Aida

~ Release by Giuseppe Verdi; Maria Callas, Richard Tucker, Tito Gobbi, Fedora Barbieri, Tullio Serafin (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Aida: Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:44
2Aida: Atto I. “Si, corre voce”
bass vocals and bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:33
3Aida: Atto I. “Se quel guerrir io fossi”
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:28
4Aida: Atto I. “Quale insolita gioia”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:22
5Aida: Atto I. “Alta cagion v'aduna o figli”
bass vocals [Il Re]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:14
6Aida: Atto I. “Ritorna vincitor”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:40
7Aida: Atto I. “Possente Fthà”
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:08
8Aida: Atto I. “Nume custode e vindice”
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:50
9Aida: Atto II. “Chi mai fra gl'inni”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:09
10Aida: Atto II. “Fu la sorte dell'armi”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:19
11Aida: Atto II. “Ah! Pietà ti prenda del mio dolor”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:42
▼ CD 2
#TitleArtistRatingLength
1Aida: Atto II. “Gloria all'Egitto, ad Iside”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:24
2Aida: Atto II. Marcia trionfale
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi1:39
3Aida: Atto II. Ballabile
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:18
4Aida: Atto II. “Vieni, o guerriero vindice”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:14
5Aida: Atto II. “Salvator della patria“
bass vocals [Il Re]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:48
6Aida: Atto II. “O re, pei sacri numi”
bass vocals [Il Re]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:12
7Aida: Atto III. “O tu che sei d'Osiride”
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:41
8Aida: Atto III. “Qui Radamès verrà”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:02
9Aida: Atto III. “Ciel, mio padre”
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:06
▼ CD 3
#TitleArtistRatingLength
1Aida: Atto III. “Pur ti riveggo”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:04
2Aida: Atto III. “Fuggiam gli ardori nostri”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:17
3Aida: Atto III. “Ma dimmi”
baritone vocals and baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-24)
bass vocals and bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals and mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals and soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals and tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:11
4Aida: Atto IV. “L'abborrita rivale”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:05
5Aida: Atto IV. “Gia i sacerdoti”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:37
6Aida: Atto IV. “Ohimè! Morir mi sento”
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi11:26
7Aida: Atto IV. “La fatal pietra”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:07
8Aida: Atto IV. “O terra addio”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:51