In Time: Original Motion Picture Soundtrack

~ Release by Craig Armstrong (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleRatingLength
1In Time Main Theme
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Main Theme
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:35
2Lost Century
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Lost Century
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:58
3Dawn in Dayton
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Dawn in Dayton
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:26
4The Cost of Living
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
The Cost of Living
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:40
5Mother’s Run
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Mother Times Out
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:55
6Zones of Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Zones of Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:11
7Welcome to New Greenwich
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Welcome to New Greenwich
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:11
8Waking Up in Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Waking Up in Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:45
9An Hour Ahead
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
An Hour Ahead
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:52
10Ocean
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Ocean
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:33
11Abduction
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Abduction
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:24
12Whatever We Have To
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Whatever We Have To
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:37
13Mother's Dress
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Mother's Dress
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:45
14Clock Watching
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Clock Watching
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:25
15Sylvia Shoots
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Sylvia Shoots
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:08
16Backseat Love
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Backseat Love
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:38
17Giving it Away
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Giving it Away
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:12
18Rooftop Chase
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Rooftop Chase
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:52
19You Saved My Life
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
You Saved My Life
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:07
20Surrender
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Surrender
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:53
21To Be Immortal
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
To Be Immortal
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:53
22Leaving the Zone
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Leaving the Zone
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:31
23In Time Choral Theme
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Choral Theme
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
3:20
24There's Still Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
There's Still Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
0:45
25In Time Main Theme (orchestral)
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Main Theme (orchestral)
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
2:24

Credits

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