Tracklist

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CD 1: America, the Dream Goes On / Pops Play a Movie Spectacular
#TitleArtistRatingLength
1Liberty Fanfare
recording engineer:
Erdo Groot (sound engineer for recordings of classical music)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-05)
recording of:
Liberty Fanfare (in 1987-05)
composer:
John Williams (American score composer) (in 1986)
premiered at:
[concert] (1986-06-04)
was commissioned by:
Statute of Liberty – Ellis Island Foundation
John Williams4:16
2America the Beautiful
producer:
John McClure (recording engineer and record producer)
choir vocals:
Tanglewood Festival Chorus (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
chorus master:
John Oliver (chorus master) (in 1984-06)
arranger:
Alexander Courage
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
America the Beautiful (in 1984-06)
lyricist:
Katharine Lee Bates
composer:
Samuel Augustus Ward
Samuel Augustus Ward, Katharine Lee Bates3:09
3This Land Is Your Land
producer:
John McClure (recording engineer and record producer)
choir vocals:
Tanglewood Festival Chorus (in 1984-06)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
chorus master:
John Oliver (chorus master) (in 1984-06)
performer:
Stu Phillips (US TV/film composer, conductor & producer) (in 1984-06)
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
cover recording of:
This Land Is Your Land (in 1984-06)
lyricist and composer:
Woody Guthrie (American singer-songwriter) (in 1940)
part of:
Roud Folk Song Index (number: 16378)
is based on:
When the World's on Fire
Woody Guthrie3:30
4Richard Rodgers' Waltzes: Lover / Falling in Love With Love / Oh, What a Beautiful Mornin' / It's a Grand Night for Singing
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
Leroy Anderson
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a instrumental recording of:
Falling in Love With Love (in 1981)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a instrumental recording of:
It’s a Grand Night for Singing (State Fair) (in 1981)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
medley including a instrumental recording of:
Lover (in 1981)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
medley including a instrumental recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (in 1981)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Richard Rodgers6:03
5March From "Superman"
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Main Theme (Superman: The Movie) (in 1980-06)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams4:27
6Fanfare for the Common Man
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Fanfare for the Common Man (in 1984-06)
composer:
Aaron Copland (composer) (in 1942)
Aaron Copland3:01
7America, the Dream Goes On
choir vocals:
Tanglewood Festival Chorus
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recording of:
America, the Dream Goes On
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Williams (American score composer) (in 1982)
John Williams, Alan Bergman & Marilyn Bergman4:32
8Hoedown From "Rodeo"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
Rodeo: IV. Hoedown (in 1984-06)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
Aaron Copland3:29
9Seventy-Six Trombones
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
Seventy-Six Trombones (The Music Man) (in 1980-06)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Meredith Willson3:02
10Theme From "A Summer Place"
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Theme from “A Summer Place” (original instrumental version) (in 1987-06)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Max Steiner2:40
11Singin' in the Rain
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental recording of:
Singin’ in the Rain (in 1982)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
Singin’ in the Rain (stage musical)
part of:
The Hollywood Revue (1929 MGM musical film)
Nacio Herb Brown3:38
12Over the Rainbow
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1982)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen3:10
13The Trolley Song
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Alexander Courage and Conrad Salinger
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (in 1982)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
Hugh Martin, Ralph Blane3:28
14Somewhere Out There
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
recording of:
Somewhere Out There (An American Tail) (from 1988-05-18 until 1988-06-04)
lyricist:
Cynthia Weil
composer:
James Horner (American score composer) and Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc., Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 59th Academy Award for Best Original Song (number: 2)
part of:
An American Tail (1986 animated film)
James Horner3:42
15March from "Raiders of the Lost Ark"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:29
16A Salute to Fred Astaire: Top Hat, White Tie and Tails / The Carioca / Dancing in the Dark / I Won't Dance / The Continental
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Alexander Courage
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
Carioca (from "Flying Down to Rio") (in 1983)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
The 7th Academy Award for Best Original Song (number: 2)
medley including a recording of:
Dancing in the Dark (in 1983)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
medley including a recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1983)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
medley including a recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1983)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
