Martha Argerich Collection, Volume 2: Solo Works

~ Release by Martha Argerich (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Piano Sonata No. 2 in B-flat minor, Op. 35: I. Grave - Doppio movimento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:41
2Piano Sonata No. 2 in B-flat minor, Op. 35: II. Scherzo
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: II. Scherzo (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:03
3Piano Sonata No. 2 in B-flat minor, Op. 35: III. Marche funèbre: Lento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin8:35
4Piano Sonata No. 2 in B-flat minor, Op. 35: IV. Finale: Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: IV. Finale. Presto (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin1:37
5Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin10:55
6Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo: Molto vivace
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutsche Grammophon and Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace (on 1967-03-15)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin2:17
7Piano Sonata No. 3 in B minor, Op. 58: III. Largo
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: III. Largo (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin8:45
8Piano Sonata No. 3 in B minor, Op. 58: IV. Presto ma non tanto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin4:27
9Barcarolle in F-sharp major, Op. 60: Allegretto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Barcarolle in F-sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 60)
Frédéric Chopin8:11
10Scherzo No. 2 in B-flat minor, Op. 31: Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Scherzo no. 2 in B-flat minor, op. 31 (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31)
Frédéric Chopin8:58
11Scherzo No. 3 in C-sharp minor, Op. 39: Presto con fuoco
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Scherzo no. 3 in C-sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
Frédéric Chopin6:28
▼ CD 2
#TitleArtistRatingLength
124 Préludes, Op. 28, No. 1 in C major: Agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
224 Préludes, Op. 28, No. 2 in A minor: Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:09
324 Préludes, Op. 28, No. 3 in G major: Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
424 Préludes, Op. 28, No. 4 in E minor: Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, Op. 28, No. 5 in D major: Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
624 Préludes, Op. 28, No. 6 in B minor: Lento assai
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, Op. 28, No. 7 in A major: Andantino
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, Op. 28, No. 8 in F-sharp minor: Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 8 in F-sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
924 Préludes, Op. 28, No. 9 in E major: Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, Op. 28, No. 10 in C-sharp minor: Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 10 in C-sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:24
1124 Préludes, Op. 28, No. 11 in B major: Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
1224 Préludes, Op. 28, No. 12 in G-sharp minor: Presto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 12 in G-sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:57
1324 Préludes, Op. 28, No. 13 in F-sharp major: Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 13 in F-sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, Op. 28, No. 14 in E-flat minor: Allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 14 in E-flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:28
1524 Préludes, Op. 28, No. 15 in D-flat major: Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
1624 Préludes, Op. 28, No. 16 in B-flat minor: Presto con fuoco
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 16 in B-flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1724 Préludes, Op. 28, No. 17 in A-flat major: Allegretto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 17 in A-flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:49
1824 Préludes, Op. 28, No. 18 in F minor: Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
1924 Préludes, Op. 28, No. 19 in E-flat major: Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 19 in E-flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, Op. 28, No. 20 in C minor: Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, Op. 28, No. 21 in B-flat major: Cantabile
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 21 in B-flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:33
2224 Préludes, Op. 28, No. 22 in G minor: Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, Op. 28, No. 23 in F major: Moderato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
2424 Préludes, Op. 28, No. 24 in D minor: Allegro appassionato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
25Prélude in C-sharp minor, Op. 45: Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in C-sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:05
26Prélude in A-flat major, Op. post.: Presto con leggierezza
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in A-flat major, Op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (composer) (in 1834)
Frédéric Chopin0:41
27Grande Polonaise brillante précédée d'un Andante spianato in E-flat major, Op. 22: Andante spianato: Tranquillo - Polonaise: Allegro molto
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
recording of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22 (in 1974-07)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 22)
Frédéric Chopin13:27
28Polonaise No. 6 in A-flat major, Op. 53: Maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Polonaise in A-flat major, op. 53 “Heroique” (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1842)
dedicated to:
Auguste Léo
part of:
Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin6:20
29Polonaise-Fantaisie in A-flat major, Op. 61: Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Polonaise-fantaisie in A-flat major, op. 61: Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 61)
Frédéric Chopin11:36
303 Mazurkas, Op. 59, No. 1 in A minor: Moderato
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin3:19
313 Mazurkas, Op. 59, No. 2 in A-flat major: Allegretto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 2 in A-flat major. Allegretto (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:18
323 Mazurkas, Op. 59, No. 3 in F-sharp minor: Vivace
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:47
▼ CD 3
#TitleArtistRatingLength
1Toccata in C minor, BWV 911
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Toccata in C minor, BWV 911 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 911)
Johann Sebastian Bach11:02
2Partita No. 2 in C minor, BWV 826: I. Sinfonia
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: I. Sinfonia (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach4:15
3Partita No. 2 in C minor, BWV 826: II. Allemande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: II. Allemande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach4:18
4Partita No. 2 in C minor, BWV 826: III. Courante
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: III. Courante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach2:08
5Partita No. 2 in C minor, BWV 826: IV. Sarabande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: IV. Sarabande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach3:54
6Partita No. 2 in C minor, BWV 826: V. Rondeau
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: V. Rondeaux (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach1:17
7Partita No. 2 in C minor, BWV 826: VI. Capriccio
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Partita no. 2 in C minor, BWV 826: VI. Capriccio (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 2 in C minor, BWV 826
Johann Sebastian Bach3:11
8English Suite No. 2 in A minor, BWV 807: I. Prelude
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: I. Prélude (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach4:19
9English Suite No. 2 in A minor, BWV 807: II. Allemande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: II. Allemande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach2:56
10English Suite No. 2 in A minor, BWV 807: III. Courante
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: III. Courante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach1:31
11English Suite No. 2 in A minor, BWV 807: IV. Sarabande
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: IV. Sarabande (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach4:08
12English Suite No. 2 in A minor, BWV 807: V. Bourrée I & II
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach3:55
13English Suite No. 2 in A minor, BWV 807: VI. Gigue
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VII. Gigue (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807
Johann Sebastian Bach3:19

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ASIN:DE: B0000012ZB [info]