The Greatest Classical Collection, Volume 2

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Almost the same as the release with barcode 8711638070120, but the Schubert disc is different.

Annotation last modified on 2016-10-27 10:43 UTC.

Tracklist

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▼ CD 1: Bach
#	Title	Artist	Rating	Length
1	Orchestra Suite No. 1 in C major, BWV. 1066: I. Ouverture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		12:03
2	Orchestra Suite No. 1 in C major, BWV. 1066: II. Courante orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		1:59
3	Orchestra Suite No. 1 in C major, BWV. 1066: III. Gavotte 1 & 2 orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		3:07
4	Orchestra Suite No. 1 in C major, BWV. 1066: IV. Forlane orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		1:43
5	Orchestra Suite No. 1 in C major, BWV. 1066: V. Menuett orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		3:06
6	Orchestra Suite No. 1 in C major, BWV. 1066: VI. Bourrée orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		2:49
7	Orchestra Suite No. 1 in C major, BWV. 1066: VII. Passepied orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066	Johann Sebastian Bach		2:35
8	Orchestra Suite No. 2 in B minor, BWV. 1067: I. Ouverture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		14:01
9	Orchestra Suite No. 2 in B minor, BWV. 1067: II. Rondeau orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		1:34
10	Orchestra Suite No. 2 in B minor, BWV. 1067: III. Sarabande orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		3:25
11	Orchestra Suite No. 2 in B minor, BWV. 1067: IV. Bourrée 1 orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) partial recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		2:03
12	Orchestra Suite No. 2 in B minor, BWV. 1067: V. Bourrée 2 orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) partial recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		2:26
13	Orchestra Suite No. 2 in B minor, BWV. 1067: VI. Polonaise-Double orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		0:37
14	Orchestra Suite No. 2 in B minor, BWV. 1067: VII. Menuett orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		1:18
15	Orchestra Suite No. 2 in B minor, BWV. 1067: VIII. Badinerie orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		1:31
16	Orchestra Suite No. 3 in D major, BWV. 1068: I. Ouverture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		7:21
17	Orchestra Suite No. 3 in D major, BWV. 1068: II. Air orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		5:47
18	Orchestra Suite No. 3 in D major, BWV. 1068: III. Gavotte 1 & 2 orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		4:05
19	Orchestra Suite No. 3 in D major, BWV. 1068: IV. Bourrée orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		1:35
20	Orchestra Suite No. 3 in D major, BWV. 1068: V. Gigue orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		3:12

▼ CD 2: Beethoven
#	Title	Artist	Rating	Length
1	Symphony No. 4 in B-flat major, Op. 60: I. Adagio – Allegro vivace orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		12:23
2	Symphony No. 4 in B-flat major, Op. 60: II. Adagio orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 4 in B-flat major, op. 60: II. Adagio composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		9:33
3	Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		6:16
4	Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo composer: Ludwig van Beethoven (German composer) (in 1806) part of: Symphony no. 4 in B-flat major, op. 60	Ludwig van Beethoven		7:06
5	Symphony No. 5 in C minor, Op. 67: I. Allegro con brio orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven	4	7:24
6	Symphony No. 5 in C minor, Op. 67: II. Andante con moto orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: II. Andante con moto composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven	4	11:03
7	Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven	4	5:23
8	Symphony No. 5 in C minor, Op. 67: IV. Allegro orchestra: Radio Symphony Orchestra (pseudonym used on Alfred Scholz Recordings) and Radio-Sinfonieorchester Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) and Anton Nanut (Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: IV. Allegro composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven	4	8:51

