Mass in B minor

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

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▼ Hybrid SACD 1
#TitleArtistRatingLength
1Mass in B minor, BWV 232: I. Missa: Kyrie: 1. Kyrie eleison
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:39
2Mass in B minor, BWV 232: I. Missa: Kyrie: 2. Christe eleison
soprano vocals [Sop I]:
Carolyn Sampson (soprano) (in 2007-03)
soprano vocals [Sop II]:
Rachel Nicholls (soprano)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:49
3Mass in B minor, BWV 232: I. Missa: Kyrie: 3. Kyrie eleison (II)
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:13
4Mass in B minor, BWV 232: I. Missa. Gloria: 4. Gloria in excelsis Deo
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:41
5Mass in B minor, BWV 232: I. Missa. Gloria: 5. Gloria: Et in terra pax
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:56
6Mass in B minor, BWV 232: I. Missa. Gloria: 6. Gloria: Laudamus te
soprano vocals [Sop II]:
Rachel Nicholls (soprano) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:03
7Mass in B minor, BWV 232: I. Missa. Gloria: 7. Gloria: Gratias agimus tibi
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:15
8Mass in B minor, BWV 232: I. Missa. Gloria: 8. Gloria: Domine Deus, Rex coelestis
soprano vocals [Sop I]:
Carolyn Sampson (soprano) (in 2007-03)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:08
9Mass in B minor, BWV 232: I. Missa. Gloria: 9. Qui tollis peccata mundi
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
10Mass in B minor, BWV 232: I. Missa. Gloria: 10. Qui sedes ad dextram Patris
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:24
11Mass in B minor, BWV 232: I. Missa. Gloria: 11. Quoniam tu solus sanctus
bass vocals:
Peter Kooy (baritone) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:19
12Mass in B minor, BWV 232: I. Missa. Gloria: 12. Cum Sancto Spiritu
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:20
▼ Hybrid SACD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 13. Credo in unum Deum
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:47
2Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 14. Patrem omnipotentem
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:57
3Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 15. Et in unum Dominum Jesum Christum
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
soprano vocals [Sop I]:
Carolyn Sampson (soprano)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:20
4Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 16. Et incarnatus est
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:37
5Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 17. Crucifixus etiam pro nobis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:17
6Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 18. Et resurrexit tertia die
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:54
7Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 19. Et in Spiritum Sanctum
bass vocals:
Peter Kooy (baritone) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:49
8Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 20. Confiteor unum baptisma
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:55
9Mass in B minor, BWV 232: II. Symbolum Nicenum (Credo): 21. Et expecto resurrectionem mortuorum
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:06
10Mass in B minor, BWV 232: III. Sanctus: 22. Sanctus
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:52
11Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 23. Osanna in excelsis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:37
12Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 24. Benedictus
tenor vocals:
Gerd Türk (German tenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:05
13Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 25. Osanna in excelsis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:40
14Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 26. Agnus Dei
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:19
15Mass in B minor, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: 27. Dona nobis pacem
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:12