Bach 2000: The Complete Bach Edition, Volume 4: Sacred Cantatas: BWV 150-159, 161-188, 192, 194-199

~ Release by Johann Sebastian Bach (see all versions of this release, 13 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Cantata, BWV 150 "Nach dir, Herr, verlanget mich," I. Sinfonia.
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:27
2Cantata, BWV 150 "Nach dir, Herr, verlanget mich," II. Coro. Nach dir, Herr, verlanget mich
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:50
3Cantata, BWV 150 "Nach dir, Herr, verlanget mich," III. Aria (soprano). Doch bin und bleibe ich vergnügt
treble vocals:
Ansgar Pfeiffer (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:25
4Cantata, BWV 150 "Nach dir, Herr, verlanget mich," IV. Coro. Leite mich in deiner Wahrheit
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:54
5Cantata, BWV 150 "Nach dir, Herr, verlanget mich," V. Aria (Terzetto) (alto, tenor, bass). Zedern müssen von den Winden
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
1:32
6Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VI. Coro. Meine Augen sehen stets zu dem Herrn
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
2:18
7Cantata, BWV 150 "Nach dir, Herr, verlanget mich," VII. Coro. Meine Tage in dem Leide
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 1984-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
3:17
8Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," I. Aria (soprano). Süßer Trost, mein Jesus kömmt
treble vocals:
Sebastian Hennig (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
7:56
9Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," II. Recitativo (bass). Erfreue dich, mein Herz
bass vocals:
Max van Egmond (bass-baritone) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
1:03
10Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," III. Aria (alto). In Jesu Demut kann ich Trost
alto vocals:
Paul Esswood (countertenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
5:55
11Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," IV. Recitativo (tenor). Du teurer Gottessohn
tenor vocals:
Kurt Equiluz (tenor) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
0:49
12Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," V. Choral (coro). Heut schleußt er wieder auf die Tür
choir vocals:
Collegium Vocale Gent (in 1984-01) and Knabenchor Hannover (German boys choir) (in 1984-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1984-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1984-01)
chorus master:
Heinz Hennig (conductor) (in 1984-01) and Philippe Herreweghe (Belgian conductor) (in 1984-01)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1984-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
0:46
13Cantata, BWV 152 "Tritt auf die Glaubensbahn," I. Concerto. Tritt auf die Glaubensbahn
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:33
14Cantata, BWV 152 "Tritt auf die Glaubensbahn," II. Aria (bass). Tritt auf die Glaubensbahn
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:25
15Cantata, BWV 152 "Tritt auf die Glaubensbahn," III. Recitativo (bass). Der Heiland ist gesetzt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
2:03
16Cantata, BWV 152 "Tritt auf die Glaubensbahn," IV. Aria (soprano). Stein, der über alle Schätze
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:14
17Cantata, BWV 152 "Tritt auf die Glaubensbahn," V. Recitativo (bass). Es ärgre sich die kluge Welt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:28
18Cantata, BWV 152 "Tritt auf die Glaubensbahn," VI. Duetto (soprano, bass). Wie soll ich dich, Liebster der Seelen, umfassen?
