Das goldene Opernarchiv 15

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Tosca: Recondita armonia
tenor vocals:
Francisco Araiza (tenor) (in 1986-02)
orchestra:
English Chamber Orchestra (in 1986-02)
performer:
Alberto Zedda (conductor) (in 1986-02)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1986-02)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Francisco Araiza2:51
2Tosca: Ora stammi a sentir - non la sospiri la nostra cassetta - quale occhio al mondo
soprano vocals:
Maria Callas (soprano) (in 1953)
tenor vocals:
Giuseppe Di Stefano (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1953)
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I
Maria Callas, Giuseppe Di Stefano10:04
3Tosca: Tre sbirri, una carozza... Te deum
baritone vocals:
Tito Gobbi (baritone) (in 1953)
tenor vocals:
Angelo Mercuriali (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1953)
conductor:
Victor de Sabata (conductor and composer) (in 1953)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1953)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Tito Gobbi, Angelo Mercuriali4:16
4Tosca: Quanto... Già, mi dicon venal - Vissi d'arte
baritone vocals:
Giuseppe Taddei (baritone) (in 1962-09)
soprano vocals:
Leontyne Price (soprano) (in 1962-09)
conductor:
Herbert von Karajan (conductor) (in 1962-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1962-09)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1962-09)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Leontyne Price, Giuseppe Taddei8:14
5Tosca: E lucevan le stelle
tenor vocals:
José Carreras (Spanish tenor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
José Carreras3:21
6Tosca: Die zarten Hände - nur deinetwegen
soprano vocals:
Carla Martinis (on 1953-04-10)
tenor vocals:
Rudolf Schock (tenor) (on 1953-04-10)
orchestra:
NDR Sinfonieorchester (1945–2016: NDR Sinfonieorchester) (on 1953-04-10)
conductor:
Wilhelm Schüchter (on 1953-04-10)
recording of:
Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca) (on 1953-04-10)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
recording of:
Tosca: 3. Akt. „Nur deinetwegen wollt' ich noch nicht sterben” (Tosca) (on 1953-04-10)
composer:
Giacomo Puccini (Italian composer)
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Carla Martinis, Rudolf Schock7:10
7Madama Butterfly: Viene la sera... Bimba, dagli occhi
mezzo-soprano vocals:
Anna di Stasio (mezzo-soprano) (from 1966-08-16 until 1966-08-27)
soprano vocals:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
tenor vocals:
Carlo Bergonzi (tenor) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
Renata Scotto, Anna di Stasio, Carlo Bergonzi15:32
8Madama Butterfly: Un bel dì vedremo
soprano vocals:
Maria Chiara (soprano) (on 1976-04-07)
conductor:
Ettore Gracis (conductor) (on 1976-04-07)
recorded at:
La Fenice in Venezia, Venezia, Veneto, Italy (on 1976-04-07)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1976-04-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Maria Chiara4:17
9Madama Butterfly: Scuoti quella fronda di ciliego
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano) (in 1958-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1958-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1958-07)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1958-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Renata Tebaldi, Fiorenza Cossotto5:21
10Madama Butterfly: Finale atto secondo
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
partial instrumental recording of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly (complete standard version)
Orchestra dell'Accademia Nazionale di Santa Cecilia3:22
11Madama Butterfly: Addio fiorito asil!
baritone vocals:
Hermann Prey (baritone) (from 1972-11 until 1972-12)
tenor vocals:
James King (tenor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1972-11 until 1972-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
James King, Hermann Prey1:48
12Madama Butterfly: Con onor muore
soprano vocals:
Maria Cebotari (in 1948)
orchestra:
Wiener Philharmoniker (in 1948)
conductor:
Felix Prohaska (conductor) (in 1948)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1948)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Maria Cebotari4:35