Now That’s What I Call Music! II

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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12" Vinyl 1
#TitleArtistRatingLength
A1Radio Ga Ga
additional recording engineer:
Mike Beiriger
assistant recording engineer:
Eddie DeLena and Stephan Wissnet
recording engineer, programming and engineer:
Mack (German rock producer/engineer Reinhold Mack)
synthesizer programming:
Fred Mandel
producer:
Mack (German rock producer/engineer Reinhold Mack) and Queen (UK rock group)
bass guitar:
John Deacon (from 1983-08 until 1984-01)
drum machine, drums (drum set), vocoder and background vocals:
Roger Taylor (Queen drummer) (from 1983-08 until 1984-01)
guest sampler:
Fred Mandel
guest synthesizer:
Fred Mandel (from 1983-08 until 1984-01)
guitar:
Brian May (Queen guitarist) (from 1983-08 until 1984-01)
sampler:
Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury (from 1983-08 until 1984-01)
synthesizer arranger:
Fred Mandel
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) and Raincloud Productions Ltd. (in 1984)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1983-08 until 1984-01) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
recording of:
Radio Ga Ga (from 1983-08 until 1984-01)
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.95:45
A2Wouldn't It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios in Whitechapel, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.54:30
A3Hold Me Now
engineer and mixer:
Phil Thornalley
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Point Music (publisher)
Thompson Twins4.54:49
A4Get Out of Your Lazy Bed
engineer:
John Buckley (British production music composer)
producer:
Peter Collins (producer)
mixer:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
drums (drum set) and percussion:
Peter Ross
keyboard:
Danny White (keyboardist)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco2.53:28
A5More More MoreCarmel3:08
A6Michael Caine
background vocals:
Afrodiziak
recording of:
Michael Caine
writer:
Carl Smyth and Daniel Woodgate
Madness2.83:41
A7Only You
producer:
The Flying Pickets and John Sherry
performer:
The Flying Pickets
music videos:
Only You by The Flying Pickets
cover recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (current name of Sony Music Publishing UK) and Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets43:26
B199 Red Balloons
producer:
Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.753:53
B2Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部 and Heroic Music (publisher) (in 1983)
Cyndi Lauper4.13:58
B3My Guy's Mad at Me
cover recording of:
My Guy (Tracey Ullman version)
lyricist and composer:
Mike Barson
version of:
My Girl
Tracey Ullman43:01
B4Break My Stride
drums (drum set) programming:
John Gilston
producer:
Peter Bunetta, Rick Chudacoff and Bill Elliott (keyboardist/composer)
analog synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) and Matthew Wilder
drum machine [Oberheim DMX], drums (drum set) and percussion:
Peter Bunetta
guitar:
Dennis Herring
background vocals:
Greg Prestopino, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) and Matthew Wilder
lead vocals:
Matthew Wilder
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
recording of:
Break My Stride (in 1983)
writer:
Greg Prestopino and Matthew Wilder
publisher:
Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) and Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:05
B5Breaking Down (Sugar Samba)
Julia and Company3:09
B6That's Livin' Alright
recording of:
That's Living Alright
writer:
Ken Ashby and David Mackay (Australian producer, arranger, musical director)
arranger:
David Mackay (Australian producer, arranger, musical director)
Joe Fagin3:05
B7I Gave You My Heart (Didn't I)
recording of:
I Gave You My Heart (Didn’t I)
lyricist and composer:
Richard Gower (singer and keyboard player for Racey)
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate23:42
B8Bird of Paradise
recording of:
Bird of Paradise
lyricist and composer:
Snowy White (guitarist)
publisher:
Campbell Connolly Ltd. and Novello & Co. Ltd.