bass vocals:
Thomas Hampson (baritone)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
premiered in:
Weimar, Thüringen, Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:31
19Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," I. Choral (coro). Schau, lieber Gott, wie meine Feind
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:02
20Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," II. Recitativo (alto). Mein liebster Gott
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:33
21Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," III. Aria (bass). Fürchte dich nicht, ich bin mit dir
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:40
22Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IV. Recitativo (tenor). Du sprichst zwar, lieber Gott
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:33
23Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," V. Choral (coro). Und ob gleich alle Teufel
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:05
24Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VI. Aria (tenor). Stürmt nur, stürmt, ihr Trübsalswetter
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:56
25Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VII. Recitativo (bass). Getrost! mein Herz, erdulde deinen Schmerz
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:38
26Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VIII. Aria (alto). Soll ich meinen Lebenslauf
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:55
27Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IX. Choral (coro). Drum will ich, weil ich lebe noch
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:44
▼ CD 2
#TitleRatingLength
1Cantata, BWV 154 "Mein liebster Jesus ist verloren," I. Aria (tenor). Mein liebster Jesus ist verloren
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
2:58
2Cantata, BWV 154 "Mein liebster Jesus ist verloren," II. Recitativo (tenor). Wo treff ich meinen Jesum an
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:32
3Cantata, BWV 154 "Mein liebster Jesus ist verloren," III. Choral (coro). Jesu, mein Hort und Erretter
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:04
4Cantata, BWV 154 "Mein liebster Jesus ist verloren," IV. Aria (alto). Jesu, laß dich finden
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:42
5Cantata, BWV 154 "Mein liebster Jesus ist verloren," V. Arioso (bass). Wisset ihr nicht
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:13
6Cantata, BWV 154 "Mein liebster Jesus ist verloren," VI. Recitativo (tenor). Dies ist die Stimme meines Freundes
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:51
7Cantata, BWV 154 "Mein liebster Jesus ist verloren," VII. Aria (Duetto) (alto, tenor). Wohl mir, Jesus ist gefunden
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:45
8Cantata, BWV 154 "Mein liebster Jesus ist verloren," VIII. Choral (coro). Meinen Jesum laß ich nicht
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht"
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:02
9Cantata, BWV 155 "Mein Gott, wie lang, ach lange," I. Recitativo (soprano). Mein Gott, wie lang, ach lange?
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
1:59
10Cantata, BWV 155 "Mein Gott, wie lang, ach lange," II. Aria (Duetto) (alto, tenor). Du mußt glauben, du mußt hoffen
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
5:54
11Cantata, BWV 155 "Mein Gott, wie lang, ach lange," III. Recitativo (bass). So sei, o Seele, sei zufrieden!
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:08
12Cantata, BWV 155 "Mein Gott, wie lang, ach lange," IV. Aria (soprano). Wirf, mein Herze, wirf dich noch
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:56
13Cantata, BWV 155 "Mein Gott, wie lang, ach lange," V. Choral (coro). Ob sichs anließ, als wollt er nicht
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht"
premiered in:
Weimar, Thüringen, Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
1:17
14Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," I. Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
2:47
15Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," II. Aria-Choral (soprano, tenor). Ich steh mit einem Fuß im Grabe
tenor vocals:
Kurt Equiluz (tenor)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
5:25
16Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," III. Recitativo (bass). Mein Angst und Not
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:25
17Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," IV. Aria (alto). Herr, was du willt, soll mir gefallen
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
4:32
18Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," V. Recitativo (bass). Und willst du, daß ich nicht soll kranken
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
0:59
19Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," VI. Choral (coro). Herr, wie du willt, so schicks mit mir
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:25
20Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," I. Duetto (tenor, bass). Ich lasse dich nicht, du segnest mich denn
bass vocals:
Max van Egmond (bass-baritone) (from 1985-01-02 until 1985-01-06)
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": I. Duetto (Tenor, Bass) "Ich lasse dich nicht, du segnest mich denn!" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
4:14
21Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," II. Aria (tenor). Ich halte meinen Jesum feste
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": II. Aria (Tenor) "Ich halte meinen Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:54
22Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," III. Recitativo (tenor). Mein lieber Jesu du
tenor vocals:
Kurt Equiluz (tenor) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": III. Recitativo (Tenor) "Mein lieber Jesu du" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
1:34
23Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," IV. Aria (bass). Ja, ja, ich halte Jesum feste
bass vocals:
Max van Egmond (bass-baritone) (from 1985-01-02 until 1985-01-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": IV. Aria, Recitativo ed Arioso (Bass) "Ja, ja, ich halte Jesum feste" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
6:06
24Cantata, BWV 157 "Ich lasse dich nicht, du segnest mich denn," V. Choral (coro). Meinen Jesum laß ich nicht
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-01-02 until 1985-01-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-01-02 until 1985-01-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-01-02 until 1985-01-06)
recording of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!": V. Choral "Meinen Jesum laß ich nicht" (from 1985-01-02 until 1985-01-06)
premiered in:
Pomßen, Sachsen, Germany (on 1727-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Keymann (in 1658) and Christian Friedrich Henrici (in 1727)
part of:
Breitkopf 389 Choralgesänge (number: 245)
part of:
Kantate, BWV 157 "Ich lasse dich nicht, du segnest mich denn!"
