Annotation

Almost the same as the release with barcode 8711638070120, but the Schubert disc is different.

Annotation last modified on 2016-10-27 10:43 UTC.

Tracklist

CD 1: Bach
# Title Artist Rating Length
1 Orchestra Suite No. 1 in C major, BWV. 1066: I. Ouverture Johann Sebastian Bach 12:03
2 Orchestra Suite No. 1 in C major, BWV. 1066: II. Courante Johann Sebastian Bach 1:59
3 Orchestra Suite No. 1 in C major, BWV. 1066: III. Gavotte 1 & 2 Johann Sebastian Bach 3:07
4 Orchestra Suite No. 1 in C major, BWV. 1066: IV. Forlane Johann Sebastian Bach 1:43
5 Orchestra Suite No. 1 in C major, BWV. 1066: V. Menuett Johann Sebastian Bach 3:06
6 Orchestra Suite No. 1 in C major, BWV. 1066: VI. Bourrée Johann Sebastian Bach 2:49
7 Orchestra Suite No. 1 in C major, BWV. 1066: VII. Passepied Johann Sebastian Bach 2:35
8 Orchestra Suite No. 2 in B minor, BWV. 1067: I. Ouverture Johann Sebastian Bach 14:01
9 Orchestra Suite No. 2 in B minor, BWV. 1067: II. Rondeau Johann Sebastian Bach 1:34
10 Orchestra Suite No. 2 in B minor, BWV. 1067: III. Sarabande Johann Sebastian Bach 3:25
11 Orchestra Suite No. 2 in B minor, BWV. 1067: IV. Bourrée 1 Johann Sebastian Bach 2:03
12 Orchestra Suite No. 2 in B minor, BWV. 1067: V. Bourrée 2 Johann Sebastian Bach 2:26
13 Orchestra Suite No. 2 in B minor, BWV. 1067: VI. Polonaise-Double Johann Sebastian Bach 0:37
14 Orchestra Suite No. 2 in B minor, BWV. 1067: VII. Menuett Johann Sebastian Bach 1:18
15 Orchestra Suite No. 2 in B minor, BWV. 1067: VIII. Badinerie Johann Sebastian Bach 1:31
16 Orchestra Suite No. 3 in D major, BWV. 1068: I. Ouverture Johann Sebastian Bach 7:21
17 Orchestra Suite No. 3 in D major, BWV. 1068: II. Air Johann Sebastian Bach 5:47
18 Orchestra Suite No. 3 in D major, BWV. 1068: III. Gavotte 1 & 2 Johann Sebastian Bach 4:05
19 Orchestra Suite No. 3 in D major, BWV. 1068: IV. Bourrée Johann Sebastian Bach 1:35
20 Orchestra Suite No. 3 in D major, BWV. 1068: V. Gigue Johann Sebastian Bach 3:12
CD 2: Beethoven
# Title Artist Rating Length
1 Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace Ludwig van Beethoven 12:23
2 Symphony No. 4 in B-flat major, Op. 60: II. Adagio Ludwig van Beethoven 9:33
3 Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace Ludwig van Beethoven 6:16
4 Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo Ludwig van Beethoven 7:06
5 Symphony No. 5 in C minor, Op. 67: I. Allegro con brio Ludwig van Beethoven 7:24
6 Symphony No. 5 in C minor, Op. 67: II. Andante con moto Ludwig van Beethoven 11:03
7 Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro Ludwig van Beethoven 5:23
8 Symphony No. 5 in C minor, Op. 67: IV. Allegro Ludwig van Beethoven 8:51
CD 3: Mozart
# Title Artist Rating Length
1 Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso Wolfgang Amadeus Mozart 14:37
2 Piano Concerto No. 21 in C major, K. 467: II. Andante Wolfgang Amadeus Mozart 3 5:36
3 Piano Concerto No. 21 in C major, K. 467: III. Andante vivo assai Wolfgang Amadeus Mozart 7:04
4 Violin Concerto in D major, K. 218: I. Allegro Wolfgang Amadeus Mozart 9:22
5 Violin Concerto in D major, K. 218: II. Andante cantabile Wolfgang Amadeus Mozart 7:08
6 Violin Concerto in D major, K. 218: III. Rondeau. Andante gracioso Wolfgang Amadeus Mozart 7:10
7 Horn Concerto No. 2 in E flat major, K. 417: I. Allegro maestoso Wolfgang Amadeus Mozart 6:46
8 Horn Concerto No. 2 in E flat major, K. 417: II. Andante Wolfgang Amadeus Mozart 3:16
9 Horn Concerto No. 2 in E flat major, K. 417: III. Rondo. Allegro Wolfgang Amadeus Mozart 4:01
CD 4: Orff
# Title Artist Rating Length
1 Carmina Burana: I. Fortuna Imperatrix Mundi: O Fortuna Carl Orff 2:47
2 Carmina Burana: I. Fortuna Imperatrix Mundi: Fortune plango vulnera Carl Orff 2:51
3 Carmina Burana: II. Primo Vere: Veris leta facies Carl Orff 3:37
4 Carmina Burana: II. Primo Vere: Omnia sol temperat Carl Orff 2:09
