Tracklist

CD 1
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1Die lustige Witwe: Akt I. No. 1 “Verehrteste Damen und Herren”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:53
2Die lustige Witwe: Akt I. No. 1a “Camille, ich muß mit lhnen sprechen!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1a Ballmusik / Dialog: „Camille ich muss mit Ihnen sprechen!” (Valencienne, Camille, Zeta) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:44
3Die lustige Witwe: Akt I. No. 2 “So kommen Sie! ’s ist niemand hier!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár4:06
4Die lustige Witwe: Akt I. No. 2 Dialog “Nun, Njegus, haben Sie meine Botschaft überbracht?”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog: „Nun, Njegus, waren Sie beim Grafen Danilo?” / „Frau Glawari darf keinen Pariser heiraten” (Zeta, Njegus) (in 1994-01)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:37
5Die lustige Witwe: Akt I. No. 2 “Achtung, meine Herren, die Glawari kommt!” / No. 3 “Bitte, meine Herr’n Hab’ in Paris mich noch nicht ganz so akklimatisiert”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár3:19
6Die lustige Witwe: Akt I. No. 3a “Camille! Ja?”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3a Ballmusik – Dialog „Camille!” – „Ja?” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:35
7Die lustige Witwe: Akt I. No. 4 “Also, Njegus, hier bin ich, und wo ist das Vaterland?”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:14
8Die lustige Witwe: Akt I. No. 4 “Ich habe schon die vierte Nacht nich geschlafen!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog „Ich habe schon die vierte Nacht nicht geschlafen!” (Hanna, Danilo, Njegus, St. Brioche) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár1:29
9Die lustige Witwe: Akt I. No. 4 “Ich bitte Sie, lieber Freund, es hat doch keinen Zwerk” / No. 5 “Ja, was? Ein trautes Zimmerlein”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 5 Duett „Ja, was? – Ein trautes Zimmerlein“ / "Das ist der Zauber der stillen Häuslichkeit" (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:26
10Die lustige Witwe: Akt I. No. 5 “Also, lieber Graf, Sie sind mein Mann” / No. 6 “Damenwahl! Hört man rufen rings im Saal”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár10:05
11Die lustige Witwe: Akt II. No. 7 “Ich bitte, hier jetzt zu verweilen”– “ Es lebt’ eine Vilja”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár9:31
12Die lustige Witwe: Akt II. No. 7 “Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Gospodina, dieses vaterländische Fest" (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár0:50
13Die lustige Witwe: Akt II. No. 8 “Heia, Mädel, aufgeschaut”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár2:43
14Die lustige Witwe: Akt II. No. 8 “Wir werden uns noch schlagen um die Witwe!” / No. 9 “Wie die Weiber man behandelt”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (Swedish baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár3:06
15Die lustige Witwe: Akt II. No. 9 “Mein tapferer Reitersmann!” / No. 10 “So, wie die Dinge sich entwickeln”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II (in 1994-01)
composer:
Franz Lehár (composer) (in 1905)
librettist:
Victor Léon (librettist) and Leo Stein
version of:
Die lustige Witwe: Akt II, Part 2
part of:
Die lustige Witwe
Franz Lehár5:18
16Die lustige Witwe: Akt II. No. 10 “Nein, nein, nein” / No. 11 “Mein Freund! Vernunft! Wie eine Rosenknospe”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár6:34
17Die lustige Witwe: Akt II. No. 11 “Ah, die Baronin und Herr Rosillon”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ah, die Baronin und Herr Rosillon" (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár1:08
18Die lustige Witwe: Akt II. No. 12 "Ha! Ha!
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár11:34
19Die lustige Witwe: Akt III. No. 12b “Also, also, also!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 12b Zwischenspiel / Dialog „Also, also, also!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:35
20Die lustige Witwe: Akt III. No. 13 Danse Scene
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 13 Tanz-Szene (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:54
21Die lustige Witwe: Akt III. No. 13 “Graf Danilowitsch…” / No. 14 “Ja, wir sind es, die Grisetten”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (soprano) (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (soprano) (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár3:01
22Die lustige Witwe: Akt III. No. 14 “Exzellenz, Exzellenz, Graf, eine Expreßdepesche!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:04
23Die lustige Witwe: Akt III. No. 15 “Aber dort bin ich zu Hause…”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:59
24Die lustige Witwe: Akt III. No. 15 “Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (soprano) (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár1:25
25Die lustige Witwe: Akt III. No. 16 “Ja, das Studium der Weiber ist schwer”
recording engineer:
Ulrich Vette (engineer)
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler (balance engineer)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (baritone) (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (bass-baritone) (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (baritone) (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (bass-baritone opera singer) (in 1994-01)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (soprano) (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (soprano) (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (Classical soprano) (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (soprano) (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (soprano) (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (tenor) (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle) (in 1994-01)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár0:37

Credits

Release

rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
Discogs:https://www.discogs.com/release/5868044 [info]
ASIN:DE: B01KAOGDHE [info]
other databases:https://www.musik-sammler.de/media/977308/ [info]
discography entry:https://www.deutschegrammophon.com/cat/4399112 [info]
https://www.deutschegrammophon.com/de/cat/4399112 [info]