Classic Ballet Favourites

~ Release by Angelina™ Ballerina (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Angelina Ballerina Theme
producer:
Colin Towns
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
conductor:
Colin Towns
arranger:
Colin Towns
recording of:
Angelina Ballerina Theme
composer:
Colin Towns
Colin Towns1:29
2The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Philharmonic Orchestra (LPO) (from 1948-12-28 until 1948-12-29)
conductor:
Sergiu Celibidache (Romanian conductor) (from 1948-12-28 until 1948-12-29)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1949)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1948-12-28 until 1948-12-29)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky2:55
3The Nutcracker Suite, op. 71a: Danse des mirlitons
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Georg Solti (conductor)
phonographic copyright (℗) by:
Polydor KK (DO NOT USE AS A RELEASE LABEL!)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:38
4The Sleeping Beauty, op. 66: Act 1. Rose Adagio
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Symphony Orchestra
conductor:
Pierre Monteux (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio")
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky6:40
5Coppélia: Tableau 1. Prelude - Mazurka
engineer:
Arthur Bannister
co-producer:
Raymond Few (Ray Few, producer) and Tim McDonald (producer)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recording of:
Coppélia : Tableau I, no. 1a. Prélude et Mazurka
composer:
Léo Delibes (composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes4:34
6Swan Lake, op. 20: Act 1. Dance of the Little Swans. Allegro moderato
recorded in:
London (Greater London), England, United Kingdom (in 1962-06)
solo violin:
Hugh Maguire (violinist, leader, concertmaster, and conductor) (in 1962-06)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Symphony Orchestra (in 1962-06)
conductor:
Pierre Monteux (conductor) (in 1962-06)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1962)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: IV. Allegro moderato (Popularly known as "Dance of the Little Swans") (in 1962-06)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky1:40
7Swan Lake, op. 20: Act 4. no. 29: Scene Finale
recording engineer:
Wolf-Dieter Karwatky (in 1978-11)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
editor:
Wolf-Dieter Karwatky
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
Boston Symphony Orchestra (in 1978-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1978-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1979)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1978-11)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso (in 1978-11)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Pyotr Ilyich Tchaikovsky2:52
8Petrushka (version 1947): Scene 1. Russian Dance
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Symphony Orchestra
conductor:
Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label)
recording of:
Pétrouchka : Tableau Ic. Danse russe (1947 version)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1946 revised version)
revision of:
Pétrouchka : Tableau Ic. Danse russe (1911 version)
Igor Stravinsky3:03
9Giselle: Act 1. no. 2 Entrée de Giselle
recording engineer:
C.R. Fine (in 1959-06) and Wilma Cozart (in 1959-06)
engineer:
Robert Eberenz (in 1959-06)
mixer:
Wilma Cozart
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Symphony Orchestra (in 1959-06)
conductor:
Anatole Fistoulari (conductor) (in 1959-06)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (in 1959-06)
recording of:
Giselle: Act I. Entrée de Giselle (in 1959-06)
composer:
Adolphe Adam (composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam7:29
10Romeo and Juliet, op. 64: Act 1. 13. Dance of the Knights
engineer:
Michael Mailes (engineer) and Colin Moorfoot (engineer)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
Royal Philharmonic Orchestra (from 1991-01 until 1991-02)
conductor:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (from 1991-01 until 1991-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (from 1991-01 until 1991-02)
recording of:
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights (from 1991-01 until 1991-02)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev6:02
11Sylvia: Act 3. Pizzicati
engineer:
Arthur Bannister
co-producer:
Raymond Few (Ray Few, producer) and Tim McDonald (producer)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Stanley Black
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recording of:
Sylvia : Acte III. No. 16a. Pizzicati
composer:
Léo Delibes (composer)
part of:
Sylvia : Acte III
Léo Delibes2:44
12Les Sylphides: Waltz
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1982-04)
conductor:
Richard Bonynge (conductor and pianist) (in 1982-04)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-04)
recording of:
Les Sylphides: VIII. Walzer (in E-flat major, op. 18 no. 1) (orch. by Douglas) (in 1982-04)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (composer)
orchestration of:
Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante”
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin5:52
13Cinderella: Shawl Dance
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
L’Orchestre de la Suisse Romande (OSR) (from 1961-10-08 until 1961-11-15)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1962)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (from 1961-10-08 until 1961-11-15)
recording of:
Cinderella, op. 87: Act I. No. 2. Shawl Dance (from 1961-10-08 until 1961-11-15)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev3:40
14Pineapple Poll: Scene 3. Grand Finale
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
Royal Philharmonic Orchestra (on 1960-11-23)
conductor:
Charles Mackerras (Australian conductor) (on 1960-11-23)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-11-23)
recording of:
Pineapple Poll: Scene III. Grande Finale (on 1960-11-23)
composer:
Arthur Sullivan (composer)
arranger:
Charles Mackerras (Australian conductor) (in 1950)
part of:
Pineapple Poll (ballet suite, arr. Sir Charles Mackerras)
Arthur Sullivan6:12
15Orpheus in the Underworld: Can Can Polka
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label)
recording of:
Orphée aux enfers : Ouverture
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach2:35
16Fantasia: The Sorcerer’s Apprentice (extract)
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
orchestra:
Boston Symphony Orchestra
conductor:
Arthur Fiedler (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
partial recording of:
L’Apprenti sorcier
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas2:45
17The Show Must Go On: I’m All Alone
producer:
Colin Towns
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
vocals:
Jo Wyatt (narrator)
arranger:
Colin Towns
recording of:
I’m All Alone
lyricist:
Mellie Buse
composer:
Colin Towns
Colin Towns2:40
18The Show Must Go On: Mad, Bad & Dangerous
producer:
Colin Towns
spoken vocals:
Angelina™ Ballerina (English actor) (in 2003)
vocals:
Finty Williams (English actor)
arranger:
Colin Towns
recording of:
Mad, Bad & Dangerous to Know
lyricist:
Mellie Buse
composer:
Colin Towns
Colin Towns2:35

Credits

Release

manufactured in:the U.K.
liner notes:Michael Rose (liner note writer)
illustration:Helen Craig (illustrator)
copyrighted (©) by:HIT Entertainment (children’s music) (in 2003)
Marks and Spencer PLC (in 2003)
phonographic copyright (℗) by:Marks and Spencer PLC (in 2003)