5 Carmina Burana: II. Primo Vere: Ecce gratum Carl Orff 2:58
6 Carmina Burana: III. Uf dem Anger: Tanz Carl Orff 1:48
7 Carmina Burana: III. Uf dem Anger: Floret silva Carl Orff 3:51
8 Carmina Burana: III. Uf dem Anger: Chramer, gip die varwe mir Carl Orff 3:44
9 Carmina Burana: III. Uf dem Anger: Reie Carl Orff 2:02
10 Carmina Burana: III. Uf dem Anger: Swaz hie gat umbe Carl Orff 0:38
11 Carmina Burana: III. Uf dem Anger: Chume, chum geselle min Carl Orff 1:56
12 Carmina Burana: III. Uf dem Anger: Swaz hat gat umbe Carl Orff 0:39
13 Carmina Burana: III. Uf dem Anger: Were diu werlt alle min Carl Orff 1:01
14 Carmina Burana: IV. In Taberna: Estuans interius Carl Orff 3:00
15 Carmina Burana: IV. In Taberna: Olim lacus colueram Carl Orff 3:20
16 Carmina Burana: IV. In Taberna: Ego sum abbas Carl Orff 1:28
17 Carmina Burana: IV. In Taberna: In taberna quando sum Carl Orff 3:25
18 Carmina Burana: V. Cour d'amours: Amor volat undique Carl Orff 3:30
19 Carmina Burana: V. Cour d'amours: Dies, nox et omnia Carl Orff 2:24
20 Carmina Burana: V. Cour d'amours: Stetit puella Carl Orff 2:29
21 Carmina Burana: V. Cour d'amours: Circa mea pectora Carl Orff 2:28
22 Carmina Burana: V. Cour d'amours: Si puer cum puelluia Carl Orff 1:00
23 Carmina Burana: V. Cour d'amours: Veni, veni, venias Carl Orff 1:04
24 Carmina Burana: V. Cour d'amours: In trutina Carl Orff 2:18
25 Carmina Burana: V. Cour d'amours: Tempus est iocundum Carl Orff 2:32
26 Carmina Burana: V. Cour d'amours: Dulcissime Carl Orff 0:44
27 Carmina Burana: VI. Blanziflor et Helena: Ave formosissima Carl Orff 1:42
28 Carmina Burana: VII. Fortuna Imperatrix Mundi: O Fortuna Carl Orff 2:45
CD 5: Händel
# Title Artist Rating Length
1 Water Music Suite No.1 in F major - Overture Georg Friedrich Händel 3:14
2 Water Music Suite No.1 in F major - Adagio e staccato Georg Friedrich Händel 2:25
3 Water Music Suite No.1 in F major - Allegro - Andante - Allegro Georg Friedrich Händel 7:31
4 Water Music Suite No.1 in F major - A Tempo di Menuetto Georg Friedrich Händel 4:06
5 Water Music Suite No.1 in F major - Air Georg Friedrich Händel 4:15
6 Water Music Suite No.1 in F major - Menuett Georg Friedrich Händel 2:08
7 Water Music Suite No.1 in F major - Bourree Georg Friedrich Händel 2:20
8 Water Music Suite No.1 in F major - Hornpipe Georg Friedrich Händel 2:12
9 Water Music Suite No.1 in F major - Allegro moderato Georg Friedrich Händel 4:25
10 Water Music Suite No.2 in D major - Andante Georg Friedrich Händel 2:13
11 Water Music Suite No.2 in D major - Allegro: All Hornpipe Georg Friedrich Händel 4:52
12 Water Music Suite No.2 in D major - Coro Georg Friedrich Händel 1:25
13 Water Music Suite No.2 in D major - Loure Georg Friedrich Händel 2:00
14 Water Music Suite No.2 in D major - Bourree Georg Friedrich Händel 1:28
15 Water Music Suite No.3 in G major - Menuett Georg Friedrich Händel 2:48
16 Water Music Suite No.3 in G major - Rigaudon Georg Friedrich Händel 2:52
17 Water Music Suite No.3 in G major - Menuett Georg Friedrich Händel 1:12
18 Water Music Suite No.3 in G major - Menuett Georg Friedrich Händel 2:13
19 Water Music Suite No.3 in G major - Affettuoso Georg Friedrich Händel 0:46
20 Water Music Suite No.3 in G major - Cantabile Georg Friedrich Händel 0:54
21 Fireworks Music in D major - Overture Georg Friedrich Händel 9:22
22 Fireworks Music in D major - Bourree Georg Friedrich Händel 1:46
23 Fireworks Music in D major - La paix (Largo alla Siciliana) Georg Friedrich Händel 3:26
24 Fireworks Music in D major - La rejouissance (Allegro) Georg Friedrich Händel 3:49
25 Fireworks Music in D major - Menuet I Georg Friedrich Händel 1:31
26 Fireworks Music in D major - Menuet II Georg Friedrich Händel 2:38
CD 6: Rimsky-Korsakoff / Mussorgsky
# Title Artist Rating Length
1 Sheherazade, Symphonic Suite, op. 35: I. The Sea and Sinbad's ship. Largo e maestoso Николай Андреевич Римский‐Корсаков 10:06