▼ CD 3: Mozart
#	Title	Artist	Rating	Length
1	Piano Concerto No. 21 in C major, K. 467: I. Allegro maestoso piano: Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) and István Székely (pianist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Alfred Scholz recording of: Concerto for Piano no. 21 in C major, K. 467: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		14:37
2	Piano Concerto No. 21 in C major, K. 467: II. Andante piano: Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart	3	5:36
3	Piano Concerto No. 21 in C major, K. 467: III. Andante vivo assai piano: Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) and István Székely (pianist) orchestra: Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Alfred Scholz recording of: Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		7:04
4	Violin Concerto in D major, K. 218: I. Allegro violin: Eugene Schaeffer orchestra: Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz) conductor: Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) performer: Eugene Schaeffer recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto composer: Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218	Wolfgang Amadeus Mozart		9:22
5	Violin Concerto in D major, K. 218: II. Andante cantabile violin: Eugene Schaeffer orchestra: Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz) conductor: Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) performer: Eugene Schaeffer recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile composer: Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218	Wolfgang Amadeus Mozart		7:08
6	Violin Concerto in D major, K. 218: III. Rondeau. Andante gracioso violin: Eugene Schaeffer orchestra: Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz) conductor: Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) performer: Eugene Schaeffer recording of: Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso composer: Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12) part of: Concerto for Violin and Orchestra no. 4 in D major, K. 218	Wolfgang Amadeus Mozart		7:10
7	Horn Concerto No. 2 in E flat major, K. 417: I. Allegro maestoso horn: Josef Dokupil (horn player, an Alfred Scholz pseudonym) and Kamil Sreter (an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) performer: Kamil Streter (an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		6:46
8	Horn Concerto No. 2 in E flat major, K. 417: II. Andante horn: Josef Dokupil (horn player, an Alfred Scholz pseudonym) and Kamil Sreter (an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) performer: Kamil Streter (an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		3:16
9	Horn Concerto No. 2 in E flat major, K. 417: III. Rondo. Allegro French horn: Josef Dokupil (horn player, an Alfred Scholz pseudonym) horn: Josef Dokupil (horn player, an Alfred Scholz pseudonym) and K. Sreter (an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) performer: Kamil Streter (an Alfred Scholz pseudonym) recording of: Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		4:01

