Mission: Impossible

~ Release by Danny Elfman (see all versions of this release, 5 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Sleeping Beauty
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Sleeping Beauty
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:31
2Mission: Impossible Theme
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Mission: Impossible Theme
composer:
Lalo Schifrin (pianist & composer)
arranger:
Danny Elfman (American singer and score composer)
Lalo Schifrin1:05
3Red Handed
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Red Handed
composer:
Danny Elfman (American singer and score composer)
Danny Elfman4:23
4Big Trouble
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Big Trouble
composer:
Danny Elfman (American singer and score composer)
Danny Elfman5:35
5Love Theme?
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Love Theme?
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:23
6Mole Hunt
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Mole Hunt
composer:
Danny Elfman (American singer and score composer)
Danny Elfman3:04
7The Disc
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
The Disc
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:57
8Max Found
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Max Found
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:05
9Looking for “Job”
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Looking for "Job"
composer:
Danny Elfman (American singer and score composer)
Danny Elfman4:41
10Betrayal
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Betrayal
composer:
Danny Elfman (American singer and score composer)
part of:
Mission: Impossible
Danny Elfman2:58
11The Heist
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
The Heist
composer:
Danny Elfman (American singer and score composer)
Danny Elfman5:49
12Uh‐Oh!
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Uh-Oh!
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:31
13Biblical Revelation
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Biblical Revelation
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:36
14Phone Home
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Phone Home
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:27
15Train Time
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Train Time
composer:
Danny Elfman (American singer and score composer)
Danny Elfman4:13
16Ménage à trois
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Ménage à trois
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:57
17Zoom A
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Zoom A
composer:
Danny Elfman (American singer and score composer)
Danny Elfman1:55
18Zoom B
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures and Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997)
recording of:
Zoom B
composer:
Danny Elfman (American singer and score composer)
Danny Elfman2:54