0:54
▼ CD 3
#TitleRatingLength
1Cantata, BWV 158 "Der Friede sei mit dir," I. Recitativo (bass). Der Friede sei mit dir
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:49
2Cantata, BWV 158 "Der Friede sei mit dir," II. Aria-Choral (bass, soprano). Welt ade! ich bin dein müde
bass vocals:
Max van Egmond (bass-baritone)
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
7:05
3Cantata, BWV 158 "Der Friede sei mit dir," III. Recitativo (bass). Nun Herr, regiere meinen Sinn
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:36
4Cantata, BWV 158 "Der Friede sei mit dir," IV. Choral (coro). Hier ist das rechte Osterlamm
choir vocals:
Tölzer Knabenchor
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
1:16
5Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," I. Arioso-Recitativo (bass, alto). Sehet! Komm, schaue doch, mein Sinn
alto vocals:
Paul Esswood (countertenor)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": I. Arioso (Alt) "Sehet, wir gehn hinauf gen Jerusalem"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
2:59
6Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," II. Aria-Choral (alto, soprano). Ich folge dir nach
alto vocals:
Paul Esswood (countertenor)
treble vocals:
Tobias Eiwanger
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1656)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
4:15
7Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," III. Recitativo (tenor). Nun will ich mich, mein Jesu
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": III. Recitativo (Tenor) "Nun will ich mich, mein Jesu"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:05
8Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," IV. Aria (bass). Es ist vollbracht
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": IV. Aria (Bass) "Es ist vollbracht"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
5:16
9Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," V. Choral (coro). Jesu, deine Passion
choir vocals:
Tölzer Knabenchor
vocals:
Collegium Vocale Gent
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": V. Choral "Jesu, deine Passion ist mir lauter Freude"
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Paul Stockmann (in 1633)
part of:
Breitkopf 389 Choralgesänge (number: 194)
part of:
Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem"
1:17
10Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
4:43
11Cantata, BWV 161 "Komm, du süße Todesstunde," II. Recitativo (tenor). Welt, deine Lust ist Last
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:53
12Cantata, BWV 161 "Komm, du süße Todesstunde," III. Aria (tenor). Mein Verlangen
tenor vocals:
Kurt Equiluz (tenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
5:06
13Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht
alto vocals:
Paul Esswood (countertenor) (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
2:17
14Cantata, BWV 161 "Komm, du süße Todesstunde," V. Coro. Wenn es meines Gottes Wille
choir vocals:
Tölzer Knabenchor (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
3:07
15Cantata, BWV 161 "Komm, du süße Todesstunde," VI. Choral (coro). Der Leib zwar in der Erden
choir vocals:
Tölzer Knabenchor (from 1984-12 until 1985-05)
orchestra:
Concentus Musicus Wien (from 1984-12 until 1985-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1984-12 until 1985-05)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1984-12 until 1985-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1984-12 until 1985-05)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 1984-12 until 1985-05)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
1:12
16Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe
bass vocals:
Robert Holl (bass-baritone) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": I. Aria (Bass) "Ach! ich sehe, itzt, da ich zur Hochzeit gehe" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
3:44
17Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," II. Recitativo (tenor). O großes Hochzeitfest
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": II. Recitativo (Tenor) "O großes Hochzeitsfest" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:24
18Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," III. Aria (soprano). Jesu, Brunnquell aller Gnaden
treble vocals:
Tobias Eiwanger (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": III. Aria (Sopran) "Jesu, Brunnquell aller Gnaden" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:25
19Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": IV. Recitativo (Alt) "Mein Jesu, laß mich nicht" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:35
20Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut
alto vocals:
Paul Esswood (countertenor) (from 1983-01 until 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": V. Aria (Duetto Alt, Tenor) "In meinem Gott bin ich erfreut" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
4:22
21Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," VI. Choral (coro). Ach, ich habe schon erblicket
choir vocals:
Tölzer Knabenchor (from 1983-01 until 1986-04)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1986-04)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1986-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1986-04)
recording of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe": VI. Choral "Ach, ich habe schon erblicket" (from 1983-01 until 1986-04)
premiered in:
Weimar, Thüringen, Germany (on 1716-10-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1716)
librettist:
Johann Rosenmüller (composer) (in 1652)
part of:
Breitkopf 389 Choralgesänge (number: 18)
part of:
Kantate, BWV 162 "Ach! ich sehe, itzt, da ich zur Hochzeit gehe"
1:06
▼ CD 4
#TitleRatingLength
1Cantata, BWV 163 "Nur jedem das Seine," I. Aria (tenor). Nur jedem das Seine
tenor vocals:
Kurt Equiluz (tenor) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": I. Aria (Tenor) "Nur jedem das Seine" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:39
2Cantata, BWV 163 "Nur jedem das Seine," II. Recitativo (bass). Du bist, mein Gott
bass vocals:
Robert Holl (bass-baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": II. Recitativo (Bass) "Du bist, mein Gott, der Geber aller Gaben" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
1:28
3Cantata, BWV 163 "Nur jedem das Seine," III. Aria (bass). Laß mein Herz die Münze sein
bass vocals:
Robert Holl (bass-baritone) (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": III. Aria (Bass) "Laß mein Herz die Münze sein" (from 1983-01 until 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:52
4Cantata, BWV 163 "Nur jedem das Seine," IV. Recitativo (soprano, alto). Ich wollte dir, o Gott
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": IV. Recitativo (Sopran, Alt) "Ich wollte dir, o Gott, das Herze" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
2:22
5Cantata, BWV 163 "Nur jedem das Seine," V. Aria (Duetto) (soprano, alto). Nimm mich mir und gib mich dir!
alto vocals:
Panito Iconomou (bass-baritone) (from 1983-01 until 1985-11)
treble vocals:
Tobias Eiwanger (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": V. Aria (Duetto Sopran, Alt) "Nimm mich mir und gib mich dir!" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
3:08
6Cantata, BWV 163 "Nur jedem das Seine," VI. Choral (coro). Führ auch mein Herz und Sinn
choir vocals:
Tölzer Knabenchor (from 1983-01 until 1985-11)
orchestra:
Concentus Musicus Wien (from 1983-01 until 1985-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1983-01 until 1985-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1983-01 until 1985-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1983-01 until 1985-11)
recording of:
Kantate, BWV 163 "Nur jedem das Seine": VI. Choral "Führ auch mein Herz und Sinn" (from 1983-01 until 1985-11)
premiered in:
Weimar, Thüringen, Germany (on 1715-11-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 163 "Nur jedem das Seine"
0:58
7Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," I. Aria (tenor). Ihr, die ihr euch von Christo nennet
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": I. Aria (Tenor) "Ihr, die ihr euch von Christo nennet"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:30
8Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," II. Recitativo (bass). Wir hören zwar, was selbst die Liebe spricht
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": II. Recitativo (Bass) "Wir hören zwar, was selbst die Liebe spricht"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:47
9Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," III. Aria (alto). Nur durch Lieb und durch Erbarmen
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": III. Aria (Alt) "Nur durch Lieb und durch Erbarmen"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:36
10Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," IV. Recitativo (tenor). Ach, schmelze doch durch deinen Liebesstrahl
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": IV. Recitativo (Tenor) "Ach, schmelze doch dein Liebesstrahl"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:44
11Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," V. Aria (Duetto) (soprano, bass). Händen, die sich nicht verschließen