▼ CD 4: Orff
#	Title	Artist	Rating	Length
1	Carmina Burana: I. Fortuna Imperatrix Mundi: O Fortuna choir vocals: Russian State Chorus, Salzburg Boys Choir and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:47
2	Carmina Burana: I. Fortuna Imperatrix Mundi: Fortune plango vulnera choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: Fortune plango vulnera (Poem, CB 16) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:51
3	Carmina Burana: II. Primo Vere: Veris leta facies choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: I. Primo vere: III. Veris leta facies composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		3:37
4	Carmina Burana: II. Primo Vere: Omnia sol temperat baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Mozarteum Chor Salzburg and Russian State Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: I. Primo vere: IV. Omnia Sol temperat composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		2:09
5	Carmina Burana: II. Primo Vere: Ecce gratum choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: I. Primo vere: V. Ecce gratum composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		2:58
6	Carmina Burana: III. Uf dem Anger: Tanz orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: VI. Tanz composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		1:48
7	Carmina Burana: III. Uf dem Anger: Floret silva choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: VII. Floret silva nobilis composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		3:51
8	Carmina Burana: III. Uf dem Anger: Chramer, gip die varwe mir choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		3:44
9	Carmina Burana: III. Uf dem Anger: Reie orchestra: Mozarteum Orchester Salzburg conductor: Kurt Prestel (conductor, chorus master) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: IX. (a) Reie composer: Carl Orff (composer) (in 1936) part of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe	Carl Orff		2:02
10	Carmina Burana: III. Uf dem Anger: Swaz hie gat umbe choir vocals: Mozarteum Chor Salzburg orchestra: Mozarteum Orchester Salzburg conductor: Kurt Prestel (conductor, chorus master) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe composer: Carl Orff (composer) (in 1936) part of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe recording of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		0:38
11	Carmina Burana: III. Uf dem Anger: Chume, chum geselle min choir vocals: Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg conductor: Kurt Prestel (conductor, chorus master) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min composer: Carl Orff (composer) (in 1936) part of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe	Carl Orff		1:56
12	Carmina Burana: III. Uf dem Anger: Swaz hat gat umbe choir vocals: Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg conductor: Kurt Prestel (conductor, chorus master) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) composer: Carl Orff (composer) (in 1936) part of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe	Carl Orff		0:39
13	Carmina Burana: III. Uf dem Anger: Were diu werlt alle min choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Uf dem Anger: X. Were diu werlt alle min composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		1:01
14	Carmina Burana: IV. In Taberna: Estuans interius baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Mozarteum Chor Salzburg and Russian State Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: II. In Taberna: XI. Estuans interius composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		3:00
15	Carmina Burana: IV. In Taberna: Olim lacus colueram choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus tenor vocals: Richard Brünner (tenor) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: II. In Taberna: XII. Olim lacus colueram composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		3:20
16	Carmina Burana: IV. In Taberna: Ego sum abbas baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: II. In Taberna: XIII. Ego sum abbas composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		1:28
17	Carmina Burana: IV. In Taberna: In taberna quando sum choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: II. In Taberna: XIV. In taberna quando sumus composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		3:25
18	Carmina Burana: V. Cour d'amours: Amor volat undique choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus soprano vocals: Gerda Harman (soprano) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XV. Amor volat undique composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		3:30
19	Carmina Burana: V. Cour d'amours: Dies, nox et omnia baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Mozarteum Chor Salzburg and Russian State Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:24
20	Carmina Burana: V. Cour d'amours: Stetit puella choir vocals: Mozarteum Chor Salzburg and Russian State Chorus soprano vocals: Gerda Harman (soprano) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XVII. Stetit puella composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:29
21	Carmina Burana: V. Cour d'amours: Circa mea pectora baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:28
22	Carmina Burana: V. Cour d'amours: Si puer cum puelluia baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		1:00
23	Carmina Burana: V. Cour d'amours: Veni, veni, venias choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		1:04
24	Carmina Burana: V. Cour d'amours: In trutina choir vocals: Mozarteum Chor Salzburg and Russian State Chorus soprano vocals: Gerda Harman (soprano) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:18
25	Carmina Burana: V. Cour d'amours: Tempus est iocundum baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus soprano vocals: Gerda Harman (soprano) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:32
26	Carmina Burana: V. Cour d'amours: Dulcissime choir vocals: Mozarteum Chor Salzburg and Russian State Chorus soprano vocals: Gerda Harman (soprano) orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: III. Cour d’amours: XXIII. Dulcissime composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		0:44
27	Carmina Burana: VI. Blanziflor et Helena: Ave formosissima choir vocals: Russian State Chorus and Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg, Russian State Symphony Orchestra and Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO) conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) chorus master: Ernst Hinreiner (conductor) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) and Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996) recording of: Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis	Carl Orff		1:42
28	Carmina Burana: VII. Fortuna Imperatrix Mundi: O Fortuna choir vocals: Salzburg Mozarteum Chorus orchestra: Mozarteum Orchester Salzburg and Russian State Symphony Orchestra conductor: Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) phonographic copyright (℗) by: Selcor Ltd. (for copyrights use only) (in 1989) recording of: Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis	Carl Orff		2:45