2 Sheherazade, Symphonic Suite, op. 35: II. The Story of Prince Kalender. Lento - Adagio Николай Андреевич Римский‐Корсаков 12:14
3 Sheherazade, Symphonic Suite, op. 35: III. The Young Prince and Princess. Andantino quasi Allegretto Николай Андреевич Римский‐Корсаков 10:13
4 Sheherazade, Symphonic Suite, op. 35: IV. Festival at Baghdad / The Sea / The Shipwreck and Magnetberg. Final: Allegro molto Николай Андреевич Римский‐Корсаков 13:22
5 Pictures at an Exhibition: I. Promenade Модест Петрович Мусоргский 1:39
6 Pictures at an Exhibition: II. The Gnome Модест Петрович Мусоргский 2:48
7 Pictures at an Exhibition: III. Bydło Модест Петрович Мусоргский 3:02
8 Pictures at an Exhibition: IV. Promenade Модест Петрович Мусоргский 0:55
9 Pictures at an Exhibition: V. Ballet of the Unhatched Chickens Модест Петрович Мусоргский 1:17
10 Pictures at an Exhibition: VI. Market Place of Limoges Модест Петрович Мусоргский 1:28
11 Pictures at an Exhibition: VII. Catacombs of Roma Модест Петрович Мусоргский 1:53
12 Pictures at an Exhibition: VIII. Cum mortuis in lingua mortua Модест Петрович Мусоргский 3:01
13 Pictures at an Exhibition: IX. The Cottage of Baba-Yaga Модест Петрович Мусоргский 3:40
14 Pictures at an Exhibition: X. Great Gate of Kiev Модест Петрович Мусоргский 5:21
CD 7: Mendelssohn-Bartholdy
# Title Artist Rating Length
1 A Midsummer Night's Dream: I. Overture, Op. 21 Felix Mendelssohn 12:14
2 A Midsummer Night's Dream: II. Scherzo, Op. 61 No. 1 Felix Mendelssohn 4:58
3 A Midsummer Night's Dream: III. Nocturne, Op. 61 No. 7 Felix Mendelssohn 6:37
4 A Midsummer Night's Dream: IV. Wedding March, Op. 61 No. 9 Felix Mendelssohn 5:21
5 A Midsummer Night's Dream: V. Dance of the Clowns, Op. 61 No. 11 Felix Mendelssohn 1:41
6 Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace Felix Mendelssohn 11:29
7 Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto Felix Mendelssohn 5:41
8 Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato Felix Mendelssohn 6:51
9 Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto Felix Mendelssohn 5:56
CD 8: Mahler
# Title Artist Rating Length
1 Symphony No. 5: I. Trauermarch. In gemessenem Schritt. Streng. Wie ein Kondukt Gustav Mahler 11:45
2 Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz Gustav Mahler 13:10
3 Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell Gustav Mahler 15:26
4 Symphony No. 5: IV. Adagietto. Sehr langsam Gustav Mahler 9:02
5 Symphony No. 5: V. Rondo-Finale. Allegro giocoso Gustav Mahler 13:44
CD 9: Schubert
# Title Artist Rating Length
1 Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 1. Allegro vivace Franz Schubert 12:28
2 Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 2. Andante Franz Schubert 6:58
3 Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 3. Scherzo: Presto Franz Schubert 4:05
4 Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 4. Thema con variazioni: Andantino - Allegretto Franz Schubert 7:35
5 Piano Quintet in A major, Op. 114 D. 667 "Trout Quintet": 5. Finale: Allegro giusto Franz Schubert 6:35
6 Fantasie in C major, Op. 15 D. 760 "Wanderer Fantasy" Franz Schubert 21:15
7 Waltzes from Valses nobles, Op. 77 D. 969 Franz Schubert 7:03
CD 10: Tschaikowsky
# Title Artist Rating Length
1 Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito Пётр Ильич Чайковский 20:12
2 Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andante semplice – Prestissimo – Tempo Пётр Ильич Чайковский 7:04
3 Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco Пётр Ильич Чайковский 7:01
4 Violin Concerto in D major, Op. 35: I. Allegro moderato Пётр Ильич Чайковский 17:56
5 Violin Concerto in D major, Op. 35: II. Canzonetta. Andante Пётр Ильич Чайковский 6:51
6 Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo Пётр Ильич Чайковский 9:37

