Guilty Pleasures

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1Girls Just Want to Have FunCyndi Lauper3:59
2U Can't Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi-instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
is based on:
Super Freak
MC Hammer4.154:16
3Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:29
4Karma Chameleon
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3:54
5Step by Step
cover recording of:
Step by Step
lyricist and composer:
Maurice Starr
publisher:
Big Step Production
New Kids on the Block4:30
6Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mike Duffy (mixing for Nitzer Ebb) and Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken (in 1986-10)
keyboard:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) and Suzanne Rhatigan
lead vocals:
Rick Astley (English singer, songwriter and radio personality) (in 1986-10)
phonographic copyright (℗) by:
PWL (in 1987)
recorded at:
PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
Rick Astley4.453:33
79 to 5
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Dolly Parton4.052:45
8When the Going Gets Tough, the Tough Get GoingBilly Ocean24:12
9I Feel the Earth MoveMartika34:05
10You Sexy Thing
recording of:
You Sexy Thing
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate4:19
11No Scrubs
recording of:
No Scrubs
additional writer:
Lisa “Left Eye” Lopes
writer:
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss), Kevin Briggs and Tameka Cottle
TLC3:39
12Hungry Like the Wolf
engineer and producer:
Colin Thurston
performer:
Duran Duran (English rock band) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 398)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.253:26
13Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Rising Storm Music, Spirit Two Music and ソニー・ミュージックパブリッシング A事業部
Toto4.154:57
14Ice Ice Baby
producer:
Vanilla Ice
vocals:
Vanilla Ice
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) and SBK Records (in 1990)
samples:
Under Pressure by Queen (UK rock group) & David Bowie (English singer‐songwriter)
music videos:
Ice Ice Baby by Vanilla Ice
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 49)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc. (1989-07-24–present), Fernhill Publishing, Ice Baby Music, Knightlife Productions, QPM Music Inc., Queen Music Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.254:32
15Love Is a Battlefield
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar54:10
1699 Luftballons
recording engineer:
Imre Sereg
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
bass guitar:
Jürgen Dehmel
drums (drum set):
Rolf Brendel
guitar:
Carlo Karges
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen
lead vocals:
Nena Kerner (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 3) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
writer:
Fahrenkrog-Petersen and Karges
composer:
Uwe Fahrenkrog-Petersen (in 1982)
Nena4.53:52
17I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
Divinyls43:48
18Pump Up the Jam
producer:
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian–Congolese singer Manuela Kamosi)
performer:
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographic copyright (℗) by:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
lyricist:
Manuela Kamosi (Belgian–Congolese singer Manuela Kamosi)
composer:
Patrick de Meyer (Belgian electronic music producer) and Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
is based on:
Technotronic
Technotronic3.653:40
19Dressed for Success
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (from 1988-06 until 1988-08)
classical guitar:
Erik Borelius (from 1988-06 until 1988-08)
drums (drum set):
Pelle Alsing (from 1988-06 until 1988-08)
guitar:
Jonas Isacsson (from 1988-06 until 1988-08)
keyboard:
Clarence Öfwerman (from 1988-06 until 1988-08)
saxophone:
Erik Häusler (from 1988-06 until 1988-08)
slide guitar:
Janne Oldaeus (from 1988-06 until 1988-08)
background vocals:
Marie Fredriksson (from 1988-06 until 1988-08), Per Gessle (Swedish singer and guitarist) (from 1988-06 until 1988-08) and Clarence Öfwerman (from 1988-06 until 1988-08)
lead vocals:
Marie Fredriksson (from 1988-06 until 1988-08) and Per Gessle (Swedish singer and guitarist) (from 1988-06 until 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!) (in 1989)
recorded at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1988-06 until 1988-08)
mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
Dressed for Success (from 1988-06 until 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette2.54:13
20The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:55
CD 2
#TitleArtistRatingLength
1More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Pure Songs (in 1976)
Boston3.954:47
2My Sharona
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger
The Knack4:01
3Every Rose Has Its Thorn
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Poison4:22
4What's Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:47
5Keep on Loving You
recording of:
Keep On Loving You
lyricist and composer:
Kevin Cronin
publisher:
Fate Music and Taiyō Music
REO Speedwagon3:23
6Don't You Want Me
recording of:
Don’t You Want Me (Human League song)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League3:59
7Touch Me (I Want Your Body)
producer:
Jon Astrop (British musician, songwriter and painter)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
writer:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris and Mark Shreeve
publisher:
Imagem London Ltd.
Samantha Fox3.653:49
8Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer, enginner, UK, 60’s–80’s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Whitesnake4.154:42
9Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:24
10I'd Do Anything for Love (But I Won't Do That)
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf5:45
11Jealous Guy
producer:
Rhett Davies, Bryan Ferry and Roxy Music
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981, in 2000)
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., Fujipacific Music, Inc. Division 2, Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
revision of:
Child of Nature
Roxy Music44:56
12Heaven Is a Place on EarthBelinda Carlisle3:55
13How Can We Be Lovers
recording of:
How Can We Be Lovers
writer:
Michael Bolton, Desmond Child and Diane Warren (US songwriter)
Michael Bolton53:59
14Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:50
15Total Eclipse of the Heart
vocals:
Bonnie Tyler
performer:
Rory Dodd
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.054:34
16Keep on Movin'
recording engineer:
Adrian Bushby
additional programming:
Chris Laws (engineer, keyboardist & songwriter)
additional producer and additional mixer:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
assistant mixer:
Daniel Pursey (engineer), Conal Markey and Alvin Sweeney
mixer:
Adrian Bushby, Jake Davies and Matt Howe (producer and engineer)
performer:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") and Scott (British singer/performer/songwriter)
phonographic copyright (℗) by:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
recorded at:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Keep on Movin’
writer:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) and Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd and Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
17Tell It to My HeartTaylor Dayne3:40
18Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:23
19Get Down Tonight
KC and the Sunshine Band3:10