The Best Of

~ Release by Pasadena Roof Orchestra (see all versions of this release, 2 available)

Tracklist

▼ Medium 1
#TitleRatingLength
1Lullaby of Broadway
producer:
Rolf Enoch
drums (drum set):
Derek Jones (percussion) (from 1977-05 until 1977-07)
piano:
Peter "Keys" Durrent (from 1977-05 until 1977-07)
reeds:
Andy Pummell (woodwind) (from 1977-05 until 1977-07) and Mac White (reeds, UK) (from 1977-05 until 1977-07)
strings:
John Barron (banjo) (from 1977-05 until 1977-07)
trombone:
Bob Renvoize (from 1977-05 until 1977-07)
trumpet:
Clive "Hot Chops" Baker (from 1977-05 until 1977-07) and John "Bugle" Malam (from 1977-05 until 1977-07)
woodwind:
Frank White (saxophone) (from 1977-05 until 1977-07)
conductor:
Keith Nichols (from 1977-05 until 1977-07)
arranger:
Keith Nichols
phonographic copyright (℗) by:
Transatlantic Records Ltd.
cover recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”) (from 1977-05 until 1977-07)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 8)
part of:
42nd Street (full musical)
3:27
2What Is This Thing Called Love
producer:
Rolf Enoch
drums (drum set):
Derek Jones (percussion) (from 1977-05 until 1977-07)
piano:
Peter "Keys" Durrent (from 1977-05 until 1977-07)
reeds:
Andy Pummell (woodwind) (from 1977-05 until 1977-07) and Mac White (reeds, UK) (from 1977-05 until 1977-07)
strings:
John Barron (banjo) (from 1977-05 until 1977-07)
trombone:
Bob Renvoize (from 1977-05 until 1977-07)
trumpet:
Clive "Hot Chops" Baker (from 1977-05 until 1977-07) and John "Bugle" Malam (from 1977-05 until 1977-07)
woodwind:
Frank White (saxophone) (from 1977-05 until 1977-07)
conductor:
Keith Nichols (from 1977-05 until 1977-07)
arranger:
Keith Nichols
phonographic copyright (℗) by:
Transatlantic Records Ltd.
3:27
3Sing Sing Sing
2:58
4As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
3:27
5Skokian
4:05
6Isn't It Romantic
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (in 1976-09)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
4:06
7I Won't Dance
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1976-09)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:35
8Cheek to Cheek
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1976-09)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
2:48
9Singin' In the Rain
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
4:11
10Whispering
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
4:02
11I'll See You Again
3:17
12Pasadena
3:00
13Vo Do Do Deo Blues
recording engineer:
Peter Lodge
producer:
John Whitehead (UK Producer, technician, Transatlantic Records)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
Sound Associates Studio
recording of:
Vo-Do-Do-De-O Blues
lyricist:
Jack Yellen
composer:
Milton Ager
2:48
14Stormy Weather
recording engineer:
Simon Wingfield (from 1996-04-29 until 1996-05-01)
producer:
Peter Tomasso
mixer:
Nick Sykes
drums (drum set):
John Sutton (drums) (from 1996-04-29 until 1996-05-01)
piano:
Simon Townley (from 1996-04-29 until 1996-05-01)
reeds:
Andrew Pummell (woodwind) (from 1996-04-29 until 1996-05-01), Robert Fowler (from 1996-04-29 until 1996-05-01) and Keith Gemmell (from 1996-04-29 until 1996-05-01)
strings:
Graham Roberts (strings) (from 1996-04-29 until 1996-05-01)
trombone:
Steven Shaw (trombone) (from 1996-04-29 until 1996-05-01)
trumpet:
Danny Hammerton (trumpet) (from 1996-04-29 until 1996-05-01) and David Ford (trumpet) (from 1996-04-29 until 1996-05-01)
conductor:
Peter Tomasso (from 1996-04-29 until 1996-05-01)
recorded at:
Pavilion Studios in London (Greater London), England, United Kingdom (from 1996-04-29 until 1996-05-01)
5:24
15Sugar Foot Stomp
recording engineer:
Peter Lodge
producer:
John Whitehead (UK Producer, technician, Transatlantic Records)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
Sound Associates Studio
2:42
16Georgia on My Mind
4:53
17That's My Weakness Now
3:12
18The Mooch
4:42
19Sunday
engineer:
Richard Goldblatt
banjo:
Albert Sadler (in 1976-09)
drums (drum set):
Derek Jones (percussion) (in 1976-09)
piano:
Peter Durrent (in 1976-09)
reeds:
Andrew Pummell (woodwind) (in 1976-09), Frank White (saxophone) (in 1976-09) and Mac White (reeds, UK) (in 1976-09)
trombone:
Robert Renvoize (in 1976-09)
trumpet:
Clive Baker (in 1976-09) and John Malam (in 1976-09)
violin:
Barry Williams (violin, UK) (in 1976-09)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
The Music Centre in Wembley, Brent, London (Greater London), England, United Kingdom (in 1976-09)
2:40
20Home
4:32
21Everything Stops for Tea
cover recording of:
Everything Stops for Tea
lyricist:
Maurice Sigler
composer:
Al Goodhart and Al Hoffman
2:19
22Here's to the Next Time
recording engineer:
Peter Lodge
producer:
John Whitehead (UK Producer, technician, Transatlantic Records)
phonographic copyright (℗) by:
Transatlantic Records Ltd.
recorded at:
Sound Associates Studio
2:28