# | Title | Rating | Length |
---|
1 | Something Cool | | 4:19 |
2 | It Could Happen to You- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-18, on 1960-04-27)
- baritone saxophone:
- Johnny Rotella (on 1954-01-18)
- bass:
- Joe Mondragon (on 1954-01-18, on 1960-04-27)
- bass trombone:
- George Roberts (on 1960-04-27)
- drums (drum set):
- Shelly Manne (on 1954-01-18) and Larry Bunker (on 1960-04-27)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-18)
- French horn:
- John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
- guitar:
- Howard Roberts (on 1954-01-18) and Jack Marshall (on 1960-04-27)
- piano:
- Russ Freeman (on 1954-01-18) and Joe Castro (on 1960-04-27)
- reeds:
- Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
- trombone:
- Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
- trumpet:
- Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (on 1954-01-18), Frank Beach (on 1960-04-27) and Conte Candoli (on 1960-04-27)
- tuba:
- Paul Sarmento (on 1954-01-18) and Phil Stephens (on 1960-04-27)
- woodwind:
- Bob Cooper (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
- vocals:
- June Christy (on 1954-01-18, on 1960-04-27)
- conductor:
- Pete Rugolo (on 1954-01-18, on 1960-04-27)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-04-27)
- recording of:
- It Could Happen to You (on 1954-01-18)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
- sub-publisher:
- Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
| | 1:58 |
3 | Lonely House | | 3:59 |
4 | This Time the Dream's on Me | | 1:33 |
5 | The Night We Called It a Day | | 4:50 |
6 | Midnight Sun | | 3:16 |
7 | I'll Take Romance- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-19)
- baritone saxophone:
- Chuck Gentry (on 1954-01-19)
- bass:
- Joe Mondragon (on 1954-01-19)
- bass trombone:
- George Roberts (on 1954-01-19)
- drums (drum set):
- Larry Bunker (on 1954-01-19) and Shelly Manne (on 1954-01-19)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-19)
- French horn:
- Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
- guitar:
- Jack Marshall (on 1954-01-19) and Howard Roberts (on 1954-01-19)
- piano:
- Joe Castro (on 1954-01-19) and Russ Freeman (on 1954-01-19)
- reeds:
- Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
- trombone:
- Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
- trumpet:
- Frank Beach (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (on 1954-01-19)
- tuba:
- Paul Sarmento (on 1954-01-19) and Phil Stephens (on 1954-01-19)
- woodwind:
- Bob Cooper (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
- vocals:
- June Christy (on 1954-01-19)
- conductor:
- Pete Rugolo (on 1954-01-19)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-19)
- recording of:
- I’ll Take Romance (on 1954-01-19)
- lyricist:
- Oscar Hammerstein II
- composer:
- Ben Oakland
| | 2:21 |
8 | A Stranger Called the Blues | | 3:59 |
9 | I Should Care- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-18)
- baritone saxophone:
- Johnny Rotella (on 1954-01-18)
- bass:
- Joe Mondragon (on 1954-01-18)
- bass trombone:
- George Roberts (on 1954-01-18)
- drums (drum set):
- Larry Bunker (on 1954-01-18) and Shelly Manne (on 1954-01-18)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-18)
- French horn:
- Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
- guitar:
- Jack Marshall (on 1954-01-18) and Howard Roberts (on 1954-01-18)
- piano:
- Joe Castro (on 1954-01-18) and Russ Freeman (on 1954-01-18)
- reeds:
- Chuck Gentry (on 1954-01-18)
- trombone:
- Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
- trumpet:
- Frank Beach (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (on 1954-01-18)
- tuba:
- Paul Sarmento (on 1954-01-18) and Phil Stephens (on 1954-01-18)
- woodwind:
- Bob Cooper (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
- vocals:
- June Christy (on 1954-01-18)
- conductor:
- Pete Rugolo (on 1954-01-18)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18)