medley including a recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1983)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Vincent Youmans, Arthur Schwartz, Jerome Kern, Con Conrad & Irving Berlin8:31
17Theme from 2001: "A Space Odyssey" (Also Sprach Zarathustra)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer) (in 1983-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:48
18Theme from "New York, New York"
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John McClure (recording engineer and record producer) and Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1993-06-01, from 1993-06-03 until 1993-06-04)
conductor:
John Williams (American score composer) (on 1993-06-01, from 1993-06-03 until 1993-06-04)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1993-06-01, from 1993-06-03 until 1993-06-04)
instrumental recording of:
Theme From “New York, New York”
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (ended), EMI Music Publishing (S.E. Asia) Ltd., Taiwan, EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
New York, New York (soundtrack of the 1977 film)
John Kander3:20
CD 2: Quiet Night... With the Pops / Starlight Swing... With the Pops / The Pops on Broadway
#TitleArtistRatingLength
1Fantasia on "Greensleeves"
engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1986-06)
producer:
George Korngold (producer) and John McClure (recording engineer and record producer)
editor:
Amelia Rogers
flute:
Leone Buyse (American classical flautist) (in 1986-06)
orchestra:
Boston Pops Orchestra (in 1986-06)
conductor:
John Williams (American score composer) (in 1986-06)
arranger:
Ralph Greaves
balance engineer:
Onno Scholtze (sound engineer) (in 1986-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Fantasia on “Greensleeves” (in 1986-06)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
2Theme from "Out of Africa"
producer:
Job Maarse
orchestra:
Boston Pops Orchestra (in 1988-05, on 1988-06-04)
conductor:
John Williams (American score composer) (in 1988-05, on 1988-06-04)
arranger:
Joseph Reisman
balance engineer:
John McClure (recording engineer and record producer) (in 1988-05)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
instrumental recording of:
The Music of Goodbye (Love Theme from “Out of Africa” introduced in 1987) (from 1988-05-18 until 1988-06-04)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
John Barry (English score composer)
part of:
Out of Africa (soundtrack of the 1985 film)
John Barry2:58
3Clair de Lune
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
arranger:
Henri-Pierre-Edouard Mouton (composer) and Walter Piston
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1985-06)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
Claude Debussy4:36
4Adagio for Strings and Organ
producer:
John McClure (recording engineer and record producer)
violin:
Max Hobart (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Adagio for Strings and Organ in G minor (in 1985-06)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni6:27
5Sleepy Lagoon
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (in 1984-05)
writer:
Jack Lawrence (US songwriter) and Eric Coates (composer) (in 1930)
Eric Coates2:46
6A String of Pearls
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trumpet:
Charles Daval (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
A String of Pearls (in 1984-05)
lyricist:
Eddie DeLange
composer:
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. and Scarsdale Music (ASCAP)
Eddie DeLange, Jerry Gray3:11
7Begin the Beguine
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Jerry Gray (US big band arranger and conductor) and Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Begin the Beguine (in 1984-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Cole Porter3:18
8Song of India
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo trombone:
Norman Bolter (trombonist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Don Sebesky
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Song of India (catch-all for arrangements) (in 1984-05)
composer:
Nikolai Rimsky-Korsakov (Russian composer)
arrangement of:
Song of India
Николай Андреевич Римский‐Корсаков3:29
9Sing, Sing, Sing
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Sing, Sing, Sing (With a Swing) (in 1984-05)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Louis Prima3:58
10Sophisticated Ladies (A Tribute to Duke Ellington): Sophisticated Lady / Take the "A" Train / Mood Indigo / It Don't Mean a Thing (If It Ain't Got That Swing)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Ralph Burns
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (in 1983)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Sophisticated Lady (in 1983)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
medley including a recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Ralph Burns, Duke Ellington, Irving Mills, Billy Strayhorn8:24
11Memory
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Eric Knight
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
Memory (Cats) (in 1983)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:36
12There's No Business Like Show Business
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell
part of:
Annie Get Your Gun
Irving Berlin3:27
13Slaughter on Tenth Avenue
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Robert Russell Bennett
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
recording of:
Slaughter on Tenth Avenue (in 1983)
orchestrator:
Robert Russell Bennett
composer:
Richard Rodgers (composer)
part of:
On Your Toes
Richard Rodgers8:48
14Overture to "A Chorus Line"
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Marvin Hamlisch