Credits

CD 1: Bach

composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–16, 18–20)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 17)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) (tracks 1–20)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 1–20)
arrangements:
Air de J.S. Bach (Suite in D) (for organ, Jongen) (track 17)
Air in D, BWV 1068 (arr. Heimer Sjöblom for organ) (track 17)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 17)
Air on the G String (for cello and orchestra, arr. Cullen) (track 17)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 17)
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (for piano 4 hands, Reger) (track 1)
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (catch all for arrangements) (track 1)
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (catch all for arrangements) (track 2)
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte (for piano 4 hands, Reger) (track 3)
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (catch all for arrangements) (track 4)
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (for piano 4 hands, Reger) (track 4)
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet (for piano 4 hands, Reger) (track 5)
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (catch all for arrangements) (track 5)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée (for piano 4 hands, Reger) (track 6)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied (for piano 4 hands, Reger) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (for piano 4 hands, Reger) (track 9)
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée (for piano 4 hands, Reger) (tracks 11–12)
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (catch-all for arrangements) (tracks 11–12)
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise (for piano 4 hands, Reger) (track 13)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (for piano 4 hands, Reger) (track 14)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements) (track 14)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 15)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 15)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (for piano 4 hands, Reger) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (catch all for arrangements) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte (for piano 4 hands, Reger) (track 18)
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (Catch-all for unknown arrangements) (track 18)
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (for piano 4 hands, Reger) (track 19)
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (catch all for arrangements) (track 19)
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (for piano 4 hands, Reger) (track 20)
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (catch all for arrangements) (track 20)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 17)
Solo Amore (track 17)
is the basis for:
Bach Aire (track 17)
Peace Planet (track 15)
Sweetest Love (track 17)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 17)
part of:
partial recording of:
recording of:
referred to in medleys:
Hooked on Bach (tracks 11–12, 15, 18)
Hooked on Romance (track 17)

CD 2: Beethoven

composer:
Ludwig van Beethoven (1804 – 1808) (tracks 5–8)
Ludwig van Beethoven (1806) (tracks 1–4)
conductor:
Anton Nanut (conductor) (tracks 1–8)
orchestra:
Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) (tracks 1–8)
compiled in:
arrangements:
Finale from Symphony no. 5 (arr. Woodhouse) (track 8)
Symphony no. 5 in C minor, S. 464 no. 5: IV. Allegro (for piano solo, Liszt) (track 8)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 5)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 5)
Symphony no. 5 in C minor, op. 67: II. Andante con moto (for brass, Frackenpohl) (track 6)
Symphony no. 5 in C minor, op. 67: III. Allegro (for brass, Frackenpohl) (track 7)
Symphony no. 5 in C minor, op. 67: IV. Allegro (for brass, Frackenpohl) (track 8)
The 5th (track 5)
is the basis for:
クライシス第4楽章 (Parodius) (track 8)
later versions:
part of:
Symphony no. 4 in B-flat major, op. 60 (movement) (tracks 1–4)
recording of:

