Annotation

No release info supplied. Current best guess is:

http://www.allmusic.com/album/arthur-rubinstein-joue-chopin-mw0002003808

Annotation last modified on 2013-04-13 09:41 UTC.

Tracklist

Medium 1
# Title Rating Length
1 Grande Valse brillante Opus 18
5:27
2 Valse "L'adieu" op. 69 No.1
3:30
3 Valse "Minute" op. 64 No.1
1:52
4 Marche Funèbre op. 35 No.2 (lento)
9:01
5 Polonaise "Militaire" op. 40 No.1
4:09
6 Nocturne Op.9 No.2
4:28
7 Prélude Op.28 No.4
1:50
8 Prélude Op. 28 No.16
1:03
9 Prélude Op. 28 No.20
1:37
10 Scherzo, Op. 31
9:46
11 Mazurka, Op. 7, No.1
2:39
12 Mazurka op. 17 No.2
2:02
13 Fantaisie-Impromptu, Op. 66
5:18
14 Andante spianato et Grande Polonaise Op. 22
14:08
15 Concerto op. 11 No.1 (rondo)
10:05

Credits

Medium 1

piano:
Arthur Rubinstein (pianist) (tracks 1–2, 4, 6–12, 14–15)
Arthur Rubinstein (pianist) (1963-06-25) (track 3)
Arthur Rubinstein (pianist) (1964-03-04) (track 5)
Arthur Rubinstein (pianist) (1964-03-25) (track 13)
composer:
Fryderyk Chopin (composer) (tracks 7, 9, 11, 14)
Fryderyk Chopin (composer) (1829 – 1835) (track 2)
Fryderyk Chopin (composer) (1830-04 – 1830-09) (track 15)
Fryderyk Chopin (composer) (1833) (track 1)
Fryderyk Chopin (composer) (1834) (track 13)
Fryderyk Chopin (composer) (1836 – 1839) (track 8)
Fryderyk Chopin (composer) (1837) (track 10)
Fryderyk Chopin (composer) (1838) (track 5)
Fryderyk Chopin (composer) (1846 – 1847) (track 3)
dedicated to:
Adele Fürstensein (track 10)
Laura Harsford (track 1)
producer:
Max Wilcox (engineer/editor/producer) (tracks 3, 13)
recording engineer:
Anthony Salvatore (engineer) (1964-03-25) (track 13)
recorded at:
RCA Italiana Studios in Rome, Roma, Lazio, Italy (1963-06-25) (track 3)
Carnegie Hall in New York, New York, United States (1964-03-25) (track 13)
part of:
Works of Fryderyk Chopin by opus number (number: op. 18) (track 1)
Works of Fryderyk Chopin by opus number (number: op. 22) (track 14)
Works of Fryderyk Chopin by opus number (number: op. 31) (track 10)
Works of Fryderyk Chopin by opus number (number: op. 66) (track 13)
arrangements:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22 (for piano and orchestra, Scharwenka) (track 14)
Continuum (FEZ) (track 7)
Fantaisie-impromptu in C-sharp minor, op. 66 (catch all for arrangements) (track 13)
Military Polonaise (for brass band, Mortimer) (track 5)
Polonaise in A major, op. 40 no. 1 "Military" (catch-all for arrangements) (track 5)
Prelude, op. 28 no. 20 (for guitar, Tárrega) (track 9)
Prélude in E minor, S. 662 no. 1 (for organ, Liszt) (track 7)
Prélude no. 4 in E minor, op. 28: Largo (catch-all for arrangements) (track 7)
Valse, op. 64 no. 1 (The Minute Waltz) (for trombone and piano, Jacobsen) (track 3)
Waltz no. 1 in E-flat major, op. 18 "Grande valse brillante" (catchall work for all unspecified transcriptions (usually orchestral). Please do not add an arranger AR to this work, create a new arrangement work instead) (track 1)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (arranged by Michałowski) (track 3)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (catchall work for all unspecified transcriptions. Please do not add an arranger AR to this work, create a new arrangement work instead) (track 3)
is the basis for:
Coquette (track 11)
Could It Be Magic (track 9)
Desecration (track 10)
later versions:
Chopin w Indiach (track 13)
Chopin w Persji (track 7)
Jane B. (track 7)
Prelude (track 7)
orchestrations:
Grande Valse Brillante, op. 18 (orch. Igor Stravinsky) (track 1)
Les Sylphides: VIII. Walzer (orch. by Douglas) (track 1)
Prelude in E minor (orch. by Stokowski) (track 7)
part of:
Mazurkas, op. 7 (track 11)
Polonaises, op. 40 (track 5)
Waltzes, op. 64 (track 3)
Waltzes, op. 69 (track 2)
parts:
recording of: