Hooked on Classics

~ Release by Royal Philharmonic Orchestra, Louis Clark (see all versions of this release, 12 available)

Annotation

Only date on art is 1981, but that isn't the release date.

this release matched to discid: http://beta.musicbrainz.org/cdtoc/PoipuQI_yDzWDUVi34RAa4PKm7c-
(added by same editor)

Annotation last modified on 2021-02-11 04:42 UTC.

Tracklist

CD 1
#TitleRatingLength
1Hooked on Classics, Parts 1 & 2
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
composer:
Georges Bizet (composer)
arrangement of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley including a recording of:
Concerto in A minor for Piano and Orchestra, op. 16
premiered in:
Copenhagen, Capital Region of Denmark, Denmark (on 1869-04-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Works of Edvard Grieg by opus number (number: op. 16)
medley including a recording of:
Guillaume Tell: Overture (catch-all for arrangements)
composer:
Gioachino Rossini (composer)
arrangement of:
Guillaume Tell : Ouverture
recording of:
Hooked on Classics, Parts 1 & 2
arranger:
Louis Clark
medley of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
medley of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
medley of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
medley of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley of:
Rhapsody in Blue (standard 1942 orchestration)
medley of:
Karelia-sarja, op. 11
medley of:
Symphony no. 5 in C minor, op. 67
medley of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”
medley of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
medley of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
medley of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
medley of:
Concerto in A minor for Piano and Orchestra, op. 16
medley of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
medley of:
Guillaume Tell : Ouverture
medley including a recording of:
Karelia-sarja, op. 11
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Works of Jean Sibelius by opus number (number: op. 11)
is based on:
Karelia Music, JS 115
medley including a recording of:
Le nozze di Figaro, K. 492
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Köchelverzeichnis (original numbering) (number: 492) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 492)
is based on:
Harmoniemusik on Mozart’s “Le nozze di Figaro”
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
medley including a recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
medley including a recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
medley including a recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
medley including a recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
medley including a recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley including a recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
medley including a recording of:
The Year 1812, Festival Overture in E‐flat major (catch‐all for arrangements)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
arrangement of:
The Year 1812, Festival Overture in E-flat major, op. 49
medley including a recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
medley including a recording of:
Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
5:06
2Hooked on Romance
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a instrumental recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
medley including a recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Hooked on Romance
arranger:
Louis Clark
medley of:
Liebesträume, S. 541
medley of:
Concerto for Clarinet in A major, K. 622: II. Adagio
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
medley of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
medley of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
medley of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
medley including a recording of:
Liebesträume, S. 541
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
The Music of Liszt (number: S. 541)
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
medley including a recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
medley including a recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
medley including a recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
medley including a recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Two Piano Sonatas, op. 27
medley including a recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
6:42
3Hooked on Classics, Part 3
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
3 Marches militaires, op. 51, D. 733
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 733)
medley including a recording of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
composer:
Niccolò Paganini (composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
medley including a recording of:
Die Hebriden, op. 26 (Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
medley including a recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Hooked on Classics, Part 3
arranger:
Louis Clark
medley of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
medley of:
Lohengrin, WWV 75: Akt III. Vorspiel
medley of:
Die Hebriden, op. 26 (Fingal's Cave)
medley of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
medley of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
medley of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
medley of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
medley of:
3 Marches militaires, op. 51, D. 733
medley of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
medley of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
medley of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley of:
Radetzky‐Marsch, op. 228
medley of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
medley of:
24 Caprices for Solo Violin, MS 25, op. 1 no. 21 in A major: Amoroso – Presto
medley of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
medley of:
Pictures at an Exhibition: Promenade (unspecified promenade)
medley of:
Chopiniana, op. 46: I. Polonaise
medley including a recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
medley including a recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
medley including a recording of:
Pictures at an Exhibition: Promenade (unspecified promenade)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
medley including a recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (composer) (in 1838)
part of:
Polonaises, op. 40
medley including a recording of:
Radetzky‐Marsch, op. 228
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
medley including a recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
medley including a recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
medley including a recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
medley including a instrumental recording of:
The Cradle Song (Brahms’ Lullaby)
composer:
Johannes Brahms (German composer)
translator:
Natalia Macfarren
translated version of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
medley including a recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
6:03
4Hooked on Bach
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
medley including a recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
medley including a recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
medley including a recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 5 G-dur, BWV 816
recording of:
Hooked on Bach
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Louis Clark
medley of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
medley of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
medley of:
Marche in D major, BWV Anh. 122, H. 1/1
medley of:
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration)
medley of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
medley of:
Musette in D major, BWV Anh. 126
medley of:
Ave Maria (Bach/Gounod)
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
medley of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
medley of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley of:
Minuet in G major, BWV Anh. 114 (for keyboard)
medley of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
medley including a recording of:
March
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter"
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
medley including a recording of:
Menuet in G major, BWV Anh. 114 (catch all for arrangements)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Musette in D major, BWV Anh. 126 (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II
medley including a recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
medley including a recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
medley including a instrumental recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
5:56
5Hooked on Tchaikovsky5:29
6Hooked on a Song5:12
7Hooked on Mozart4:09
8Hooked on Mendelssohn
solo violin:
Barry Griffiths (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Louis Clark
medley including a recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
medley including a recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
4:26
9Hooked on a Can Can4:58