Snowy White4.55:03
12" Vinyl 2
#TitleArtistRatingLength
C1Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
Frankie Goes to Hollywood3.953:56
C2Here Comes the Rain Again
engineer:
Jon Bavin
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
recording of:
Here Comes the Rain Again
writer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
Eurythmics4.355:03
C3What Is Love
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones3:40
C4What Difference Does It Make
engineer:
Phil Bush (engineer, composer and musician) and Neil King
producer:
John Porter (producer and musician US and UK)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar and harmonica:
Johnny Marr
vocals:
Morrissey (English singer / songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984) and Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Difference Does It Make?
lyricist:
Morrissey (English singer / songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.953:53
C5Feels Like Heaven
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:33
C6The Politics of Dancing
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Jambo Music Limited and Metric Music Ltd.
Re-Flex4:16
C7Hyperactive
engineered in:
Brussels, Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman
drum machine:
Justin Hildreth
electronic drum set and percussion:
Clif Brigden
guitar and trumpet:
Kevin Armstrong (UK guitarist, producer & songwriter)
percussion:
Matthew Salt
piano:
Thomas Dolby
trombone:
Peter Thoms (trombone)
additional vocals:
Louise Ulfstedt
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) and Adele Bertei
vocals:
Thomas Dolby
recording of:
Hyperactive!
lyricist and composer:
Thomas Dolby
publisher:
Scale Music and Street Music Ltd.
Thomas Dolby54:15
C8Wishful Thinking
recording of:
Wishful Thinking
lyricist:
Eddie Lundon (China Crisis)
composer:
Gary Daly and Eddie Lundon (China Crisis)
China Crisis4:12
D1Modern Love
sound engineer, engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone and flute:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player)
bass:
Carmine Rojas
drums (drum set):
Omar Hakim
flute and tenor saxophone:
Robert Aaron and Stan Harrison
guitar:
Nile Rodgers and Stevie Ray Vaughan
keyboard:
Rob Sabino
percussion:
Sammy Figueroa
trumpet:
Mac Gollehon
background vocals:
Frank Simms, George Simms and David Spinner
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
music videos:
Modern Love by David Bowie (English singer‐songwriter)
recording of:
Modern Love
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Jones Music America and RZO Music Ltd
David Bowie44:01
D2It's a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.753:27
D3Undercover of the Night
engineer and mixer:
Chris Kimsey
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards) and Chris Kimsey
recording of:
Undercover of the Night
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
The Rolling Stones3.64:36
D4Wonderland
recording of:
Wonderland
writer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson
publisher:
BMG VM Music Ltd. and Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1984)
Big Country4:00
D5Run Run Away
producer:
John Punter
recording of:
Run Runaway
writer:
Noddy Holder and Jim Lea
Slade43:44
D6New Moon on Monday
engineer:
Peter Wade-Schwier (producer, mixing and recording engineer) and Phil Thornalley
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
arranger:
Duran Duran (English rock band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
New Moon on Monday
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.94:18
D7Pipes of Peace
assistant recording engineer:
Jon Jacobs (UK producer/engineer) (from 1982-09-10 until 1982-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1982-09-10 until 1982-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1983-06-30)
mixer:
Geoff Emerick (British recording engineer) (on 1983-06-30)
bass, piano and lead vocals:
Paul McCartney (The Beatles) (from 1982-09-10 until 1982-10)
pan flute:
Adrian Brett (from 1982-09-10 until 1982-10)
tabla:
James Kippen (from 1982-09-10 until 1982-10)
background vocals:
Linda McCartney (from 1982-09-10 until 1982-10), Paul McCartney (The Beatles) (from 1982-09-10 until 1982-10) and Eric Stewart (from 1982-09-10 until 1982-10)
choir vocals:
The Pestalozzi Children’s Village Choir (from 1982-09-10 until 1982-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1983) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1983)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-09-10, in 1982-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1983-06-30)
part of:
TV Cream: Real 100 Best Singles Ever (number: 49)
recording of:
Pipes of Peace (from 1982-09-10 until 1982-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Paul McCartney2.53:54