Fantastic Beasts and Where to Find Them (Original Motion Picture Soundtrack) (deluxe edition)

~ Release by James Newton Howard (see all versions of this release, 7 available)

Tracklist

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▼ Digital Media 1
#TitleRatingLength
1Main Titles: Fantastic Beasts and Where to Find Them Theme
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Main Titles - Fantastic Beasts and Where to Find
composer:
James Newton Howard (American score composer)
quotes music from:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
32:54
2There Are Witches Among Us / The Bank / The Niffler
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
There Are Witches Among Us / The Bank / The Niffler
composer:
James Newton Howard (American score composer)
quotes music from:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
2.56:53
3Tina Takes Newt In / Macusa Headquarters
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Tina Takes Newt In / Macusa Headquarters
composer:
James Newton Howard (American score composer)
31:56
4Pie or Strudel / Escaping Queenie and Tina’s Place
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Pie or Strudel / Escaping Queenie and Tina’s Place
composer:
James Newton Howard (American score composer)
2.53:05
5Credence Hands Out Leaflets
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Credence Hands Out Leaflets
composer:
James Newton Howard (American score composer)
2.752:03
6Inside the Case
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Inside the Case
composer:
James Newton Howard (American score composer)
2.759:08
7The Erumpent
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Erumpent
composer:
James Newton Howard (American score composer)
2.753:28
8In the Cells
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
In the Cells
composer:
James Newton Howard (American score composer)
2.752:10
9Tina and Newt Trial / Let’s Get the Good Stuff Out / You’re One of Us Now / Swooping Evil
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Tina and Newt Trial / Let’s Get the Good Stuff Out / You’re One of Us Now / Swooping Evil
composer:
James Newton Howard (American score composer)
2.757:59
10Gnarlak Negotiations
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Gnarlak Negotiations
composer:
James Newton Howard (American score composer)
2.752:57
11The Demiguise and the Occamy
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Demiguise and the Occamy
composer:
James Newton Howard (American score composer)
2.754:06
12A Close Friend
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
A Close Friend
composer:
James Newton Howard (American score composer)
31:51
13The Obscurus / Rooftop Chase
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Obscurus / Rooftop Chase
composer:
James Newton Howard (American score composer)
2.753:48
14He’s Listening to You Tina
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
He’s Listening to You Tina
composer:
James Newton Howard (American score composer)
2.752:05
15Relieve Him of His Wand / Newt Releases the Thunderbird / Jacob’s Farewell
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Relieve Him of His Wand / Newt Releases the Thunderbird / Jacob’s Farewell
composer:
James Newton Howard (American score composer)
2.7512:33
16Newt Says Goodbye to Tina / Jacob’s Bakery
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Newt Says Goodbye to Tina / Jacob’s Bakery
composer:
James Newton Howard (American score composer)
2.753:26
17End Titles: Fantastic Beasts and Where to Find Them Theme
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Shawn Murphy (producer/engineer)
co-producer:
Jim Weidman (music editor, producer)
producer:
Sven Faulconer and James Newton Howard (American score composer)
mixer:
Peter Cobbin (recording engineer at Abbey Road Studios) and Kirsty Whalley (engineer and keyboardist)
editor:
Allan Jenkins (music editor and engineer) and David Olson (engineer, producer)
conductor:
Pete Anthony
phonographic copyright (℗) by:
WaterTower Music
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
End Titles: Fantastic Beasts and Where to Find Them Theme
composer:
James Newton Howard (American score composer)
2.752:21
▼ Digital Media 2
#TitleArtistRatingLength
18A Man and His Beasts
James Newton Howard2.758:31
19Soup and Leaflets
James Newton Howard2.52:19
20Billywig
James Newton Howard2.51:31
21The Demiguise and the Lollipop
James Newton Howard2.50:58
22I’m Not Your Ma
James Newton Howard22:04
23Blind Pig
recording of:
Blind Pig
lyricist:
J. K. Rowling (English novelist)
composer:
Mario Grigorov (Bulgarian score composer)
Emmi3.251:29
24Newt Talks to Credence
James Newton Howard22:13
25End Titles, Pt. 2: Fantastic Beasts and Where to Find Them Theme
James Newton Howard31:22
26Kowalski Rag
James Newton Howard35:12