Jackie: The Annual 2010

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Give a Little LoveBay City Rollers3:11
2Goodbye Yellow Brick Road
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
electric guitar:
Davey Johnstone
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
orchestrator:
Del Newman (British conductor, orchestrator, arranger)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Elton John3.93:15
3Tears on My Pillow
Johnny Nash3:09
4Come on Over to My Place
recorded in:
New York, New York, United States (on 1965-03-17)
engineer:
Tom Dowd and Phil Iehle
producer:
Bert Berns and Jerry Wexler
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1965-03-17)
baritone vocals:
Eugene Pearson (vocals, Drifters) (on 1965-03-17)
bass vocals:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1965-03-17)
lead vocals [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1965-03-17)
tenor vocals:
Charlie Thomas (The Drifters) (on 1965-03-17)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (on 1965-03-17)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recording of:
Come on Over to My Place (on 1965-03-17)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:27
5Tie a Yellow Ribbon Round the Ole Oak TreeTony Orlando & Dawn53:23
6Mamma Mia
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
additional guitar and guitar:
Janne Schaffer (on 1975-03-16)
bass guitar:
Mike Watson (English–Swedish rock musician) (on 1975-03-12)
cello:
Kjell Bjurling (Swedish cellist) (on 1975-03-15) and Olle Gustafsson (cellist) (on 1975-03-15)
drums (drum set):
Roger Palm (on 1975-03-12)
electric guitar:
Finn Sjöberg (on 1975-03-12)
marimba:
Benny Andersson (ABBA) (in 1975-03)
oboe:
Lars-Erik Rönn (on 1975-03-15)
viola:
Nils Heie (on 1975-03-15) and Håkan Roos (Swedish violist) (on 1975-03-15)
violin:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (Swedish violinist) (on 1975-03-15), Sixten Strömvall (Swedish violinist) (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (Swedish violinist) (on 1975-03-15)
lead vocals:
Agnetha Fältskog (on 1975-03-12) and Frida (Swedish singer and member of ABBA) (on 1975-03-12)
cello, viola and violin arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975) and Polar Music International AB (in 2001, in 2014)
recorded at:
Metronome Studio in Stockholm, Stockholms län, Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län, Sweden
part of:
The Downloader’s Music Source Book (number: 54)
recording of:
Mamma Mia (from 1975-03-12 until 1975-03-16)
written in:
Lidingö municipality, Stockholms län, Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
ABBA3.93:33
7Love Really Hurts Without You
vocals:
Billy Ocean
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1976)
recording of:
Love Really Hurts Without You
lyricist and composer:
Ben Findon (songwriter and producer) and Leslie Sebastian Charles
publisher:
Black Sheep Music Ltd. (publisher) and EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:02
8Hey Rock and Roll
engineer:
Dave Hunt (engineer, producer and occasional writer)
producer:
Mike Hurst (musician and record producer from London, England)
produced for:
Solid Gold Organisation (production company)
recording of:
Hey Rock ’n’ Roll
writer:
Malcolm Allured, Dave Bartram, Romeo Challenger, Rod Deas, Russ Field, Buddy Gask, Al James (Showaddywaddy bassist) and Trevor Oakes
publisher:
Bailey Publishing
Showaddywaddy3:23
9Juke Box JiveThe Rubettes3:04
10Blockbuster!
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet53:12
11Mouldy Old DoughLieutenant Pigeon2:44
12Ball Park Incident
recording of:
Ball Park Incident
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard43:39
13Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. and Sony/ATV Music Pub. Ltd.
The Foundations42:35
14Sweet Talkin’ Guy
recording of:
Sweet Talking Guy
writer:
Barbara Baer, Eliot Greenberg, Doug Morris (record executive) and Robert Schwartz
The Chiffons2:22
15Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:56
16You See the Trouble With MeBarry White4.53:29
17It’s in His Kiss
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, TM Music Ltd. and Trio Music Company
Linda Lewis23:20
18Every 1’s a Winner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recording of:
Every 1’s a Winner
lyricist and composer:
Errol Brown
publisher:
EMI Music Publishing (PRS‐affiliated) and RAK Music Publishing Ltd.