CD 3: Mozart

violin:
Eugene Schaeffer (tracks 4–6)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
Angela Giulini (pianist) (tracks 1, 3)
Leonard Hokanson (pianist) (tracks 1, 3)
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
István Székely (pianist) (tracks 1, 3)
Silvia Čápová (pianist) (tracks 1, 3)
horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) (tracks 7–9)
K. Sreter (an Alfred Scholz pseudonym) (tracks 7–9)
French horn:
Josef Dokupil (horn player, an Alfred Scholz pseudonym) (track 9)
composer:
Wolfgang Amadeus Mozart (classical composer) (1775-04 – 1775-12) (tracks 4–6)
Wolfgang Amadeus Mozart (classical composer) (1783) (tracks 7–9)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 1–3)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) (track 9)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1–3, 7–9)
Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) (tracks 4–6)
Kurt Redel (flutist and conductor) (tracks 1, 3)
Alfred Scholz (tracks 1, 3)
orchestra:
Camerata Labacensis (tracks 1, 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (tracks 1, 3)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1–3, 7–9)
Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz) (tracks 4–6)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 9)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 1–3)
arrangements:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - London 1827) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - Munich 1836) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso (for piano and string quintet, Lachner) (track 1)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 2)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 2)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for piano and string quintet, Lachner) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - London 1827) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - Munich 1836) (track 3)
is the basis for:
Sex’n fax (track 2)
part of:
recording of:
referred to in medleys:

CD 4: Orff

baritone vocals:
Rudolf Knoll (tracks 4, 14, 16, 19, 21–22, 25)
choir vocals:
Salzburg Mozarteum Chorus (tracks 1–28)
Russian State Chorus (tracks 1–8, 13–27)
composer:
Carl Orff (composer) (1936) (tracks 1–10, 10–12, 12–28)
conductor:
Kurt Prestel (conductor, chorus master) (tracks 1–28)
Serge Tchaikov (conductor, discogs reckons this is an unknown pseudonym) (tracks 1–8, 13–27)
orchestra:
soprano vocals:
Gerda Harman (tracks 18, 20, 24–26)
tenor vocals:
Richard Brünner (track 15)
publisher:
B. Schott’s Söhne (publisher; do not use as label) (tracks 1–8, 10, 12–28)
compiled in:
arrangements:
A Young Girl (track 20)
Boiling Rage (track 14)
Come, My Beauty (track 23)
In the Tavern (track 17)
O Fortuna (QNTAL song) (track 1)
Sunrise (track 4)
Sweetest Boy (track 26)
The Dance (track 6)
The Face of Spring (track 3)
The Lovers (track 27)
The Roasted Swan (track 15)
The Wounds of Fate (track 2)
Welcome (track 5)
is the basis for:
Dies, Nox et Omnia (OC ReMix) (track 19)
later translated versions:
later versions:
The Mass (track 1)
part of:
Carmina Burana: Uf dem Anger (tracks 6–8, 10, 12–13)
parts:
recording of:
version of:
Fortune plango vulnera (Poem, CB 16) (track 2)
O Fortuna (Poem, CB 17) (track 1)

CD 5: Händel

composer:
George Frideric Handel (German‐British baroque composer) (tracks 3, 9)
George Frideric Handel (German‐British baroque composer) (1717) (tracks 1–2, 4, 4–14, 14–15, 15–17, 17–18, 18–20)
George Frideric Handel (German‐British baroque composer) (1749) (tracks 21–26)
conductor:
Hans Zanotelli (real person used as an Alfred Scholz pseudonym) (tracks 1–26)
orchestra:
Norddeutsche Philharmonie (an Alfred Scholz pseudonym) (tracks 1–26)
arrangements:
Hornpipe from Water Music (for piano, Grainger) (track 11)
part of:
Water Music Suite no. 3 in G major, HWV 350 (tracks 15, 15–17, 17–18, 18–20)
partial recording of:
parts:
recording of:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) (track 9)
referred to in medleys:

