Messe in H-Moll BWV 232

~ Release by Johann Sebastian Bach; Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:29
2Messe in H-moll, BWV 232: I. Missa. Kyrie. Christe eleison
soprano vocals:
Angela Maria Blasi (soprano) (in 1986-04) and Delores Ziegler (mezzo-soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:16
3Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:00
4Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:38
5Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
soprano vocals:
Delores Ziegler (mezzo-soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:08
6Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:37
7Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus
soprano vocals:
Angela Maria Blasi (soprano) (in 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:55
8Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:02
9Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:48
10Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus
bass vocals:
Robert Holl (bass-baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:14
11Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:15
▼ CD 2
#TitleArtistRatingLength
1Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:53
2Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:06
3Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in unum Dominum
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
soprano vocals:
Angela Maria Blasi (soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:06
4Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:59
5Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:33
6Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:27
7Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
bass vocals:
Robert Holl (bass-baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:13
8Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:55
9Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et expecto
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:27
10Messe in H-moll, BWV 232: III. Sanctus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:22
11Messe in H-moll, BWV 232: IV. Osanna
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:37
12Messe in H-moll, BWV 232: IV. Benedictus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
tenor vocals:
Kurt Equiluz (tenor) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:48
13Messe in H-moll, BWV 232: IV. Agnus Dei
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:15
14Messe in H-moll, BWV 232: IV. Dona nobis pacem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1986-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:52