Jazz in Paris Collector's Edition: René Thomas and His Orchestra

~ Release by René Thomas and His Orchestra (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1L'Imbécile
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
tenor saxophone:
André Ross (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
recording of:
L'imbécile (on 1954-04-17)
composer:
René Thomas (Belgian jazz guitarist)
René Thomas3:14
2How About You?
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
How About You? (on 1954-04-17)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
René Thomas2:37
3All the Things You Are
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
tenor saxophone:
André Ross (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1954-04-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
René Thomas3:42
4Relaxin' at the Grand Balcon
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
recording of:
Relaxin' at the Grand Balcon (on 1954-04-17)
composer:
René Thomas (Belgian jazz guitarist)
René Thomas3:17
5The Continental
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (on 1954-04-17)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
René Thomas2:54
6There Will Never Be Another You
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
There Will Never Be Another You (on 1954-04-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
René Thomas2:27
7Lover Man
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
Lover Man (on 1954-04-17)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
René Thomas3:39
8If I Had You
double bass:
Jean-Marie Ingrand (on 1954-04-17) and Benoît Quersin (Belgian jazz bassist) (on 1954-04-17)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-04-17)
guitar:
René Thomas (Belgian jazz guitarist) (on 1954-04-17)
piano:
René Urtreger (on 1954-04-17)
tenor saxophone:
André Ross (on 1954-04-17)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1954-04-17)
instrumental recording of:
If I Had You (jazz standard) (on 1954-04-17)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
René Thomas4:15
9Shine
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
Shine (on 1956-03-22)
lyricist:
Lew Brown (in 1910) and Cecil Mack (in 1910)
composer:
Ford Dabney (, in 1910)
René Thomas2:59
10My Old Flame
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
My Old Flame (on 1956-03-22)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
René Thomas4:48
11Goodnight, Wherever You Are
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
Goodnight Wherever You Are (on 1956-03-22)
writer:
Al Hoffman, Dick Robertson (US jazz vocalist, 1920s-1940s) and Frank Weldon
René Thomas4:02
12Easy to Love
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
Easy to Love (on 1956-03-22)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
René Thomas2:43
13The Real Cat
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
recording of:
The Real Cat (on 1956-03-22)
composer:
René Thomas (Belgian jazz guitarist)
René Thomas4:19
14Someone to Watch Over Me
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1956-03-22)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
René Thomas3:19
15Get Happy
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
instrumental recording of:
Get Happy (on 1956-03-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
René Thomas3:16
16A Night in Tunisia
double bass:
Benoît Quersin (Belgian jazz bassist) (on 1956-03-22)
drums (drum set):
José Bourguignon (on 1956-03-22)
guitar:
René Thomas (Belgian jazz guitarist) (on 1956-03-22)
piano:
Roland Ronchaud (Belgian 1950/60s jazz pianist) (on 1956-03-22)
tenor saxophone:
Bib Monville (French tenor saxophonist) (on 1956-03-22)
recorded at:
Studio Pathé-Magellan in Paris, Île-de-France, France (on 1956-03-22)
recording of:
Night in Tunisia (instrumental) (on 1956-03-22)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
René Thomas4:41

Credits

Release group

part of:Jazz in Paris (number: 16) (order: 17)
Discogs:https://www.discogs.com/master/582810 [info]