Die Goldene Meisteredition: Johann Sebastian Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 5 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Jesu bleibet meine Freude
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:33
2Brandenburgisches Konzert Nr.2: I. Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) and Bamberger Symphoniker
conductor:
Hans Swarowsky (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
5:49
3Konzert für zwei Violinen und Orchester: II. Largo ma non tanto
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:15
4Partita Nr. 1
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–)
conductor:
Heinz Rögner (conductor)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue
2:11
5Violinkonzert in E-Dur: III. Allegro assai
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042
3:01
6Brandenburgisches Konzert Nr. 4: I. Allegro
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Hans Swarowsky (conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049
7:58
7Air
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
3:19
8Violinkonzert in a-moll
orchestra:
Gewandhausorchester Leipzig
conductor:
Kurt Masur (conductor)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
4:36
9Arioso
brass:
St. Louis Brass Quintet
orchestra:
Royal Philharmonic Orchestra
conductor:
Alberto Delande (conductor, possibly Alfred Scholz pseudonym)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
3:41
10Sinfonie in D
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) and Camerata Salzburg (Austrian chamber orchestra)
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
recording of:
Sinfonia in D major, BWV 1045
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1045)
3:27
11Brandenburgisches Konzert Nr. 3: I. Allegro
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
6:58

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