Hot Chocolate4.354:00
19The Night
recording of:
The Night
writer:
Bob Gaudio and Al Ruzicka
The Four Seasons3:20
20Give Me Just a Little More Time
phonographic copyright (℗) by:
Invictus (American record label founded by Holland‐Dozier‐Holland, based in Detroit, Michigan) (in 1970)
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
writer:
Lamont Dozier, Ronald Dunbar, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
publisher:
Holland Group Productions Inc.
Chairmen of the Board52:39
21For Once in My LifeStevie Wonder4.152:50
22I’m Doing Fine Now
recording of:
I’m Doin’ Fine Now
writer:
Thom Bell (keyboards, songwriter, producer) and Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:53
23Girls
producer:
Al Goodman (US 70s R&B singer/producer) and Harry Ray
recording of:
Girls
writer:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) and Harry Ray
Moments and Whatnauts23:06
24Swing Your Daddy
producer:
Kenny Nolan
arranger:
Gene Page
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1975)
cover recording of:
Swing Your Daddy
writer:
Kenny Nolan
Jim Gilstrap32:50
25You Are Everything
producer:
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:09
CD 2
#TitleArtistRatingLength
1I Don’t Want to Talk About It
producer:
Bernard Edwards and Rod Stewart
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher), Crazy Horse Music and Rondor Music
Rod Stewart4:51
2If You Don’t Know Me by Now
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
lead vocals:
Harold Melvin
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:22
3My Eyes Adore YouFrankie Valli3:34
4Can’t Get by Without You
producer:
Ken Gold
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
Can’t Get by Without You
writer:
Michael Denne and Ken Gold
publisher:
Screen Gems–EMI Music Ltd.
The Real Thing43:30
5Touch Me in the Morning
Diana Ross3:25
6You Make Me Feel Brand New
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics5:25
7Cherish
recording of:
Cherish
lyricist and composer:
Terry Kirkman
David Cassidy4:09
8Let’s Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye43:57
9Ain’t No Sunshine
producer:
The Corporation (Motown songwriters)
lead vocals:
Michael Jackson (“King of Pop”)
arranger:
The Corporation (Motown songwriters) and Eddy Manson
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Michael Jackson3.84:11
10The Twelfth of Never
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Donny Osmond2:43
11Clair
recording of:
Clair (Gilbert O’Sullivan song)
lyricist and composer:
Gilbert O’Sullivan
Gilbert O’Sullivan3:00
12Julie Do Ya Love Me
White Plains2:36
13Jesamine
recording of:
When Jesamine Goes
writer:
Frere Manston and Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:33
14My Last Night With You
The Arrows2:34
15Journey
recording of:
The Journey
lyricist and composer:
Duncan Browne (English singer-songwriter)
Duncan Browne53:17
16The Things We Do for Love
producer:
Graham Gouldman and Eric Stewart
acoustic guitar, bass guitar, guitar, handclaps and tambourine and background vocals:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!) and Man-Ken Music Ltd. (in 1977)
10cc4.53:19
17Storm in a Teacup
recording of:
Storm in a Teacup
writer:
Lynsey Rubin and Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
The Fortunes3:13
18Sister Jane
New World3:40
19Ob-La-Di, Ob-La-Da
producer:
Mike Smith (60’s & 70’s UK Producer)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (in 1968)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC
Marmalade3:00
20Never Ending Song of Love
recording of:
Never Ending Song of Love
lyricist and composer:
Delaney Bramlett
The New Seekers3:10
21(Theme From) The Monkees
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (from 1966-07-05 until 1966-07-19)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-05 until 1966-07-19)
guitar:
Wayne Erwin (from 1966-07-05 until 1966-07-19), Gerry McGee (from 1966-07-05 until 1966-07-19) and Louie Shelton (from 1966-07-05 until 1966-07-19)
organ:
Bobby Hart (from 1966-07-05 until 1966-07-19)
percussion:
Gene Estes (from 1966-07-05 until 1966-07-19)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-05 until 1966-07-19), Wayne Erwin (from 1966-07-05 until 1966-07-19), Bobby Hart (from 1966-07-05 until 1966-07-19) and Ron Hicklin (from 1966-07-05 until 1966-07-19)
lead vocals:
