Narration LXVI (23): "Des rapports de la religion chrétienne avec la Folie" / Musique: Patres nostri peccaverunt (C. M. Montecassino n. 2)
choir vocals:
La Capella Reial de Catalunya (Spanish / Catalan early music vocal ensemble)
spoken vocals:
Louise Moaty
orchestra:
Hespèrion XXI
Johannes Cornago3:15
36Narration LXVII (24): "La Folie est le souverain bien" / Musique: Dios te salve, Cruz preciosa (Instrumental-C. M. Palacio No. 4)
spoken vocals:
Louise Moaty
orchestra:
Hespèrion XXI
Anonyme2:37
37Diferencias Sobre "Las Vacas"
vihuela:
Robert Clancy (theorbist)
viola da gamba:
Sergi Casademunt, Christophe Coin (cellist), Roberto Gini (Viola da gamba player) and Jordi Savall (viol player, conductor and composer)
Antonio de Cabezón2:34
38Narration LXVIII (25): "Adieu au lecteur" / Musique: Folias Portuguesas
harp:
Andrew Lawrence‐King (Early music harpist and conductor)
spoken vocals:
Louise Moaty
Anonyme1:27
39Villancico (Égloga 6): "Hoy comamos y bevamos" (C. M. Palacio No. 174)
alto vocals:
Laurence Bonnal
baritone vocals and bass vocals:
Jordi Ricart (baritone)
bass vocals:
Daniele Carnovich (operatic bass)
soprano vocals:
Montserrat Figueras (soprano)
tenor vocals:
Joan Cabero
orchestra:
Hespèrion XXI
Juan del Enzina2:31
▼ SACD 2: Erasmus CD2: Érasme de Rotterdam: Le Temps & La Vie d'un grand Humaniste
#TitleArtistRatingLength
1Makam « Muhayyer pesrev » (Marche guerrière ottomane, XVe siècle)
Anonyme3:28
2Narration 1: "Lettre d’Érasme sur la Guerre contre les Turcs" / Musique: Taksim (Improvisation)
Anonyme1:28
3Saltarello: Une musique de Buscaye (instrumental)
partial recording of:
Missa Une musque de Biscaye
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez2:58
4A Florence la joyose cité (C. M. Montecassino No. 6)
Anonyme2:00
5Narration 2: Adage 145 "La fortune sourit aux audacieux" / Musique: Fortuna desperata
Josquin des Prez2:10
6Audi, benigne Conditor (C. M. Montecassino No. 40)
Guillaume Dufay3:47
7Taskim & Danse (Anonyme Ottoman)
Anonyme2:55
8Narration 3: "Érasme de Rotterdam et les juifs" / Musique: Las Estrellas de los Cielos (Mélodie sépharade)
Anonyme1:53
9Lavava y suspirava (Romance sépharade)
Anonyme5:25
10Malor me bat (Malheur me bat) (Odhecaton No. 63)
recording of:
Malheur me bat
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Jean d’Ockeghem4:22
11Benedic anima mea (Ps. 103, 1-3)
Claude de Sermisy3:10
12Narration 4: "Épitaphe pour Jean d’Ockeghem, musicien hors pair" / Musique: Fortune, par ta cruaulté
Johannes Vincenet2:07
13La déploration sur la mort d’Ockeghem
recording engineer:
Nicolas de Beco (in 2009-10)
baritone vocals:
Jordi Ricart (baritone) (in 2009-10)
bass vocals:
Marco Scavazza (bass-baritone) (in 2009-10)
countertenor vocals:
Pascal Bertin (countertenor) (in 2009-10)
tenor vocals:
Francesc Garrigosa (in 2009-10)
recorded at:
Église Saint-Rémi de Franc-Waret in Fernelmont, Namur, Wallonie, Belgium (in 2009-10)
recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 2009-10)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:54
14« Latura tu » (Instrumental) (Odhecaton No. 94)
Antoine Bruhier2:21
15Narration 5: "Le Panégyrique de Philippe le Beau" / Musique: Adieu mes amours (Improvisation)
Anonyme1:23
16Hélas madame, passamezzo (Henry VIII mss. 10)
Anonyme2:28
17Narration 6: Adage 3415 "L’amour rend musicien" / Musique: De tous biens plaine (C. M. Montecassino No. 85)
Hayne van Ghizeghem2:09
18Frottola: In te Domine speravi (C. M. Palacio No. 84)
recording of:
In te Domine speravi
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:50
19Narration 7: "Enchiridion. L’importance des classiques" / Musique: Ave maris stella (C. M. Montecassino No. 76)
Damianus1:46
20Puzzle-Canon II (Henry VIII mss.)
Anonyme1:39
21Scaramella va alla guerra
recording of:
Scaramella
lyricist and composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez1:57
22Narration 8: Adage 3001 "La guerre paraît douce à ceux qui n’en ont pas l’expérience" / Musiques: Tambours & Fanfares - Vexilla Regis (instrumental) (C. M. Montecassino No. 106)