CD 6: Rimsky-Korsakoff / Mussorgsky

piano:
Gerhard Eckle (tracks 5–14)
composer:
Модест Петрович Мусоргский (composer) (1874-06-02 – 1874-06-22) (tracks 5–14)
conductor:
Alexander Gavostov (conductor) (tracks 1–3)
Anton Nanut (conductor) (tracks 1–2)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (tracks 1–4)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym) (tracks 1–4)
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) (tracks 1–2)
Soviet State Orchestra (tracks 1–3)
producer:
Udo Unger (tracks 1–2)
arrangements:
Pictures at an Exhibition: I. Promenade (for Russian folk instruments, Boyashov) (track 5)
Pictures at an Exhibition: II. Gnome (for Russian folk instruments, Boyashov) (track 6)
Pictures at an Exhibition: IX. Baba Yaga (for brass band, Howarth) (track 13)
Pictures at an Exhibition: IX. Ballet of Chicken's in Their Egg-Shells (for Russian folk instruments, Boyashov) (track 9)
Pictures at an Exhibition: No. 1 "Gnomus" (catch-all for arrangements) (track 6)
Pictures at an Exhibition: No. 4 "Bydło" (catch-all for arrangements) (track 7)
Pictures at an Exhibition: No. 8a "Catacombæ" (Sepulcrum romanum) (catch-all for arrangements) (tracks 11–12)
Pictures at an Exhibition: No. 8b "Cum mortuis in lingua mortua" (catch-all for arrangements) (tracks 11–12)
Pictures at an Exhibition: Promenade (1st) (catch-all for arrangements) (track 5)
Pictures at an Exhibition: The Great Gate at Kiev (catch-all for arrangements) (track 14)
Pictures at an Exhibition: V. Promenade (for Russian folk instruments, Boyashov) (track 8)
Pictures at an Exhibition: VII. Bydlo (for Russian folk instruments, Boyashov) (track 7)
Pictures at an Exhibition: VIII. Catacombae (for band, Boyd) (tracks 11–12)
Pictures at an Exhibition: X. The Great Gate of Kiev (for brass band, Howarth) (track 14)
Pictures at an Exhibition: XII. Limoges. Market (for Russian folk instruments, Boyashov) (track 10)
Pictures at an Exhibition: XIII. Catacombs (for Russian folk instruments, Boyashov) (tracks 11–12)
Pictures at an Exhibition: XIV. Con mortuis in lingua mortua (for Russian folk instruments, Boyashov) (tracks 11–12)
Pictures at an Exhibition: XV. The Hut on Hen's Legs (for Russian folk instruments, Boyashov) (track 13)
Pictures at an Exhibition: XVI. The Great Gate of Kiev (for Russian folk instruments, Boyashov) (track 14)
Promenade (track 5)
Scheherazade, op. 35: I. The Sea and Sinbad's Ship (for piano four hands) (track 1)
Scheherazade, op. 35: II. The Kalendar Prince (for piano four hands) (track 2)
The Great Gate of Kiev (for choir and orchestra, Gamley) (track 14)
is the basis for:
Quadri (tracks 13–14)
later versions:
A Weakened Soul (track 5)
Ballet of the Chicks in Their Shells (Isao Tomita version) (track 9)
Catacombs (Isao Tomita version) (tracks 11–12)
Tales of the Arabian Night (C64 Game) (track 4)
orchestrations:
Pictures at an Exhibition: I. Gnomus (orchestrated by Breiner) (track 6)
Pictures at an Exhibition: I. Gnomus (orchestrated by Funtek) (track 6)
Pictures at an Exhibition: IV. Bydlo (orchestrated by Funtek) (track 7)
Pictures at an Exhibition: IV. Bydlo (orchestrated by Breiner) (track 7)
Pictures at an Exhibition: IX. The Hut on Fowl's Legs (orchestrated by Funtek) (track 13)
Pictures at an Exhibition: Promenade I (orchestrated by Funtek) (track 5)
Pictures at an Exhibition: Promenade I (orchestrated by Ellison) (track 5)
Pictures at an Exhibition: Promenade I (orchestrated by Breiner) (track 5)
Pictures at an Exhibition: Promenade III (orchestrated by Breiner) (track 8)
Pictures at an Exhibition: Promenade III (orchestrated by Funtek) (track 8)
Pictures at an Exhibition: VII. Limoges. Le marché (orchestrated by Funtek) (track 10)
Pictures at an Exhibition: VIIIa. Catacombae (orchestrated by Funtek) (tracks 11–12)
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua (orchestrated by Funtek) (tracks 11–12)
Pictures at an Exhibition: X. The Great Gate at Kiev (orchestrated by Breiner) (track 14)
Pictures at an Exhibition: X. The Great Gate of Kiev (orchestrated by Funtek) (track 14)
Tableaux d'une exposition: Cum Mortuis in lingua mortua (orchestrated by Ravel) (tracks 11–12)
Tableaux d'une exposition: I. Gnomus (orchestrated by Ravel) (track 6)
Tableaux d'une exposition: IV. Bydlo (orchestrated by Ravel) (track 7)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 3rd promenade) (track 8)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 1st promenade) (track 5)
Tableaux d'une exposition: VII. Limoges - le marché (orchestrated by Ravel) (track 10)
Tableaux d'une exposition: VIII. Catacombae (Sepulchrum romanum) (orchestrated by Ravel) (tracks 11–12)
Tableaux d’une exposition: X. La grande porte de Kiev (orchestrated by Ravel) (track 14)
part of:
Scheherazade, op. 35 (tracks 1–4)
Pictures at an Exhibition (original piano version) (tracks 5–14)
partial recording of:
recording of:
Pictures at an Exhibition: No. 1 "Gnomus" (original piano version) (track 6)
Pictures at an Exhibition: No. 4 "Bydło" (original piano version) (track 7)
Pictures at an Exhibition: Promenade (1st) (original piano version) (track 5)
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3) (track 8)

