Taverner 450th Anniversary Album

~ Release by The Tallis Scholars (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Song Westron wynde (solo voice)
recording engineer:
John Fredericks (recording engineer) (in 1993) and Philip Hobbs (engineer/producer) (in 1993)
producer:
Peter Phillips (British conductor) (in 1993) and Steve C Smith (engineer/producer) (in 1993)
tenor vocals:
Rufus Müller (tenor) (in 1993)
vocals:
The Tallis Scholars (in 1993)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1993)
recorded at:
Church of Saint Peter and Saint Paul (Salle) in Norfolk, England, United Kingdom (in 1993)
recording of:
Westron Wynde (in 1993)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
0:57
2WESTERN WIND MASS 1 Gloria
recording engineer:
John Fredericks (recording engineer) (in 1993) and Philip Hobbs (engineer/producer) (in 1993)
producer:
Peter Phillips (British conductor) (in 1993) and Steve C Smith (engineer/producer) (in 1993)
bass vocals:
Donald Greig (baritone) (in 1993) and Francis Steele (operatic bass) (in 1993)
meane vocals:
Sally Dunkley (soprano) (in 1993) and Caroline Trevor (contralto) (in 1993)
tenor vocals:
Charles Daniels (tenor) (in 1993) and Rufus Müller (tenor) (in 1993)
treble vocals:
Tessa Bonner (soprano) (in 1993) and Deborah Roberts (soprano) (in 1993)
vocals:
The Tallis Scholars (in 1993)
conductor:
Peter Phillips (British conductor) (in 1993)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1993)
recorded at:
Church of Saint Peter and Saint Paul (Salle) in Norfolk, England, United Kingdom (in 1993)
recording of:
Western Wynde Mass: I. Gloria (in 1993)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
7:50
32 Credo
recording engineer:
John Fredericks (recording engineer) (in 1993) and Philip Hobbs (engineer/producer) (in 1993)
producer:
Peter Phillips (British conductor) (in 1993) and Steve C Smith (engineer/producer) (in 1993)
bass vocals:
Donald Greig (baritone) (in 1993) and Francis Steele (operatic bass) (in 1993)
meane vocals:
Sally Dunkley (soprano) (in 1993) and Caroline Trevor (contralto) (in 1993)
tenor vocals:
Charles Daniels (tenor) (in 1993) and Rufus Müller (tenor) (in 1993)
treble vocals:
Tessa Bonner (soprano) (in 1993) and Deborah Roberts (soprano) (in 1993)
vocals:
The Tallis Scholars (in 1993)
conductor:
Peter Phillips (British conductor) (in 1993)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1993)
recorded at:
Church of Saint Peter and Saint Paul (Salle) in Norfolk, England, United Kingdom (in 1993)
recording of:
Western Wynde Mass: II. Credo (in 1993)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
7:54
43 Sanctus & Benedictus
recording engineer:
John Fredericks (recording engineer) (in 1993) and Philip Hobbs (engineer/producer) (in 1993)
producer:
Peter Phillips (British conductor) (in 1993) and Steve C Smith (engineer/producer) (in 1993)
bass vocals:
Donald Greig (baritone) (in 1993) and Francis Steele (operatic bass) (in 1993)
meane vocals:
Sally Dunkley (soprano) (in 1993) and Caroline Trevor (contralto) (in 1993)
tenor vocals:
Charles Daniels (tenor) (in 1993) and Rufus Müller (tenor) (in 1993)
treble vocals:
Tessa Bonner (soprano) (in 1993) and Deborah Roberts (soprano) (in 1993)
vocals:
The Tallis Scholars (in 1993)
conductor:
Peter Phillips (British conductor) (in 1993)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1993)
recorded at:
Church of Saint Peter and Saint Paul (Salle) in Norfolk, England, United Kingdom (in 1993)
recording of:
Western Wynde Mass: III. Sanctus & Benedictus (in 1993)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
8:09
54 Agnus Dei I, II & III
recording engineer:
John Fredericks (recording engineer) (in 1993) and Philip Hobbs (engineer/producer) (in 1993)
producer:
Peter Phillips (British conductor) (in 1993) and Steve C Smith (engineer/producer) (in 1993)
bass vocals:
Donald Greig (baritone) (in 1993) and Francis Steele (operatic bass) (in 1993)
meane vocals:
Sally Dunkley (soprano) (in 1993) and Caroline Trevor (contralto) (in 1993)
tenor vocals:
Charles Daniels (tenor) (in 1993) and Rufus Müller (tenor) (in 1993)
treble vocals:
Tessa Bonner (soprano) (in 1993) and Deborah Roberts (soprano) (in 1993)
vocals:
The Tallis Scholars (in 1993)
conductor:
Peter Phillips (British conductor) (in 1993)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1993)
recorded at:
Church of Saint Peter and Saint Paul (Salle) in Norfolk, England, United Kingdom (in 1993)
recording of:
Western Wynde Mass: IV. Agnus Dei (in 1993)
composer:
John Taverner (16th century composer)
part of:
Western Wynde Mass
8:22
65 Leroy Kyrie
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Kyrie "Leroy" (a 4) (in 1984)
composer:
John Taverner (16th century composer)
3:48
7MISSA GLORIA TIBI TRINITAS 1 Gloria
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Missa "Gloria tibi Trinitas": I. Gloria (in 1984)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
10:25
82 Credo
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Missa "Gloria tibi Trinitas": II. Credo (in 1984)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
9:13
93 Sanctus & Benedictus
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Missa "Gloria tibi Trinitas": III. Sanctus (in 1984)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
7:25
104 Agnus Dei I, II & III
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Missa "Gloria tibi Trinitas": V. Agnus Dei (in 1984)
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
7:59
115 Responsory Dum transisset Sabbatum
recording engineer:
Mike Clements (engineer) (in 1984)
producer:
Peter Phillips (British conductor) (in 1984) and Steve C Smith (engineer/producer) (in 1984)
bass vocals:
Peter Harvey (bass-baritone) (in 1984), Francis Steele (operatic bass) (in 1984) and Jeremy White (operatic bass) (in 1984)
countertenor vocals:
David Cordier (counter tenor) (in 1984) and Robert Harre-Jones (countertenor) (in 1984)
meane vocals:
Tessa Bonner (soprano) (in 1984), Ruth Duncan (Soprano) (in 1984) and Sally Dunkley (soprano) (in 1984)
tenor vocals:
Charles Daniels (tenor) (in 1984), Rufus Müller (tenor) (in 1984), Mark Padmore (British tenor) (in 1984) and Nicolas Robertson (Tenor) (in 1984)
treble vocals:
Alison Gough (Soprano) (in 1984), Ruth Holton (soprano) (in 1984) and Alison Stamp (Treble, Soprano) (in 1984)
phonographic copyright (℗) by:
Gimell Records Ltd. (copyright) (in 1984)
recorded at:
Merton College Chapel in Oxford, Oxfordshire, England, United Kingdom (in 1984)
recording of:
Dum transisset Sabbatum (unspecified version) (in 1984)
composer:
John Taverner (16th century composer)
7:17