Brother Oswald

~ Release by Brother Oswald (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1End of the World
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
2:50
A2Island March
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
2:35
A3Sailing Along
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
3:50
A4Kansas City Kitty
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
Kansas City Kitty (Leslie-Donaldson) (in 1972-01)
writer:
Walter Donaldson and Edgar Leslie
2:40
A5Blue Eyes Crying in the Rain
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
Blue Eyes Crying in the Rain (in 1972-01)
lyricist and composer:
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) and Sony/ATV Milene Music
3:17
A6Farewell Blues
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
recording of:
Farewell Blues (in 1972-01)
composer:
Leon Rappolo (until 1922), Paul Mares (until 1922) and Elmer Schoebel (until 1922)
publisher:
Herman Darewski Music Publishing Co Ltd. and Lawrence Wright
2:38
A7Echo Chimes
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
2:28
B1Wabash Cannonball
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Norman Blake (bluegrass guitarist) (in 1972-01), Brother Oswald (in 1972-01) and Tut Taylor (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
Wabash Cannonball (in 1972-01)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
1:38
B2Prairie Queen
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
2:37
B3Tennessee Waltz
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
Tennessee Waltz (in 1972-01)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:50
B4Song of the Islands
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
3:00
B5Dobro Chimes
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
2:41
B6I'll Be All Smiles Tonight
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
I’ll Be All Smiles Tonight (in 1972-01)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:54
B7Two Different Worlds
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
instrumental recording of:
We Live in Two Different Worlds (in 1972-01)
lyricist and composer:
Fred Rose (songwriter)
2:10
B8Carry Me Back to the Mountains
recording engineer:
Claude J. Hill
producer:
Tut Taylor
guitar:
Charlie Collins (country guitar player) (in 1972-01)
resonator guitar [dobro]:
Brother Oswald (in 1972-01)
recorded at:
Glaser Sound Studios (now known as Compass Sound Studio) in Nashville, Tennessee, United States (in 1972-01)
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