Louis Armstrong Meets Oscar Peterson

~ Release by Louis Armstrong & Oscar Peterson (see all versions of this release, 8 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
1That Old Feeling
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
That Old Feeling (on 1957-10-14)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
2:42
2Let's Fall in Love
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Est-ce par hasard ? (Let's Fall in Love) (on 1957-10-14)
lyricist:
Patrick Loiseau
composer:
Harold Arlen
version of:
Let’s Fall in Love
3:14
3I'll Never Be the Same
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I’ll Never Be the Same (on 1957-10-14)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:29
4Blues in the Night
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1957-10-14)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
5:10
5How Long Has This Been Going On?
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-10-14)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
5:56
6I Was Doing All Right
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I Was Doing All Right (on 1957-10-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:20
7What's New
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
What’s New? (on 1957-10-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
2:40
8Moon Song
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Moon Song (on 1957-10-14)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:31
9Just One of Those Things
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Just One of Those Things (on 1957-10-14)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
4:02
10There's No You
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
There’s No You (on 1957-10-14)
lyricist:
Thomas Montgomery Adair
composer:
Hal Hopper
publisher:
Barton Music Corp.
2:14
11You Go to My Head
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet and lead vocals:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
You Go to My Head (on 1957-10-14)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
6:24
12Sweet Lorraine
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
Sweet Lorraine (on 1957-10-14)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
5:11

Credits