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
recording of:
A Chorus Line: Overture (in 1983)
composer:
Marvin Hamlisch
Marvin Hamlisch9:13
CD 3: The Pops Salute All-Time Popular Favorites / The Pops Around the World
#TitleArtistRatingLength
1Ebb Tide
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Angela Morley
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
cover recording of:
Ebb Tide (in 1987-06)
lyricist:
Carl Sigman
composer:
Robert Maxwell (American harpist, songwriter, and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
Robert Maxwell4:05
2More
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Ti guarderò nel cuore (“More”) (in 1987-06)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
Nino Oliviero & Riz Ortolani3:34
3Here You Come Again
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer) (in 1983)
arranger:
Don Sebesky
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
Here You Come Again (in 1983)
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Dyad Music Ltd., Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Summerhill Songs
Barry Mann2:59
4Unchained Melody
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Lee Holdridge
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Unchained Melody (in 1987-06)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
Alex North3:42
5The Girl From Ipanema
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Patrick Hollenbeck
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Girl From Ipanema (in 1987-06)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Antônio Carlos Jobim3:21
6Theme from "Summer of '42"
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Eric Knight
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Summer Knows (Summer of ’42; instrumental version) (in 1987-06)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner/Chappell North America
Michel Legrand3:53
7Friendly Persuasion (Thee I Love)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer) (in 1982)
arranger:
Angela Morley
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Main Theme (Friendly Persuasion) (in 1982)
composer:
Dimitri Tiomkin
Dimitri Tiomkin3:54
8Where Is Your Heart? (the song from "Moulin Rouge")
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
The Song From Moulin Rouge (aka “Where Is Your Heart”) (in 1987-06)
lyricist:
William Engvick
composer:
Georges Auric (composer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
Moulin Rouge (1952 film)
Georges Auric3:07
9Love Is a Many-Splendored Thing
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Angela Morley
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Love Is a Many‐Splendored Thing (in 1987-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 28)
Sammy Fain3:30
10Never on Sunday
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Never on Sunday (in 1987-06)
lyricist:
Manos Hadjidakis (Greek composer) and Billy Towne (movie/musical composer)
composer:
Manos Hadjidakis (Greek composer)
translator:
Billy Towne (movie/musical composer)
publisher:
EMI Unart Catalog Inc. and EMI United Partnership Ltd.
part of:
The 33rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 33)
arrangement of:
Τα παιδιά του Πειραιά
translated version of:
Τα παιδιά του Πειραιά
Μάνος Χατζιδάκις2:50
11La Bamba
orchestra:
Boston Pops Orchestra (on 1988-05-18, on 1988-06-04)
conductor:
John Williams (American score composer) (on 1988-05-18, on 1988-06-04)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1988-05-18, on 1988-06-04)
recording of:
La bamba (from 1988-05-18 until 1988-06-04)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]4:44
12Irish Tune From Country Derry (Danny Boy)
engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1987-05)
producer:
George Korngold (producer)
editor:
Amelia Rogers
orchestra:
Boston Pops Orchestra (in 1987-05)
conductor:
John Williams (American score composer) (in 1987-05)
balance engineer:
Onno Scholtze (sound engineer) (in 1987-05)
recording of:
Irish Tune from County Derry (in 1987-05)
composer:
Percy Grainger
version of:
Londonderry Air
Percy Grainger3:47
13American Medley: New York, New York / Lonely Town / America
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer)
recording of:
America (medley)
arranger:
John Williams (American score composer)
Leonard Bernstein7:41
14Tuxedo Junction
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo flute:
Leone Buyse (American classical flautist) (in 1984-05)
solo piano:
Robert Winter (pianist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Tuxedo Junction (in 1984-05)
lyricist:
Buddy Feyne
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
Julian Dash, Buddy Feyne, Erskine Hawkins & Bill Johnson2:54
15"Fiddler on the Roof" Medley: If I Were a Rich Man / To Life / Miracle of Miracles / Sunrise, Sunset / Matchmaker, Matchmaker / Tradition
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
solo violin:
Emanuel Borok (violinist) (in 1981)
orchestra:
Boston Pops Orchestra (in 1981)
conductor:
John Williams (American score composer) (in 1981)
arranger:
John Williams (American score composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981)
medley including a recording of:
If I Were a Rich Man (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Matchmaker, Matchmaker (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Miracle of Miracles (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Sunrise, Sunset (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
To Life (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
medley including a recording of:
Tradition (Fiddler on the Roof) (in 1981)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp.