bass vocals:
Max van Egmond (bass-baritone)
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": V. Aria (Duetto Sopran, Bass) "Händen, die sich nicht verschließen"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
4:00
12Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," VI. Choral (coro). Ertöt uns durch dein Güte
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet": VI. Choral "Ertöt uns durch deine Güte"
premiered in:
Leipzig, Sachsen, Germany (on 1725-08-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Elisabeth Creuziger (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 127)
part of:
Kantate, BWV 164 "Ihr, die ihr euch von Christo nennet"
1:06
13Cantata, BWV 165 "O heilges Geist- und Wasserbad," I. Aria (soprano). O heilges Geist- und Wasserbad
treble vocals:
Tobias Eiwanger
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": I. Aria (Sopran) "O heilges Geist- und Wasserbad"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
3:09
14Cantata, BWV 165 "O heilges Geist- und Wasserbad," II. Recitativo (bass). Die sündige Geburt verdammter Adamserben
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": II. Recitativo (Bass) "Die sündige Geburt verdammter Adamserben"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
1:25
15Cantata, BWV 165 "O heilges Geist- und Wasserbad," III. Aria (alto). Jesu, der aus großer Liebe
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": III. Aria (Alt) "Jesu, der aus großer Liebe"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:21
16Cantata, BWV 165 "O heilges Geist- und Wasserbad," IV. Recitativo (bass). Ich habe ja, mein Seelenbräutigam
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": IV. Recitativo (Bass) "Ich habe ja, mein Seelenbräutigam"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:06
17Cantata, BWV 165 "O heilges Geist- und Wasserbad," V. Aria (tenor). Jesu, meines Todes Tod
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
2:59
18Cantata, BWV 165 "O heilges Geist- und Wasserbad," VI. Choral (coro). Sein Wort, sein Tauf, sein Nachtmahl
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": VI. Choral "Sein Wort, sein Tauf, sein Nachtmahl"
premiered in:
Weimar, Thüringen, Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 266)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
0:46
19Cantata, BWV 166 "Wo gehest du hin?," I. Aria (bass). Wo gehest du hin?
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": I. Aria (Bass) "Wo gehst du hin?"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 166 "Wo gehest du hin"
2:00
20Cantata, BWV 166 "Wo gehest du hin?," II. Aria (tenor). Ich will an den Himmel denken
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": II. Aria (Tenor) "Ich will an den Himmel denken"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
7:27
21Cantata, BWV 166 "Wo gehest du hin?," III. Choral (soprano). Ich bitte dich, Herr Jesu Christ
treble vocals:
Christoph Wegmann
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": III. Choral (Coro Sopran) "Ich bitte dich, Herr Jesu Christ"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Bartholomäus Ringwaldt (in 1582)
part of:
Kantate, BWV 166 "Wo gehest du hin"
2:53
22Cantata, BWV 166 "Wo gehest du hin?," IV. Recitativo (bass). Gleichwie die Regenwasser bald verfließen
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": IV. Recitativo (Bass) "Gleichwie die Regenwasser bald verfließen"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:55
23Cantata, BWV 166 "Wo gehest du hin?," V. Aria (alto). Man nehme sich in acht
alto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Kantate, BWV 166 "Wo gehest du hin": V. Aria (Alt) "Man nehme sich in acht"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 166 "Wo gehest du hin"
3:51
24Cantata, BWV 166 "Wo gehest du hin?," VI. Choral (coro). Wer weiß, wie nahe mir mein Ende
choir vocals:
Collegium Vocale Gent and Tölzer Knabenchor
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Philippe Herreweghe (Belgian conductor) and Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 166 "Wo gehest du hin": VI. Choral "Wer weiß, wie nahe mir mein Ende"
premiered in:
Leipzig, Sachsen, Germany (on 1724-05-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 372)
part of:
Kantate, BWV 166 "Wo gehest du hin"
0:52
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▶ CD 9
▶ CD 10
▶ CD 11
▶ CD 12
▶ CD 13
▶ CD 14
▶ CD 15

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 4) (order: 4)
ASIN:US: B00001IV8B [info]
US: B00002DF3P [info]