Missa "De plus en plus", Chansons

~ Release by Johannes Ockeghem; Orlando Consort (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Missa "De plus en plus": Kyrie
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Missa De plus en plus: Kyrie (in 1996-03)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa De plus en plus (a 4)
Orlando Consort2:58
2Missa "De plus en plus": Gloria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Missa De plus en plus: Gloria (in 1996-03)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa De plus en plus (a 4)
Orlando Consort7:21
3Missa "De plus en plus": Credo
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Missa De plus en plus: Credo (in 1996-03)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa De plus en plus (a 4)
Orlando Consort9:44
4Missa "De plus en plus": Sanctus
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Missa De plus en plus: Sanctus (in 1996-03)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa De plus en plus (a 4)
Orlando Consort9:43
5Missa "De plus en plus": Agnus Dei
Orlando Consort6:09
6Presque transi
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Presque transi (a3)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort5:49
7Prenez sur moi vostre exemple amoureux
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Prenez sur moy vostre exemple
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort5:18
8O rosa bella
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
O rosa bella
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort3:59
9Aultre Vénus estes sans faille
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Aultre Venus estes sans faille
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort4:21
10S'elle m'amera
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
S'elle m'amera / Petite camusette
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort4:04
11Tant fuz gentement
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Tant fuz gentement resjouy
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Orlando Consort3:30
12Mort tu as navré de ton dart
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
engineer:
Gregor Zielinsky (Balance engineer)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (Engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1996-03)
baritone vocals:
Donald Greig (baritone) (in 1996-03)
tenor vocals:
Charles Daniels (tenor) (in 1996-03) and Angus Smith (tenor) (in 1996-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1997)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-03)
recording of:
Mort tu as navré (ballade a 4)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
dedicated to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
part of:
Cancionero de Montecassino (number: CMM 107)
Orlando Consort9:46

Credits

Release

part of:Archiv BLUE (Series from ARCHIV (Deutsche Grammophon)) (order: 6)
ASIN:DE: B00006L3IC [info]
discography entry:https://www.deutschegrammophon.com/en/cat/4717272 [info]