Micky Dolenz (from 1966-07-05 until 1966-07-19)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-05, on 1966-07-19)
recording of:
(Theme From) The Monkees (from 1966-07-05 until 1966-07-19)
written in:
Los Angeles, California, United States
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.52:19
22You’re a Star (Theme From New Faces)
Carl Wayne2:53
CD 3
#TitleArtistRatingLength
1Coz I Luv YouSlade3:32
2School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.23:28
320th Century BoyT. Rex4.83:37
4Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:50
5Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.652:58
6Rebel Rebel
engineer:
Keith Harwood
producer:
David Bowie (English singer‐songwriter)
mixer:
David Bowie (English singer‐songwriter) and Keith Harwood
bass:
Herbie Flowers (from 1973-10 until 1974-02)
drums (drum set):
Aynsley Dunbar (from 1973-10 until 1974-02) and Tony Newman (rock drummer for Jeff Beck Group/May Blitz) (from 1973-10 until 1974-02)
guitar:
Alan Parker (guitarist & composer) (from 1973-10 until 1974-02)
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter) (from 1973-10 until 1974-02)
harpsichord, mellotron, Moog and piano:
Mike Garson (American pianist) (from 1973-10 until 1974-02)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Island Studios (Notting Hill) in London (Greater London), England, United Kingdom (from 1973-10 until 1974-02) and Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1973-10 until 1974-02)
recording of:
Rebel Rebel (from 1973-10 until 1974-02)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing (do not use as a release label!), MainMan, Jones Music America (from 1974 to present) and Tintoretto Music (from 1997 to present)
David Bowie3.94:28
7Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2)
Paul McCartney & Wings4.13:08
8The Show Must Go On
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
recording of:
The Show Must Go On
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer2:52
9Forever
Roy Wood54:19
10Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:35
11Itchycoo Park
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended)
Small Faces2:43
12Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (on 1971-07-16)
writer:
Allan Clarke (of The Hollies), Roger Cook (singer, songwriter, producer) and Roger Greenaway
The Hollies4.23:15
13Dyna-Mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:57
1448 Crash
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
48 Crash
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Suzi Quatro4.53:53
15Do You Wanna Dance
producer:
Barry Blue (singer, producer, and songwriter)
recording of:
Do You Wanna Dance?
writer:
Barry Blue (singer, producer, and songwriter), Ron Roker and Gerry Shury
publisher:
ATV Music Ltd.
Barry Blue33:53
16Oh Carol
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Terry Uttley (English bassist, singer and songwriter)
drums (drum set) and percussion:
Pete Spencer
guitar:
Chris Norman (English soft rock singer) and Alan Silson
keyboard and lead vocals:
Chris Norman (English soft rock singer)
produced for:
Chinnichap (production company and publisher)
recording of:
Oh Carol
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Smokie3:40
17Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc.
Blondie3.62:18
18Whole Lotta Love
producer:
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
You Need Love
CCS53:34
19Softly Whispering I Love You
engineer:
Peter Vince (engineer, producer)
performer:
Brian Keith and Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
Softly Whispering I Love You
writer:
Roger Cook (singer, songwriter, producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. NCB
The Congregation23:00
20Lady Eleanor
producer:
John Anthony (British producer and record executive)
recording of:
Lady Eleanor
lyricist and composer:
Alan Hull
publisher:
Hazy Music
Lindisfarne44:13
21Pinball
Brian Protheroe3:09
22Stardust
recording of:
Stardust
lyricist and composer:
David Essex
publisher:
Stage Three Music Publishing Limited
David Essex2:50
23I Write the Songs
cover recording of:
I Write the Songs
lyricist and composer:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (in 1975)
publisher:
Artists Music, Inc. and BMG Songs, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
David Cassidy4:07