The Big Music: The Chrysalis Butterfly Ball

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Came free with the May 1994 issue of Vox magazine

Annotation last modified on 2004-11-16 09:20 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The Big Music
recording of:
The Big Music
writer:
Mike Scott (The Waterboys)
The Waterboys34:45
2Sunday Girl (French version)
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Sunday Girl (French version) (from 1979-05 until 1979-06)
translated version of:
Sunday Girl
Blondie3:05
3Bold as Brass
producer:
Geoff Emerick (British recording engineer) and Split Enz
recording of:
Bold as Brass
writer:
Tim Finn and Robert Gillies
Split Enz3:30
4The Light
recording of:
The Light
writer:
Charlie Reid and Craig Reid
recording of:
The Light
writer:
Charlie Reid and Craig Reid
The Proclaimers43:13
5Mama’s Always on Stage
additional engineer:
Tom Held and Richard Wells (engineer)
engineer:
Alvin Speights
executive producer:
Michael T. Mauldin (record executive)
producer and mixer:
Speech (US rapper & musician)
additional vocals:
Sister Paulette
arranger:
Arrested Development
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1992)
samples:
Snatch It Back and Hold It (original stereo LP mix) by Junior Wells’ Chicago Blues Band with Buddy Guy
recording of:
Mama’s Always on Stage
lyricist and composer:
Buddy Guy, Speech (US rapper & musician) and Junior Wells
is based on:
Snatch It Back and Hold It
Arrested Development33:29
6Thoughts of You
programming:
Mel Wesson
engineer:
Martin Hayles
producer:
Michael Peden (member of The Chimes)
bass:
Mike Peden (member of The Chimes)
drums (drum set):
Rupert Brown and Trevor Murrell
EWI and flute:
Phil D Todd (UK flautist/saxophonist)
guitar:
G.A. Parricelli and William Liesegang
keyboard:
Mike Timothy (English keyboardist) and Mel Wesson
percussion:
Miles Bould
piano:
Mike Timothy (English keyboardist) and Pete Wingfield (keyboardist, singer, producer, songwriter)
strings:
London Session Orchestra
synthesizer:
Mel Wesson
background vocals:
Lyn Gerald and Tee Green
conductor:
Gavyn Wright (UK violinist)
strings arranger:
Nick Ingman
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1993)
recording of:
Thoughts of You
writer:
John Coxon and Shara Nelson
Shara Nelson3.54:18
7King Rocker
producer:
Ian Hunter (Mott the Hoople)
recording of:
King Rocker
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
Generation X52:21
8The Music That Nobody Likes
electric bass guitar and keyboard:
Fruitbat
electric guitar:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat and Jimbob (Carter USM singer James Morrison)
recording of:
The Music That Nobody Likes
writer:
James Morrison (Carter USM singer James Morrison) and Lesley Carter
Carter the Unstoppable Sex Machine4:30
9Ship of Fools
recording of:
Ship of Fools
lyricist and composer:
Karl Wallinger
World Party54:32
10All the Way From Memphis (live)
live recording of:
All the Way From Memphis
lyricist and composer:
Ian Hunter (Mott the Hoople)
Ian Hunter and Mick Ronson3:45
11Le Bien, le Mal
assistant engineer:
Philippe Cerboneschi
engineer:
Philippe Zdar (Founder of the Motorbass studio, half of Cassius.)
co-producer:
Jimmy Jay (french hip hop) and MC Solaar
producer and mixer:
Guru (alternative rapper from Boston)
turntable:
Jimmy Jay (french hip hop)
additional vocals:
Black Jack (FR Rapper; member of Démocrates D) and Mickey "Mus Mus" Mossman
lead vocals:
MC Solaar
vocals:
Guru (alternative rapper from Boston)
arranger:
Guru (alternative rapper from Boston)
produced for:
Guru Productions Inc.
recorded at:
D&D Studios in Manhattan, New York, New York, United States
mixed at:
Studios Ferber in Paris, Île-de-France, France
recording of:
Le Bien, le Mal
lyricist and composer:
Guru (alternative rapper from Boston)
Guru3:24
12April in King’s Cross
recording of:
April in King’s Cross
writer:
Tony Barry (Tyrrel Corporation) and Joe Watson (Tyrrel Corporation)
Tyrrel Corporation4:21
13The Witch’s Promise
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (in 1970)
bass guitar:
Glenn Cornick (in 1970)
drums (drum set):
Clive Bunker (in 1970)
electric guitar:
Martin Barre (in 1970)
keyboard:
John Evan (in 1970)
vocals:
Ian Anderson (of Jethro Tull) (in 1970)
remixer:
Robin Black (engineer)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom (in 1970)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
recording of:
The Witch’s Promise (on 1969-12-19)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull3.53:52
14Have You Ever Seen the Rain
recording engineer:
Trent Slatton
assistant engineer:
Peter Beckerman, Diego Garrido, Bryce Goggin, Jack Hersca, Johnny Wydrycs and Rojo (New York engineer)
producer:
Scott Hackwith
mixer:
Scott Hackwith and Trent Slatton
bass guitar:
C.J. Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
keyboard:
Joe McGinty (US composer/keyboardist)
lead vocals:
Joey Ramone
phonographic copyright (℗) by:
Radioactive Records, J.V. (in 1994)
additionally recorded at:
Chung King House of Metal in New York, New York, United States
recorded at:
Baby Monster Studios in New York, New York, United States
mixed at:
Chung King House of Metal in New York, New York, United States, Saturn Sound in Burbank, California, United States and Sound on Sound Recording Studios (New York) in New York, New York, United States
cover recording of:
Have You Ever Seen the Rain?
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Prestige Music Co. Ltd.
Ramones42:25
15Nothing Compares 2 U (live video version)
live cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor5:34
16Ugly
recording of:
Ugly
writer:
Mikal Moore and Jeff Morgan (Rwake, Mutha’s Day Out)
Mutha’s Day Out3:43
17Never Too High to Fall
recording of:
Never Too High to Fall
writer:
John Andrew (Kingmaker), Loz Hardy and Myles Howell
Kingmaker4:11
18Know These Things
recording of:
I Know These Things About You
writer:
Neil Arthur (singer, songwriter, producer)
Neil Arthur4:08
1919
producer:
Paul Hardcastle
music videos:
19 (music video) by Paul Hardcastle
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle3.63:41
20Free Nelson Mandela
executive engineer:
Dick Cuthell
arranger:
Jerry Dammers
recording of:
Free Nelson Mandela
lyricist and composer:
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special A.K.A.4:47

Credits

Release

manufactured by and glass mastered by:Ablex UK
copyrighted (©) by and phonographic copyright (℗) by:Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1994)
IPC Magazines Ltd. (not release label) (in 1994)
Vox (UK magazine) (in 1994)
Discogs:https://www.discogs.com/release/1358097 [info]