Number 1 Hits of the 1950s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Website: www.deltaleisuregroup.co.uk

Annotation last modified on 2012-05-14 12:40 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Here in My Heart
Al Martino3:12
2Diana
vocals:
Paul Anka
conductor:
Don Costa (US pop music arranger & producer)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka
publisher:
Pamco Music Inc. (ended) and Epa Publishing
Paul Anka52:26
3Mambo Italiano
vocals:
Rosemary Clooney (in 1954) and The Mellomen (American singing quartet) (in 1954)
orchestra:
Buddy Cole and His Orchestra
recording of:
Mambo Italiano (original english version) (on 1954-09-28)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:32
4Rose Marie
recording of:
Rose-Marie (title song of the 1924 operetta)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml
publisher:
Chappell & Co.
part of:
Rose-Marie (1924 operetta-style musical)
Slim Whitman2:20
5Such a Night
Johnnie Ray2:15
6(How Much Is That Doggie) in the Window
cover recording of:
(How Much Is) That Doggie in the Window?
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
publisher:
Golden Bell Songs and Joy Music Inc.
Lita Roza42:16
7The Poor People of Paris
instrumental cover recording of:
The Poor People of Paris (English adaption of "La Goualante du pauvre Jean")
lyricist:
René Gustave Rouzaud
composer:
Marguerite Monnot
translator:
Jack Lawrence (US songwriter)
version of:
La Goualante du pauvre Jean
Winifred Atwell1:58
8Mary’s Boy Child
producer:
Dennis Farnon and Henri René
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1956-07-20)
bass clarinet:
Antonio Villa (on 1956-07-20)
cello:
Ennio Bolognini (on 1956-07-20)
congas:
Wally Fernez (on 1956-07-20)
French horn:
Attilo DePalma (on 1956-07-20)
guitar:
Frantz Casséus (on 1956-07-20)
guitar family:
Millard Thomas (on 1956-07-20)
harp:
Marjorie Call (on 1956-07-20)
percussion:
Arnold Manchester (on 1956-07-20) and Louis Singer (percussionist) (on 1956-07-20)
piano:
Hal Hidey (on 1956-07-20)
saxophone:
Victor Garber (50s US saxophonist) (on 1956-07-20), Jules Jacob (US jazz woodwind player) (on 1956-07-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-07-20) and Wilbur Schwartz (on 1956-07-20)
viola:
Joseph Reilich (on 1956-07-20)
violin:
Israel Baker (violinist) (on 1956-07-20), Jerome G. Kasin (on 1956-07-20), Robert Levine (pianist) (on 1956-07-20), Gustave Rosseels (on 1956-07-20), Myron Sandler (on 1956-07-20) and Marshall Sosson (on 1956-07-20)
vocals:
Harry Belafonte (on 1956-07-20)
conductor:
Will Lorin (on 1956-07-20)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-07-20)
recording of:
Mary’s Boy Child (on 1956-07-20)
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd.
Harry Belafonte32:59
9Rock‐A‐Billy
recording of:
Rock-a-Billy
writer:
Eddie Deane and Woody Harris
Guy Mitchell2:14
10Oh mein Papa
trumpet:
Eddie Calvert
orchestra:
Norrie Paramor & His Orchestra
conductor:
Norrie Paramor
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1953)
instrumental cover recording of:
O mein Papa (… war eine wunderbare Clown) (in 1953-11)
lyricist:
Georg Schmidt
composer:
Paul Burkhard
publisher:
Peter Maurice Music Co. Ltd.
part of:
Das Feuerwerk
recording of:
Oh! My Pa-Pa (English version of O mein Papa) (in 1953-11)
composer:
Paul Burkhard
translator:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
publisher:
EMI Music Ltd. and Peter Maurice Music Co.
translated version of:
O mein Papa (… war eine wunderbare Clown)
Eddie Calvert2:46
11You Belong to Me
recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. and Ridgeway Music Co, Inc.
Jo Stafford3:12
12This Ole House
producer:
Al Ham and Mitch Miller
vocals:
Rosemary Clooney (on 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (on 1954-05-22)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
This Ole House (on 1954-05-22)
lyricist and composer:
Stuart Hamblen
Rosemary Clooney2:23
13Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (in 1955)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin52:18
14Unchained Melody
Jimmy Young2:35
15Secret Love
recording of:
Secret Love (song from “Calamity Jane”)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
Doris Day3:38
16Three Coins in the Fountain
recording of:
Three Coins in the Fountain
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 27)
Frank Sinatra3:05
17My Other Love
cover recording of:
No Other Love
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
composer:
Richard Rodgers (composer) (from 1952 until 1953)
version of:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:08
18Don’t Let the Stars Get in Your Eyes
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1952, on 1952-11-04), The Ramblers (backup vocalists for two Perry Como singles) (in 1952) and The Ramblers (US doo wop group, tracks "So Sad", "Come On Back") (on 1952-11-04)
orchestra:
Hugo Winterhalter and His Orchestra (in 1952) and Hugo Winterhalter & His Orchestra (on 1952-11-04)
recording of:
Don’t Let the Stars Get in Your Eyes (on 1952-11-04)
lyricist and composer:
Slim Willet
Perry Como2:41
19Softly Softly
recording of:
Softly Softly
lyricist:
Pierre Dudan and Paddy Roberts (singer/songwriter)
composer:
Mark Paul (1950s song composer)
Ruby Murray2:27
20Give Me Your Word
recording of:
Give Me Your Word
writer:
Irving Taylor and George Wyle
Tennessee Ernie Ford3:11
21Rock and Roll Waltz
orchestra:
Hugo Winterhalter’s Orchestra and Chorus
performer:
Hugo Winterhalter
recording of:
Rock and Roll Waltz (1955 song)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Shorty Allen (jazz musician and songwriter)
publisher:
SBK United Partnership Ltd.
Kay Starr2:58
22Hernando’s Hideaway
cover recording of:
Hernando’s Hideaway (The Pajama Game)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music Corp. (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
Johnston Brothers2:32
23I See the Moon
cover recording of:
I See the Moon
lyricist and composer:
Meredith Willson
publisher:
Frank Music Corp. and Meredith Willson Music
The Stargazers22:40
24The Garden of Eden
recording of:
The Garden of Eden (1956 song)
lyricist and composer:
Dennise Norwood (Songwriter)
Frankie Vaughan2:33
25A Woman in Love
recording of:
A Woman in Love (1955 film "Guys and Dolls")
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (full musical)
Frankie Laine2:22
26Just Walking in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray2:39
27Cumberland Gap
Lonnie Donegan1:54
▼ CD 2
#TitleArtistRatingLength
1I Believe
cover recording of:
I Believe
writer:
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
recording of:
I Believe
writer:
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
Frankie Laine2:10
2Cherry Pink and Apple Blossom White
recording of:
Cherry Pink and Apple Blossom White (1951 song, version of "Cerisier rose et pommier blanc")
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
is based on:
Cerisier rose et pommier blanc (1950 song)
Eddie Calvert2:24
3Yes Tonight, Josephine
recording of:
Yes Tonight Josephine
writer:
Dorothy Goodman and Winfield Scott
Johnnie Ray2:31
4Butterfly
vocals:
Andy Williams (US pop/jazz vocalist)
conductor:
Archie Bleyer
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
cover recording of:
Butterfly
writer:
Bernie Lowe and Kal Mann
publisher:
Mayland‐Presley
Andy Williams2:22
5Cara Mia
recording of:
Cara mia (in 1954)
writer:
Lee Lange and Tulio Trapani
David Whitfield33:09
6Stranger in Paradise
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Tony Bennett3:05
7Sixteen Tons
acoustic guitar:
Bobby Gibbons (on 1955-09-20)
bass clarinet:
Darol Rice (on 1955-09-20)
clarinet:
Red Mandel (on 1955-09-20)
double bass [bass]:
Rolly Bundock (on 1955-09-20)
drums (drum set) [drums]:
Roy Harte (drummer and Pacific Jazz founder) (on 1955-09-20)
finger snaps and lead vocals:
Tennessee Ernie Ford (on 1955-09-20)
trombone:
George Bruns (on 1955-09-20)
trumpet:
Charlie Parlato (on 1955-09-20)
conductor:
Jack Fascinato (on 1955-09-20)
arranger:
Jack Fascinato
phonographic copyright (℗) by:
Bacci Bros Records (in 2010) and Lucky Vintage (in 2014)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-09-20)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 12)
cover recording of:
Sixteen Tons (on 1955-09-20)
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
parody version of:
Sixteen Tons (yiddish parody)
Tennessee Ernie Ford52:37
8Que sera sera
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day2:05
9She Wears Red Feathers
recording of:
She Wears Red Feathers
composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1952)
Guy Mitchell3:08
10Little Things Mean a Lot
recording of:
Little Things Mean a Lot
lyricist:
Edith Lindeman
composer:
Carl Stutz
Kitty Kallen3:00
11Answer Me
cover recording of:
Answer Me, My Love
lyricist:
Fred Rauch, Carl Sigman and Gerhard Winkler
composer:
Fred Rauch and Gerhard Winkler
translator:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
translated version of:
Mütterlein
Frankie Laine2:30
12I’ll Be Home
producer:
Randy Wood (producer)
conductor:
Billy Vaughn (in 1955-12)
arranger:
Billy Vaughn
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (in 1955-12)
cover recording of:
I’ll Be Home (on 1955-12-01)
writer:
Stanley Lewis (well known 60s/70s US producer/songwriter) and Ferdinand Washington
publisher:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. and Spirit One Music
Pat Boone43:01
13Hold My Hand
recording of:
Hold My Hand
writer:
Jack Lawrence (US songwriter) (in 1950) and Richard Myers (in 1950)
part of:
The 27th Academy Award for Best Original Song (number: 2)
Don Cornell2:48
14Dreamboat
vocals:
Alma Cogan
recording of:
Dreamboat (1955 song)
lyricist and composer:
Jack Hoffman
Alma Cogan1:47
15The Finger of Suspicion
recording of:
Finger of Suspicion
writer:
Al Lewis (Tin Pan Alley era lyricist) and Paul Mann (German/American pianist and composer)
Dickie Valentine2:51
16Look at That Girl
Guy Mitchell2:51
17Moulin Rouge
Mantovani2:34
18Broken Wings
The Stargazers2:54
19Lay Down Your Arms
recording of:
Lay Down Your Arms (1926 song based on the Swedish Anne-Caroline)
lyricist:
Paddy Roberts (singer/songwriter)
Anne Shelton2:56
20Young Love
Tab Hunter2:26
21Singing the Blues
phonographic copyright (℗) by:
PolyGram Special Products
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Tommy Steele42:24
22All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
Elvis Presley3.651:58
23Puttin’ on the Style
Lonnie Donegan3:26
24That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
The Crickets52:16
25Rock Around the Clock
Bill Haley & His Comets2:12
26Great Balls of Fire
Jerry Lee Lewis1:52
27Jailhouse Rock
recording of:
Jailhouse Rock
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Fujipacific Music, Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Nichion Synch Division, Silver Seahorse Music LLC and Sony/ATV Songs LLC
Elvis Presley2:23

Credits

Release

ASIN:UK: B0019KDENA [info]