Baroque Adagios

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Canon (arr. Münchinger)
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (in 1984-02)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:33
2Concerto no. 4 in F minor, RV 297 "Winter": Largo
recorded in:
Wien, Austria (from 1959-04-29 until 1959-05-06)
producer:
Vittorio Negri (conductor)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi2:43
3Adagio
pipe organ:
Maria Teresa Garatti (keyboardist) (in 1960-11)
orchestra:
I Musici (in 1960-11)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma, Roma, Lazio, Italy (in 1960-11)
recording of:
Adagio for Strings and Organ in G minor (in 1960-11)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni7:00
4Dance of the Blessed Spirits (Orfeo) (arr. De Reede)
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Rien de Reede (flutist)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (in 1984-02)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:38
5Guitar Concerto in D major, RV 93 (arr. Malipiero): Largo
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:12
6Concerto for 2 Violins in D minor, BWV 1043: Largo ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:30
7Oboe Concerto in D minor: Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935
Alessandro Marcello4:25
8Nisi Dominus, RV 608: Cum dederit delectis suis somnum
producer:
Chris Sayers (producer)
countertenor vocals:
Andreas Scholl (countertenor) (from 2000-01-10 until 2000-01-13)
orchestra:
Australian Brandenburg Orchestra (from 2000-01-10 until 2000-01-13)
conductor:
Paul Dyer (conductor) (from 2000-01-10 until 2000-01-13)
balance engineer:
Allan Maclean (engineer/editor)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (from 2000-01-10 until 2000-01-13)
recording of:
Nisi Dominus, RV 608: IV. Largo "Cum dederit delectis suis somnum" (from 2000-01-10 until 2000-01-13)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nisi Dominus, RV 608
Antonio Vivaldi5:09
9Concerto Grosso in A minor, op. 6 no. 4: Larghetto affettuoso
cello:
Kenneth Heath
violin:
Trevor Connah (violinist) and Sir Neville Marriner (conductor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Georg Friedrich Händel3:20
10Organ Concerto no. 13 in F major "The Cuckoo and the Nightingale": Larghetto
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02, in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
performer:
Stuttgart Chamber Orchestra (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: III. Larghetto (in 1984-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
Georg Friedrich Händel2:43
11Oboe Concerto in F major, BWV 1053: Siciliano
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05)
orchestra:
Academy of St Martin in the Fields (in 1982-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
Johann Sebastian Bach4:19
12Violin Sonata in G minor, op. 1 no. 4 "The Devil's Trill": Larghetto Affettuoso
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
producer:
Us Van Der Meulen
piano:
Riccardo Castagnone (pianist, harpsichordist and composer) (from 1956-07-16 until 1956-07-19)
violin:
Arthur Grumiaux (Belgian violinist) (from 1956-07-16 until 1956-07-19)
recorded at:
Bachzaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1956-07-16 until 1956-07-19)
recording of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo": I. Larghetto affettuoso (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini
part of:
Sonata for Violin and Continuo in G minor, B g5 "Il trillo del diavolo" (four-movement version)
recording of:
Violin Sonata in G minor, "The Devil's Trill": I. Larghetto (arr. F. Kreisler for violin and piano) (from 1956-07-16 until 1956-07-19)
composer:
Giuseppe Tartini
arranger:
Fritz Kreisler (violinist / composer)
part of:
Violin Sonata in G minor, "The Devil's Trill" (arr. F. Kreisler for violin and piano)
Giuseppe Tartini2:56
13Sleepers Awake (excerpt) (Cantata, BWV 140) (arr. Bantock)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach2:31
14Concerto for 2 Oboes in D minor, RV 535: Largo
producer:
Chris Hazell
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1975-07-15 until 1975-07-18)
oboe:
Neil Black (oboist) (from 1975-07-15 until 1975-07-18) and Celia Nicklin (oboist) (from 1975-07-15 until 1975-07-18)
organ:
Colin Tilney (harpsichordist) (from 1975-07-15 until 1975-07-18)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1975-07-15 until 1975-07-18)
orchestra:
Academy of St Martin in the Fields (from 1975-07-15 until 1975-07-18)
conductor:
Sir Neville Marriner (conductor) (from 1975-07-15 until 1975-07-18)
balance engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer) (from 1975-07 until 1975-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-07-15 until 1975-07-18)
recording of:
Concerto for 2 oboes in D minor, RV 535: III. Largo (from 1975-07-15 until 1975-07-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
Antonio Vivaldi2:34
15Concerto grosso in D major, op. 6 no. 1: Largo
violin:
Carmel Kaine (violinist) (in 1973-12) and Alan Loveday (violinist) (in 1973-12)
orchestra:
Academy of St Martin in the Fields (in 1973-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Concerto Grosso in D major, op. 6 no. 1: II. Largo - Allegro (in 1973-12)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 1
Arcangelo Corelli3:21
16Keyboard Concerto no. 4 in A major, BWV 1055: Larghetto
piano:
András Schiff (pianist) (in 1989-01)
orchestra:
Chamber Orchestra of Europe (in 1989-01)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:56
17Goldberg Variations, BWV 988: Aria
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1982-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-04)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach3:53
18Ombra mai fu (Largo) (Xerxes)
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
vocals:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:01
19Nulla in mundo pax sincera, RV 630 (excerpt)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:48
▼ CD 2
#TitleArtistRatingLength
1Orchestral Suite no. 3 in D major, BWV 1068: Air
recorded in:
London (Greater London), England, United Kingdom (in 1976-06)
producer:
Michael Bremner (producer/engineer) and Vittorio Negri (conductor)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
violin:
Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1970-12, in 1976-06)
conductor:
Sir Neville Marriner (conductor) (in 1970-12) and Neville Marriner (conductor) (in 1976-06)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12) and Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Johann Sebastian Bach5:15
2Lascia ch'io pianga (Rinaldo)
mezzo-soprano vocals:
Bernadette Greevy (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel3:54
3Concerto no. 1 in E major, RV 269 "Spring": Largo
recorded in:
Wien, Austria (from 1959-04-29 until 1959-05-06)
producer:
Vittorio Negri (conductor)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-06)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:03
4Keyboard Concerto no. 3 in D major, BWV 1054: Adagio e piano sempre
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1989-01)
orchestra:
Chamber Orchestra of Europe (in 1989-01)
balance engineer:
Stanley Goodall (engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1989-01)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre (in 1989-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach5:50
5Oboe Concerto in D minor, op. 9 no. 2: Adagio
harpsichord:
Maria Teresa Garatti (keyboardist) (from 1967-06-16 until 1967-06-29)
solo oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1967-06-16 until 1967-06-29)
orchestra:
I Musici (from 1967-06-16 until 1967-06-29)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma, Roma, Lazio, Italy (from 1967-06-16 until 1967-06-29)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (from 1967-06-16 until 1967-06-29)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni5:26
6Cello Sonata in G minor, BWV 1029: Adagio (excerpt)
cello:
János Starker (Hungarian-American cellist) (in 1963-04)
piano:
György Sebök (pianist) (in 1963-04)
recorded at and engineered at:
Fine Recording Studios in Manhattan, New York, New York, United States (in 1963-04)
recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace (in 1963-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1963-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach3:14
7Concerto for Harp and 2 Flutes in B-flat major, op. 4 no. 6: Larghetto
harp:
Ursula Holliger (Swiss harpist) (in 1970-10)
transverse flute:
Jean-Claude Hermanjat (Swiss flutist) (in 1970-10) and André Pépin (flutist) (in 1970-10)
orchestra:
I Musici (in 1970-10)
recording of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) (in 1970-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel4:44
8Violin Concerto in A minor, BWV 1041: Andante
harpsichord:
Christopher Middleton (harpsichord) (in 1985-07)
violin:
Salvatore Accardo (violinist and conductor) (in 1985-07)
orchestra:
Chamber Orchestra of Europe (in 1985-07)
conductor:
Salvatore Accardo (violinist and conductor) (in 1985-07)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 1985-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach6:27
9Brandenburg Concerto no. 5 in D major, BWV 1050: Affettuoso
flute:
Jean‐Pierre Rampal (flautist) (in 1980-05)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1980-05)
violin:
Henryk Szeryng (violinist) (in 1980-05)
orchestra:
Academy of St Martin in the Fields (in 1980-05)
conductor:
Neville Marriner (conductor) (in 1980-05)
arranger:
Jacques Loussier
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (in 1980-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050
Johann Sebastian Bach5:44
10Stabat Mater (Stabat Mater)
instruments:
Les Talens Lyriques (French classical musical ensemble)
countertenor vocals:
Andreas Scholl (countertenor) (from 1999-02-24 until 1999-02-26)
soprano vocals:
Barbara Bonney (soprano) (from 1999-02-24 until 1999-02-26)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (from 1999-02-24 until 1999-02-26)
conductor:
Christophe Rousset (French harpsichordist & conductor) (from 1999-02-24 until 1999-02-26)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-24 until 1999-02-26)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:12
11Arioso (Cantata, BWV 156) (arr. Julian Lloyd Webber)
producer:
Anna Barry (classical producer)
cello:
Julian Lloyd Webber (cellist) (in 1992-02)
piano:
John Lenehan (classical pianist) (in 1992-02)
arranger:
Julian Lloyd Webber (cellist)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (in 1992-02)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (in 1992-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach2:55
12Concerto for 2 Mandolins in G major, RV 532: Andante (rev. Franz Giegling)
recorded in:
Vienna, Austria (on 1960-04-29)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
organ:
Maria Teresa Garatti (keyboardist) (on 1960-04-29)
solo mandolin:
Tommaso Ruta (Italian mandolinist) (on 1960-04-29) and Gino Del Vescovo (Mandolin player) (on 1960-04-29)
orchestra:
I Musici (on 1960-04-29)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (on 1960-04-29)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:48
13Concerto for Oboe and Violin in C minor, BWV 1060: Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
Academy of St Martin in the Fields (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:17
14Concerto no. 3 in F major, RV 293 "Autumn": Adagio molto (rev. Vittorio Negri)
recorded in:
Wien, Austria (from 1959-04-29 until 1959-05-06)
producer:
Vittorio Negri (conductor)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi2:46
15Oboe Concerto in D minor
recorded in:
London (Greater London), England, United Kingdom (in 1981-11)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1981-11)
recording of:
Oboe Concerto in D minor, TWV 51:d1: I. Adagio (in 1981-11)
composer:
Georg Philipp Telemann (composer)
part of:
Oboe Concerto in D minor, TWV 51:d1
Georg Philipp Telemann2:36
16Concerto grosso no. 6 in D major: Largo
Domenico Scarlatti, Charles Avison3:29
17Violin Concerto in A minor, RV 356: Largo (from L'estro harmonico, op. 3)
recorded in:
Switzerland (in 1962-09)
harpsichord:
Maria Teresa Garatti (keyboardist) (in 1962-09)
solo violin:
Roberto Michelucci (violinist) (in 1962-09)
orchestra:
I Musici (in 1962-09)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo (in 1962-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:56
18Ground: Largo (arr. David Watkins)
William Croft3:26
19Dido's Lament (Dido and Aeneas)
soprano vocals:
Dame Janet Baker (mezzo-soprano and alto)
orchestra:
English Chamber Orchestra
conductor:
Sir Anthony Lewis (conductor and composer)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:08

Credits

Release

part of:Adagios (Decca Classics) (order: 5)
ASIN:DE: B00005UWKY [info]