▼ CD 5: Händel
#	Title	Artist	Rating	Length
1	Water Music Suite No.1 in F major - Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		3:14
2	Water Music Suite No.1 in F major - Adagio e staccato orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra), Radio Symphony Orchestra and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg), Rolf Reinhardt (German conductor 1927-2006) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		2:25
3	Water Music Suite No.1 in F major - Allegro - Andante - Allegro orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) compilation of: Water Music Suite no. 1 in F major: III. Allegro by Süddeutsche Philharmonie (an Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Water Music Suite no.1 : (iv) Andante D C allegro by George Frideric Handel (German‐British baroque composer) and Water Music Suite no. 1 in F major: III. Allegro by Süddeutsche Philharmonie (an Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo composer: George Frideric Handel (German‐British baroque composer) part of: Water Music Suite no. 1 in F major, HWV 348 recording of: Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo recording of: Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo recording of: Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo	Georg Friedrich Händel		7:31
4	Water Music Suite No.1 in F major - A Tempo di Menuetto orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		4:06
5	Water Music Suite No.1 in F major - Air orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		4:15
6	Water Music Suite No.1 in F major - Menuett orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		2:08
7	Water Music Suite No.1 in F major - Bourree orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		2:20
8	Water Music Suite No.1 in F major - Hornpipe orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		2:12
9	Water Music Suite No.1 in F major - Allegro moderato orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (the real orchestra) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Hanns Reinartz (professor and conductor at Würzburg) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		4:25
10	Water Music Suite No.2 in D major - Andante orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym) and Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		2:13
11	Water Music Suite No.2 in D major - Allegro: All Hornpipe orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym) and Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		4:52
12	Water Music Suite No.2 in D major - Coro orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym), Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Suite no. 2 in D-major ex "Water Music": Coro composer: George Frideric Handel (German‐British baroque composer) recording of: Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		1:25
13	Water Music Suite No.2 in D major - Loure orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym) and Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		2:00
14	Water Music Suite No.2 in D major - Bourree orchestra: Musici di San Marco (an Alfred Scholz pseudonym), Norddeutsche Philharmonie (an Alfred Scholz pseudonym) and Nuremberg Symphony Orchestra (Alfred Scholz pseudonym) conductor: Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Luigi Varese (an Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		1:28
15	Water Music Suite No.3 in G major - Menuett orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 3 in G major, HWV 350: 16: (Minuet) (no tempo marking) composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350 recording of: Water Music, Suite no. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) / 19. Minuet da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		2:48
16	Water Music Suite No.3 in G major - Rigaudon orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Water Music, Suite no. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		2:52
17	Water Music Suite No.3 in G major - Menuett orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Water Music, Suite no. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) / 19. Minuet da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		1:12
18	Water Music Suite No.3 in G major - Menuett orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Water Music, Suite no. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) / 19. Minuet da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		2:13
19	Water Music Suite No.3 in G major - Affettuoso orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Water Music, Suite no. 3 in G major, HWV 350: 22. (Cantabile) / 21. (Affettuoso) / 22. (Cantabile) da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		0:46
20	Water Music Suite No.3 in G major - Cantabile orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Water Music, Suite no. 3 in G major, HWV 350: 22. (Cantabile) / 21. (Affettuoso) / 22. (Cantabile) da capo composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 3 in G major, HWV 350	Georg Friedrich Händel		0:54
21	Fireworks Music in D major - Overture orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Music for the Royal Fireworks, HWV 351: I. Ouverture composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		9:22
22	Fireworks Music in D major - Bourree orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Music for the Royal Fireworks, HWV 351: II. Bourrée composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		1:46
23	Fireworks Music in D major - La paix (Largo alla Siciliana) orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		3:26
24	Fireworks Music in D major - La rejouissance (Allegro) orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) recording of: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		3:49
25	Fireworks Music in D major - Menuet I orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Music for the Royal Fireworks, HWV 351: V. Menuet I and II composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		1:31
26	Fireworks Music in D major - Menuet II orchestra: Norddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym) partial recording of: Music for the Royal Fireworks, HWV 351: V. Menuet I and II composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351 recording of: Music for the Royal Fireworks, HWV 351: V. Menuet I and II composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		2:38

▶ CD 6: Rimsky-Korsakoff / Mussorgsky

▶ CD 7: Mendelssohn-Bartholdy

▶ CD 8: Mahler

▶ CD 9: Schubert

▶ CD 10: Tschaikowsky

The Greatest Classical Collection, Volume 2

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