part of:
Fiddler on the Roof
Jerry Bock7:24
16Ciribiribin
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer) (in 1987-06)
arranger:
Glenn Osser
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
instrumental recording of:
Ciribiribin (They’re So in Love) (Harry James theme song) (in 1987-06)
lyricist:
Harry James (US big band leader, trumpeter & actor) and Jack Lawrence (US songwriter)
composer:
Alberto Pestalozza
is based on:
Ciribiribin (original Italian version)
part of:
Hit the Deck (1955 movie)
Alberto Pestalozza2:50
CD 4: Pops... Go the Classics / A Pops Tribute to Gershwin / Marching With the Pops
#TitleArtistRatingLength
1Rhapsody in Blue
recording engineer:
Tom Clark (engineer)
producer:
John McClure (recording engineer and record producer)
piano:
Misha Dichter (pianist) (in 1989-06)
orchestra:
Boston Pops Orchestra (in 1989-06)
conductor:
John Williams (American score composer) (in 1989-06)
balance engineer:
Henk Kooistra (dutch audio engineer) and John Newton (editor, engineer mixer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-06)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (in 1989-06)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:09
2Pavane
producer:
John McClure (recording engineer and record producer)
flute:
Leone Buyse (American classical flautist) (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1985-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:30
3Orb and Sceptre (Coronation March)
engineer:
Stanley Goodall (engineer), Jack Law (engineer) (in 1980-06) and Michael Mailes (engineer) (in 1980-06)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Orb and Sceptre (in 1980-06)
composer:
William Walton (composer and conductor)
publisher:
Oxford University Press
Sir William Walton6:53
4The Swan
producer:
John McClure (recording engineer and record producer)
cello:
Martha Babcock (cellist) (in 1985-06)
orchestra:
Boston Pops Orchestra (in 1985-06)
conductor:
John Williams (American score composer) (in 1985-06)
arranger:
Paul Vidal (composer and teacher)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1985-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1985-06)
orchestrator:
Paul Vidal (composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
Camille Saint‐Saëns3:09
5An American in Paris
recording engineer:
Tom Clark (engineer)
producer:
John McClure (recording engineer and record producer)
piano:
Misha Dichter (pianist) (in 1989-06)
orchestra:
Boston Pops Orchestra (in 1989-06)
conductor:
John Williams (American score composer) (in 1989-06)
balance engineer:
Henk Kooistra (dutch audio engineer) and John Newton (editor, engineer mixer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1989-06)
recording of:
An American in Paris (revised by F. Campbell-Watson) (in 1989-06)
composer:
George Gershwin (composer) (in 1928)
arranger:
Frank Campbell-Watson
publisher:
New World Music Corp.
revision of:
An American in Paris
George Gershwin18:45
6St. Louis Blues March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
William Christopher Handy3:04
7Under the Double Eagle
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Unter dem Doppeladler, op. 159 (in 1980-06)
composer:
J. F. Wagner (in 1893)
Josef Franz Wagner3:19
8American Salute (When Johnny Comes Marching Home)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer) (in 1984-06)
arranger:
Sid Ramin
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
American Salute (in 1984-06)
composer:
Morton Gould (composer and conductor) (in 1943)
is based on:
When Johnny Comes Marching Home
Morton Gould4:32
9Strike Up the Band
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
George Gershwin2:46