Anonyme6:20
23Danza Alta (Instrumental) (C. M. Palacio No. 321)
Francisco de la Torre2:05
24Narration 9: "Lettre d’Érasme de Rotterdam à son cher Thomas More sur la publication de L’Éloge de la Folie"
Anonyme2:07
25Home Again, Market Is Done (Margaret Board Lute Book)
Anonyme1:54
▼ SACD 3: Erasmus CD3: Érasme de Rotterdam: Le Temps & La Vie d'un grand Humaniste - Temps de Confrontations
#TitleArtistRatingLength
1Paduana del Re (Mss. Venezia)
Anonyme3:00
2Le Prince de Machiavel / Musique: Gallarda di Venosa
Carlo Gesualdo2:25
3La Spagna, à 5
bombarde and dulcian:
Josep Borràs (bassoonist, dulcian player)
chirimía:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
flute:
Lorenzo Alpert
percussion:
Pedro Estevan
sackbut:
Daniel Lassalle (baroque trombonist) and Stefan Légée (baroque trombonist)
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XXI
recording of:
La Spagna a 5
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:08
4Narration 11: Érasme. "Institution du Prince Chrétien" (1516) / Musique: Himno XVI (Instrumental)
Antonio de Cabezón2:13
5Taksim et Makam « Rast Murass'a »
Dimitri Cantemir7:20
6Narration 12: Thomas More "Utopie : Sur la Justice et la prospérité sociale" / Musique: Puzzle-canon I
John Lloyd2:38
7Adoramus te Domine (C. M. Montecassino No. 4)
Anonyme1:20
8Narration 13: Érasme: "La Complainte de la Paix" / Musique : Mille regrets
Josquin des Prez2:42
9Romance: Ya es tiempo de recoger
Anonyme4:39
10Narration 14: "Lettre de Martin Luther a Érasme de Rotterdam" (28 mars 1519) / Musique: Psaume: A solis ortus cardine
Anonyme2:14
11Benedictus à 3
Heinrich Isaac2:29
12Narration 15: "Lettre d'Érasme de Rotterdam a Martin Luther" (30 mai 1519) / Musique: In nomine à 5
Anonyme2:23
13Vingtcinquiesme Fantasie. A Quatre
Eustache du Caurroy1:47
14Narration 16: "Lettre de Martin Luther a Érasme" (15 avril 1524) / Musique: Psaume: Christ ist erstanden
Hans Leo Hassler3:04
15Narration 17: "Érasme de Rotterdam à Martin Luther-Diatribe du libre arbitre" / Musique: In Nomine à 5 (Free from All)
Christopher Tye2:19
16Pavane « La Bataille » publiée par Jacques Moderne en « Musique de Joie » Lyon, ca. 1540
chirimía:
Béatrice Delpierre
cornett:
Jean-Pierre Canihac
flute:
Lorenzo Alpert
organ:
Luca Guglielmi (conductor, composer, harpsichordist and organist)
percussion:
Pedro Estevan
sackbut:
Daniel Lassalle (baroque trombonist) and Stefan Légée (baroque trombonist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XXI
instrumental recording of:
La Guerre (aka Escoutez tous gentilz / La bataille de Marignan)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558)
Anonyme2:05
17Narration 18: "Lettre d'Érasme au Roi de France François 1er" (16 Juin 1526) / Musique: Pavane 14 publiée par Jacques Moderne en « Musique de Joie » Lyon, ca. 1540
Anonyme1:46
18Gazel-Chant ottoman / Poëme de Fuzuli
Mehmet bin Süleyman3:56
19Tu pauperum refugium
recording of:
Tu pauperum refugium
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:08
20Narration 19: "Martin Luther à Érasme. Du Serf Arbitre" / Musique: Psaume: Christ lag in Todes
Martin Luther2:38
21Christ ist Erstanden à 6 voix
Heinrich Isaac3:18
22Narration 20: Adage 2100: "Les mots sont les médecins des âmes malades" / Musique: Now o now
John Dowland3:42
23In Nomine à 5-My Death
recording of:
In Nomine a 5 "My death"
composer:
Christopher Tye (English composer & organist, c. 1505-1573)
Christopher Tye2:18
24Pie Jesu Domine (Requiem)
Cristóbal de Morales1:46
25Narration 21: La mort d'Érasme (Stefan Zweig)
Anonyme2:20
26Plangite plerides (Planctus pour la mort d'Érasme)
Benedictus Appenzeller3:54
27"Le legs spirituel d'Érasme" / Musique: Durezze e ligature (instrumental)
Giovanni Maria Trabaci3:01
▶ SACD 4: Erasmus CD4: Les musiques: Mille folies
▶ SACD 5: Erasmus CD5: Les musiques: Les musiques de l'humanisme I
▶ SACD 6: Erasmus CD6: Les musiques: Les musiques de l'humanisme II

Credits

Release

ASIN:FR: B009NEP3E2 [info]