- recording of:
- I Should Care (on 1954-01-18)
- writer:
- Sammy Cahn, Axel Stordahl and Paul Weston
- publisher:
- Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation , Peermusic (UK) Limited and Stordahl Music Publishing
- sub-publisher:
- ピアーミュージック
| | 2:12 |
10 | Softly as in a Morning Sunrise- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-12-29)
- baritone saxophone:
- Bob Gordon (on 1954-12-29)
- bass:
- Joe Mondragon (on 1954-12-29)
- bass trombone:
- George Roberts (on 1954-12-29)
- drums (drum set):
- Larry Bunker (on 1954-12-29) and Shelly Manne (on 1954-12-29)
- guitar:
- Jack Marshall (on 1954-12-29) and Howard Roberts (on 1954-12-29)
- piano:
- Joe Castro (on 1954-12-29)
- reeds:
- Chuck Gentry (on 1954-12-29)
- tenor saxophone:
- Jimmy Giuffre (on 1954-12-29)
- trombone:
- Milt Bernhart (on 1954-12-29), Herbie Harper (on 1954-12-29) and Frank Rosolino (on 1954-12-29)
- trumpet:
- Frank Beach (on 1954-12-29), Conte Candoli (on 1954-12-29), Conrad Gozzo (on 1954-12-29), Ollie Mitchell (on 1954-12-29) and Shorty Rogers (on 1954-12-29)
- woodwind:
- Bob Cooper (on 1954-12-29), Paul Horn (on 1954-12-29) and Harry Klee (on 1954-12-29)
- vocals:
- June Christy (on 1954-12-29)
- conductor:
- Pete Rugolo (on 1954-12-29)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-29) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-29)
- recording of:
- Softly, as in a Morning Sunrise
- lyricist:
- Oscar Hammerstein II (in 1928)
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
- part of:
- The New Moon: Act I
| | 2:14 |
11 | I'm Thrilled | | 2:43 |
12 | Something Cool | | 4:59 |
13 | It Could Happen to You- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-18, on 1960-04-27)
- baritone saxophone:
- Johnny Rotella (on 1954-01-18)
- bass:
- Joe Mondragon (on 1954-01-18, on 1960-04-27)
- bass trombone:
- George Roberts (on 1960-04-27)
- drums (drum set):
- Shelly Manne (on 1954-01-18) and Larry Bunker (on 1960-04-27)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-18)
- French horn:
- John Graas (on 1954-01-18) and Vincent DeRosa (on 1960-04-27)
- guitar:
- Howard Roberts (on 1954-01-18) and Jack Marshall (on 1960-04-27)
- piano:
- Russ Freeman (on 1954-01-18) and Joe Castro (on 1960-04-27)
- reeds:
- Buddy Collette (on 1960-04-27) and Chuck Gentry (on 1960-04-27)
- trombone:
- Milt Bernhart (on 1954-01-18, on 1960-04-27), Harry Betts (on 1954-01-18), Tommy Pederson (on 1954-01-18) and Frank Rosolino (on 1960-04-27)
- trumpet:
- Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18, on 1960-04-27), Shorty Rogers (on 1954-01-18), Frank Beach (on 1960-04-27) and Conte Candoli (on 1960-04-27)
- tuba:
- Paul Sarmento (on 1954-01-18) and Phil Stephens (on 1960-04-27)
- woodwind:
- Bob Cooper (on 1954-01-18, on 1960-04-27), Harry Klee (on 1954-01-18) and Paul Horn (on 1960-04-27)
- vocals:
- June Christy (on 1954-01-18, on 1960-04-27)
- conductor:
- Pete Rugolo (on 1954-01-18, on 1960-04-27)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-04-27)
- recording of:
- It Could Happen to You (on 1954-01-18)
- lyricist:
- Johnny Burke
- composer:
- Jimmy Van Heusen
- publisher:
- Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
- sub-publisher:
- Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
| | 2:03 |
14 | Lonely House | | 4:05 |
15 | This Time the Dream's on Me | | 1:39 |
16 | The Night We Called It a Day | | 4:56 |
17 | Midnight Sun | | 3:34 |
18 | I'll Take Romance- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-19)
- baritone saxophone:
- Chuck Gentry (on 1954-01-19)
- bass:
- Joe Mondragon (on 1954-01-19)
- bass trombone:
- George Roberts (on 1954-01-19)
- drums (drum set):
- Larry Bunker (on 1954-01-19) and Shelly Manne (on 1954-01-19)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-19)
- French horn:
- Vincent DeRosa (on 1954-01-19) and John Graas (on 1954-01-19)
- guitar:
- Jack Marshall (on 1954-01-19) and Howard Roberts (on 1954-01-19)
- piano:
- Joe Castro (on 1954-01-19) and Russ Freeman (on 1954-01-19)
- reeds:
- Buddy Collette (on 1954-01-19) and Chuck Gentry (on 1954-01-19)
- trombone:
- Milt Bernhart (on 1954-01-19), Harry Betts (on 1954-01-19), Frank Rosolino (on 1954-01-19) and Tommy Pederson (on 1954-01-19)
- trumpet:
- Frank Beach (on 1954-01-19), Conte Candoli (on 1954-01-19), Maynard Ferguson (on 1954-01-19), Conrad Gozzo (on 1954-01-19) and Shorty Rogers (on 1954-01-19)
- tuba:
- Paul Sarmento (on 1954-01-19) and Phil Stephens (on 1954-01-19)
- woodwind:
- Bob Cooper (on 1954-01-19), Paul Horn (on 1954-01-19) and Harry Klee (on 1954-01-19)
- vocals:
- June Christy (on 1954-01-19)
- conductor:
- Pete Rugolo (on 1954-01-19)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-19) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-19)
- recording of:
- I’ll Take Romance (on 1954-01-19)
- lyricist:
- Oscar Hammerstein II
- composer:
- Ben Oakland
| | 2:22 |
19 | A Stranger Called the Blues | | 4:22 |
20 | I Should Care- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-01-18)
- baritone saxophone:
- Johnny Rotella (on 1954-01-18)
- bass:
- Joe Mondragon (on 1954-01-18)
- bass trombone:
- George Roberts (on 1954-01-18)
- drums (drum set):
- Larry Bunker (on 1954-01-18) and Shelly Manne (on 1954-01-18)
- flute and tenor saxophone:
- Ted Nash (on 1954-01-18)
- French horn:
- Vincent DeRosa (on 1954-01-18) and John Graas (on 1954-01-18)
- guitar:
- Jack Marshall (on 1954-01-18) and Howard Roberts (on 1954-01-18)
- piano:
- Joe Castro (on 1954-01-18) and Russ Freeman (on 1954-01-18)
- reeds:
- Chuck Gentry (on 1954-01-18)
- trombone:
- Milt Bernhart (on 1954-01-18), Harry Betts (on 1954-01-18), Frank Rosolino (on 1954-01-18) and Tommy Pederson (on 1954-01-18)
- trumpet:
- Frank Beach (on 1954-01-18), Conte Candoli (on 1954-01-18), Maynard Ferguson (on 1954-01-18), Conrad Gozzo (on 1954-01-18) and Shorty Rogers (on 1954-01-18)
- tuba:
- Paul Sarmento (on 1954-01-18) and Phil Stephens (on 1954-01-18)
- woodwind:
- Bob Cooper (on 1954-01-18), Paul Horn (on 1954-01-18) and Harry Klee (on 1954-01-18)
- vocals:
- June Christy (on 1954-01-18)
- conductor:
- Pete Rugolo (on 1954-01-18)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-01-18)
- recording of:
- I Should Care (on 1954-01-18)
- writer:
- Sammy Cahn, Axel Stordahl and Paul Weston
- publisher:
- Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation , Peermusic (UK) Limited and Stordahl Music Publishing
- sub-publisher:
- ピアーミュージック
| | 2:14 |
21 | Softly as in a Morning Sunrise- producer:
- Lee Gillette
- alto saxophone:
- Bud Shank (on 1954-12-29)
- baritone saxophone:
- Bob Gordon (on 1954-12-29)
- bass:
- Joe Mondragon (on 1954-12-29)
- bass trombone:
- George Roberts (on 1954-12-29)
- drums (drum set):
- Larry Bunker (on 1954-12-29) and Shelly Manne (on 1954-12-29)
- guitar:
- Jack Marshall (on 1954-12-29) and Howard Roberts (on 1954-12-29)
- piano:
- Joe Castro (on 1954-12-29)
- reeds:
- Chuck Gentry (on 1954-12-29)
- tenor saxophone:
- Jimmy Giuffre (on 1954-12-29)
- trombone:
- Milt Bernhart (on 1954-12-29), Herbie Harper (on 1954-12-29) and Frank Rosolino (on 1954-12-29)
- trumpet:
- Frank Beach (on 1954-12-29), Conte Candoli (on 1954-12-29), Conrad Gozzo (on 1954-12-29), Ollie Mitchell (on 1954-12-29) and Shorty Rogers (on 1954-12-29)
- woodwind:
- Bob Cooper (on 1954-12-29), Paul Horn (on 1954-12-29) and Harry Klee (on 1954-12-29)
- vocals:
- June Christy (on 1954-12-29)
- conductor:
- Pete Rugolo (on 1954-12-29)
- arranger:
- Pete Rugolo
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-29) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-29)
- recording of:
- Softly, as in a Morning Sunrise
- lyricist:
- Oscar Hammerstein II (in 1928)
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
- part of:
- The New Moon: Act I
| | 2:16 |
22 | I'm Thrilled | | 2:48 |