CD 7: Mendelssohn-Bartholdy

composer:
Felix Mendelssohn (composer) (1826) (track 1)
Felix Mendelssohn (composer) (1833) (tracks 6–9)
Felix Mendelssohn (composer) (1842) (tracks 2–5)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) (track 1)
arrangements:
A Midsummer Night’s Dream: Overture (for organ, Warren) (track 1)
Ein Sommernachtstraum, op. 61: Ouvertüre (for piano four-hands) (track 1)
Ein Sommernachtstraum, op. 61: Scherzo (for piano four-hands) (track 2)
Ein Sommernachtstraum, op. 61: Scherzo (arr. Yannick Merlin for organ) (track 2)
Saltarello - Presto from Symphony no. 4 "Italian" (for 16 player pianos, Lehrman) (track 9)
has revision:
is the basis for:
later versions:
part of:
recording of:
referred to in medleys:

CD 8: Mahler

composer:
Gustav Mahler (composer) (1901 – 1902) (tracks 1–5)
conductor:
Marko Munih (conductor) (track 4)
Anton Nanut (conductor) (tracks 1–5)
Benjamin Yadin (conductor) (tracks 1–5)
orchestra:
Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) (tracks 1–5)
Symphonic Orchestra of the Ljublajana Radio (RTV Slovenia Symphony Orchestra) (tracks 1–5)
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 4)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 4)
Im Abendrot (track 4)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 4)
is the basis for:
part of:
Symphony no. 5 (movement) (tracks 1–5)
recording of:

CD 9: Schubert

string quartet:
Caspar da Salo Quartet (tracks 1–5)
piano:
Isabel Mourao (track 7)
Prof. Hugo Steurer (classical pianist) (tracks 1–6)
composer:
Franz Schubert (Austrian composer Franz Peter Schubert) (track 7)
Franz Schubert (Austrian composer Franz Peter Schubert) (1819) (tracks 1–5)
Franz Schubert (Austrian composer Franz Peter Schubert) (1822-11) (track 6)
performer:
Herbert Walter (an Alfred Scholz pseudonym) (track 3)
publisher:
G. Henle Verlag (track 4)
compiled in:
part of:
arrangements:
“Wanderer” Fantasy in C major, S565a (edited by Liszt) (track 6)
orchestrations:
Fantasy in C major, S. 366 “Wanderer” (for piano and orchestra, Liszt) (track 6)
part of:
parts:
recording of:

CD 10: Tschaikowsky

violin:
Eugene Schaeffer (tracks 4–6)
piano:
Martha Bergerich (pseudonym used on budget recordings - not Martha Argerich) (tracks 1–3)
composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (tracks 1–3)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1878) (tracks 4–6)
conductor:
Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) (tracks 4–6)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
orchestra:
Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym) (tracks 1–3)
Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz) (tracks 4–6)
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
Concerto (track 1)
Lynguistics (track 4)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
later versions:
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version) (tracks 1–3)
recording of:
referred to in medleys: