The Complete Ruby Braff Bethlehem Recordings

~ Release by Ruby Braff (see all versions of this release, 1 available)

Annotation

Contains the albums Ruby Braff Quartet Swings (10" BCP1005, Tracks 1 through 8, October 1954), Holiday In Braff (10" BCP1034, Tracks 9 through 13, January 1955), Holiday In Braff (10" BCP1032, Tracks 14-19 CD1 and Tracks 1-2 on CD2, March 1955), Bud Freeman Quintet with Ruby Braff (12" BCP 29, Tracks 3-7 on CD2, July 1955), and The Ruby Braff Special (Vanguard 12" VRS8504, Tracks 8-15 on CD2, October 1955).

Annotation last modified on 2018-10-08 22:08 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Blue and Sentimental
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
Blue and Sentimental (in 1954-10)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
2:41
2This Can’t Be Love
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
This Can’t Be Love (in 1954-10)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
2:38
3Mean to Me
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
Mean to Me (in 1954-10)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
3:02
4Ellie
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
2:28
5The Blue Room
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
Blue Room (in 1954-10)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:50
6I Can’t Get Started
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
I Can’t Get Started (in 1954-10)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:14
7You’re a Sweetheart
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
instrumental recording of:
You’re a Sweetheart (in 1954-10)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
2:58
8Struttin’ With Some Barbecue
double bass:
Walter Page (in 1954-10)
drums (drum set):
Bobby Donaldson (in 1954-10)
piano:
Johnny Guarnieri (in 1954-10)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1954-10)
recording of:
Struttin’ With Some Barbecue (in 1954-10)
composer:
Lil Hardin Armstrong
2:45
9Rosetta
engineer:
Tom Dowd (on 1954-12-31)
double bass:
Gene Ramey (on 1954-12-31)
drums (drum set):
Izzy Sklar (on 1954-12-31)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-31)
tenor saxophone:
Sam Margolis (on 1954-12-31)
trombone:
Eddie Hubble (on 1954-12-31)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1954-12-31)
live instrumental recording of:
Rosetta (on 1954-12-31)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
5:51
10I’m Gonna Sit Right Down and Write Myself a Letter
engineer:
Tom Dowd (on 1954-12-31)
double bass:
Gene Ramey (on 1954-12-31)
drums (drum set):
Izzy Sklar (on 1954-12-31)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-31)
tenor saxophone:
Sam Margolis (on 1954-12-31)
trombone:
Eddie Hubble (on 1954-12-31)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1954-12-31)
live instrumental recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1954-12-31)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
5:55
11Sometimes I’m Happy
engineer:
Tom Dowd (on 1954-12-31)
double bass:
Gene Ramey (on 1954-12-31)
drums (drum set):
Izzy Sklar (on 1954-12-31)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-31)
tenor saxophone:
Sam Margolis (on 1954-12-31)
trombone:
Eddie Hubble (on 1954-12-31)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1954-12-31)
live instrumental recording of:
Sometimes I’m Happy (on 1954-12-31)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1955 movie)
part of:
Hit the Deck (1927 musical)
8:08
12You Can Depend on Me
engineer:
Tom Dowd (on 1954-12-31)
double bass:
Gene Ramey (on 1954-12-31)
drums (drum set):
Izzy Sklar (on 1954-12-31)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-31)
tenor saxophone:
Sam Margolis (on 1954-12-31)
trombone:
Eddie Hubble (on 1954-12-31)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1954-12-31)
live instrumental recording of:
You Can Depend on Me (on 1954-12-31)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:35
13Auld Lang Syne
engineer:
Tom Dowd (on 1954-12-31)
double bass:
Gene Ramey (on 1954-12-31)
drums (drum set):
Izzy Sklar (on 1954-12-31)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1954-12-31)
tenor saxophone:
Sam Margolis (on 1954-12-31)
trombone:
Eddie Hubble (on 1954-12-31)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1954-12-31)
live instrumental recording of:
Auld Lang Syne (original Scots version, lyrics by Robert Burns) (on 1954-12-31)
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1788)
composer:
[traditional] (special purpose artist)
publisher:
Songs of Universal, Inc.
part of:
Roud Folk Song Index (number: 6294)
5:54
14Easy Living
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
instrumental recording of:
Easy Living (in 1955-03)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:44
15Flowers for a Lady
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
4:28
16Foolin’ Myself
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
instrumental recording of:
Foolin’ Myself (in 1955-03)
writer:
Jack Lawrence (US songwriter) and Peter Tinturin
publisher:
Chappell Music Co. Inc.
3:56
17I’ll Be Around
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
instrumental recording of:
I’ll Be Around (in 1955-03)
lyricist and composer:
Alec Wilder
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
3:57
18It’s Easy to Blame the Weather
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
recording of:
It’s Easy to Blame the Weather (in 1955-03)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
2:24
19Pullin’ Through
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
2:57
CD 2
#TitleRatingLength
1When You’re Smiling
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
instrumental recording of:
When You’re Smiling (The Whole World Smiles With You) (in 1955-03)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
2:49
2You’re a Lucky Guy
producer:
Creed Taylor
alto saxophone:
Al Klink (in 1955-03) and Hymie Shertzer (in 1955-03)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1955-03)
double bass:
Walter Page (in 1955-03)
drums (drum set):
Bobby Donaldson (in 1955-03)
guitar:
Arthur Reyerson (in 1955-03) and Mundell Lowe (in 1955-03)
piano:
Ellis Larkins (in 1955-03)
tenor saxophone:
Boomie Richman (in 1955-03) and Bob Wilber (in 1955-03)
trumpet:
Ruby Braff (US trumpet & cornet player) (in 1955-03)
instrumental recording of:
You're a Lucky Guy (in 1955-03)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
3:52
3Newport News
engineer:
Rudy van Gelder (in 1955-07)
drums (drum set):
George Wettling (in 1955-07)
piano:
Ken Kersey (in 1955-07)
tenor saxophone:
Bud Freeman (in 1955-07)
2:40
4At Sundown
engineer:
Rudy van Gelder (in 1955-07)
drums (drum set):
George Wettling (in 1955-07)
piano:
Ken Kersey (in 1955-07)
tenor saxophone:
Bud Freeman (in 1955-07)
instrumental recording of:
At Sundown (in 1955-07)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
3:59
5Exactly Like
engineer:
Rudy van Gelder (in 1955-07)
drums (drum set):
George Wettling (in 1955-07)
piano:
Ken Kersey (in 1955-07)
tenor saxophone:
Bud Freeman (in 1955-07)
instrumental recording of:
Exactly Like You (in 1955-07)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
4:04
6Let’s Do It
engineer:
Rudy van Gelder (in 1955-07)
drums (drum set):
George Wettling (in 1955-07)
piano:
Ken Kersey (in 1955-07)
tenor saxophone:
Bud Freeman (in 1955-07)
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1955-07)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
3:02
7But Not for Me
engineer:
Rudy van Gelder (in 1955-07)
drums (drum set):
George Wettling (in 1955-07)
piano:
Ken Kersey (in 1955-07)
tenor saxophone:
Bud Freeman (in 1955-07)
instrumental recording of:
But Not for Me (in 1955-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
recording of:
But Not for Me (in 1955-07)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:02
8Romance in the Dark
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
Romance in the Dark (on 1955-10-17)
writer:
Sam Coslow
composer:
Auteur, Big Bill Broonzy, Bud Green and Gertrude Niesen
6:55
9When You Wish Upon a Star
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (on 1955-10-17)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
5:59
10A Ghost of a Chance
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds and tenor saxophone:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (on 1955-10-17)
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
7:25
11Where’s Freddie?
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
4:44
12Wishing (Will Make It So)
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
Wishing (Will Make It So) (on 1955-10-17)
lyricist and composer:
Buddy DeSylva
3:16
13I’m in the Market for You
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
I’m in the Market for You (on 1955-10-17)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
James F. Hanley
5:49
14Sweet Sue, Just You
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
Sweet Sue, Just You (on 1955-10-17)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
9:18
15Linger Awhile
recorded in:
New York, New York, United States (on 1955-10-17)
double bass:
Walter Page (on 1955-10-17)
drums (drum set):
Jo Jones (US jazz drummer) (on 1955-10-17)
piano:
Nat Pierce (on 1955-10-17)
reeds and tenor saxophone:
Sam Margolis (on 1955-10-17)
trombone:
Vic Dickenson (on 1955-10-17)
trumpet:
Ruby Braff (US trumpet & cornet player) (on 1955-10-17)
phonographic copyright (℗) by:
Vanguard Recording Society, Inc. (not for release label use, for company relationships use only)
instrumental recording of:
Linger Awhile (on 1955-10-17)
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Paul Whiteman
5:00