Teach Me Tonight

~ Release by Wesla Whitfield (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1It's a Most Unusual Day
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
It’s a Most Unusual Day (in 1997-01)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
medley of:
En högst förunderlig dag
2:34
2I've Heard That Song Before
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
I’ve Heard That Song Before (in 1997-01)
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2)
5:33
3Almost Like Being in Love
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1997-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
3:07
4Teach Me Tonight
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Teach Me Tonight (in 1997-01)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
4:53
5Pick Yourself Up
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Pick Yourself Up (from “Swing Time”) (in 1997-01)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jerome Kern
part of:
Swing Time (film)
3:47
6Don't Worry 'Bout Me
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Don’t Worry ’bout Me (in 1997-01)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
5:17
7I Fall in Love Too Easily
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
I Fall in Love Too Easily (in 1997-01)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:57
8I Double Dare You
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
I Double Dare You (in 1997-01)
writer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
3:03
9It Ain't Necessarily So
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1997-01)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
2:43
10When You Wish Upon a Star
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (in 1997-01)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
5:31
11I Wish I Were in Love Again
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
I Wish I Were in Love Again (in 1997-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
part of:
Babes in Arms (full musical)
4:29
12All My Tomorrows
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
All My Tomorrows (in 1997-01)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
4:50
13Just in Time
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Just in Time (Bells Are Ringing) (in 1997-01)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
2:55
14Until The Real Thing Comes Along
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
Until the Real Thing Comes Along (in 1997-01)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
4:19
15I Should Care
assistant engineer:
Ben Conrad
engineer, mixer and editor:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):
Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:
Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:
Noel Jewkes (from 1997-01-26 until 1997-01-28)
vocals:
Wesla Whitfield (from 1997-01-26 until 1997-01-28)
arranger:
Mike Greensill
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1997-01-26 until 1997-01-28)
recording of:
I Should Care (in 1997-01)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
3:01

Credits

Release

art direction and design:Annalee Valencia
photography:Russell Ward
liner notes:Wesla Whitfield
double bass [bass]:Michael Moore (Bass player) (from 1997-01-26 until 1997-01-28)
drums (drum set):Joe LaBarbera (from 1997-01-26 until 1997-01-28)
piano:Mike Greensill (from 1997-01-26 until 1997-01-28)
reeds:Noel Jewkes (from 1997-01-26 until 1997-01-28)
arranger:Mike Greensill
ASIN:US: B000004889 [info]