Pop Music: The Golden Era 1951-1975

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Birth of the Blues
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1952-06-03)
arranger:
Heine Beau
recording of:
Birth of the Blues (on 1952-06-03)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Frank Sinatra3:30
2Because of You
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Percy Faith
cover recording of:
Because of You (on 1951-04-04)
writer:
Arthur Hammerstein and Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett42:58
3Jezebel
recording of:
Jezebel
lyricist and composer:
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. and Domino Publishing Co. Ltd.
Frankie Laine3:11
4Come on-a My House
producer:
Al Ham and Mitch Miller
double bass:
Frank Carroll (US bass player) (on 1951-06-06)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1951-06-06)
guitar:
Mundell Lowe (on 1951-06-06)
harpsichord:
Stan Freeman (on 1951-06-06)
vocals:
Rosemary Clooney (on 1951-06-06)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
cover recording of:
Come On‐a My House (on 1951-06-06)
writer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) and William Saroyan
publisher:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and シンコーミュージック・エンタテイメント
Rosemary Clooney1:59
5Cry
recording of:
Cry (in 1951)
lyricist and composer:
Churchill Kohlman
Johnnie Ray and the Four Lads3:04
6You Belong to Me
recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. and Ridgeway Music Co, Inc.
Jo Stafford3:07
7The Yellow Rose of Texas
recording of:
The Yellow Rose of Texas (on 1955-06-10)
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
Mitch Miller3:03
8Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:23
9Standing on the Corner
recording of:
Standing on the Corner (The Most Happy Fella)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
The Four Lads2:53
10Whatever Will Be, Will Be (Que Sera, Sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day2:07
11Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:27
12Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1957)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame (number: 1998)
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:03
13Summertime, Summertime
recording of:
Summertime, Summertime
writer:
Sherman Feller and Thomas Earl Jameson
publisher:
Music Sales Shawnee, Templeton Publishing Co., Inc. and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Jamies2:01
14Theme From "A Summer Place"
recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Percy Faith & His Orchestra2:27
15Moon River
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-01-04)
performer:
Andy Williams (US pop/jazz vocalist)
arranger:
Robert Mersey
cover recording of:
Moon River (on 1962-01-04)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Andy Williams2:47
16Bless You
recording of:
Bless You
writer:
Barry Mann and Cynthia Weil
publisher:
Dyad Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Tony Orlando2:09
17(I Left My Heart in) San Francisco
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett2:51
18Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bobby Vinton4.352:49
19People
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
Barbra Streisand3:42
20Ruby Baby
recording of:
Ruby Baby
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC and Stoller Music (ASCAP)
Dion2:37
21The Monkey Time
recording of:
The Monkey Time
lyricist and composer:
Curtis Mayfield
publisher:
EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Major Lance2:49
22Hey Little Cobra
The Rip Chords2:01
23Before and After
Chad & Jeremy2:43
24For Your Love
producer:
Giorgio Gomelsky
bass:
Paul Samwell-Smith (on 1965-02-01)
bass [bowed bass]:
Ron Prentice (on 1965-02-01)
bongos:
Denny Piercey (on 1965-02-01)
drums (drum set):
Jim McCarty (UK drummer) (on 1965-02-01)
guitar:
Eric Clapton (on 1965-02-01) and Chris Dreja (on 1965-02-01)
harpsichord:
Brian Auger (on 1965-02-01)
vocals:
Keith Relf (on 1965-02-01)
phonographic copyright (℗) by:
Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-02-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 22)
recording of:
For Your Love (on 1965-02-01)
lyricist and composer:
Graham Gouldman
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Screen Gems–EMI Music Ltd.
The Yardbirds4.652:30
25Down in the Boondocks
recording of:
Down in the Boondocks
lyricist and composer:
Joe South
publisher:
Bike Music, BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Lowery Music Co. Inc. (in 1965)
Billy Joe Royal2:35
26Kicks
recording of:
Kicks
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paul Revere and the Raiders2:29
27Like a Rolling Stone
recorded in:
New York, New York, United States (on 1965-06-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (from 1965-07-15 until 1965-07-16)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 4) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 16)
recording of:
Like a Rolling Stone (on 1965-06-15)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
Bob Dylan4.456:08
▼ CD 2
#TitleArtistRatingLength
1Turn! Turn! Turn! (To Everything There Is a Season)
producer:
Terry Melcher
part of:
New York Post: 100 Greatest Covers (2007) (number: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
The Byrds4.753:36
2Red Rubber Ball
recording of:
Red Rubber Ball
writer:
Paul Simon (of Simon & Garfunkel) and Bruce Woodley
publisher:
Paul Simon Music
The Cyrkle2:19
3Sunshine Superman
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
Spike Heatley (in 1966)
drums (drum set):
Bobby Orr (in 1966)
electric guitar:
Eric Ford (session musician) (in 1966) and Jimmy Page (in 1966)
keyboard:
John Cameron (British composer, arranger and conductor) (in 1966)
percussion:
Tony Carr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Cameron (British composer, arranger and conductor)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
recording of:
Sunshine Superman (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan3:19
4Don't You Care
recording of:
Don’t You Care
writer:
Gary Beisbier and James Holvay
The Buckinghams2:30
5San Francisco (Be Sure to Wear Some Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie42:59
6Carrie-Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recording of:
Carrie Anne
lyricist:
Allan Clarke (of The Hollies)
writer:
Tony Hicks and Graham Nash
The Hollies42:57
7Itchycoo Park
engineer:
Glyn Johns
producer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Itchycoo Park
writer:
Ronnie Lane and Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (ended)
Small Faces4.52:47
8Stoned Soul Picnic
recording of:
Stoned Soul Picnic
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Tuna Fish Music and フジパシフィックミュージック SBK事業部
Laura Nyro3:50
9Time of the Season
engineer:
Geoff Emerick (British recording engineer) and Peter Vince (engineer, producer)
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass guitar:
Chris White (UK bassist for The Zombies) (in 1967-08)
drums (drum set):
Hugh Grundy (in 1967-08)
guitar:
Paul Atkinson (in 1967-08)
mellotron, organ and piano:
Rod Argent (in 1967-08)
background vocals:
Rod Argent (in 1967-08) and Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 349)
recording of:
Time of the Season (in 1967-08)
lyricist and composer:
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag, Verulam Music Co. Ltd. and Mainstay Music, Inc. (in 1968)
The Zombies4.453:32
10Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1968)
recording of:
Young Girl
lyricist and composer:
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:10
11You've Made Me So Very Happy
cover recording of:
You’ve Made Me So Very Happy
writer:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway and Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears43:30
12Hot Fun in the Summertime
recording of:
Hot Fun in the Summertime
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部
Sly & the Family Stone2:43
13Evil Ways
producer:
Carlos Santana
cover recording of:
Evil Ways
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Santana52:58
14Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. Studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2001)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Simon & Garfunkel44:54
1525 or 6 to 4
producer:
James William Guercio
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
lyricist and composer:
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) and Lamminations Music (in 1986)
Chicago2:55
16Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos and congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
performer:
Full Tilt Boogie
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.44:32
17Brandy (You're a Fine Girl)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 11)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
lyricist and composer:
Elliot Lurie
Looking Glass4.353:04
18I Can See Clearly Now
producer:
Johnny Nash
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Nash4.22:45
19Your Mama Don't Dance
additional engineer:
John Fiore
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Jasperilla Music Co., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996) and Universal Music Corp. (USA, affiliated with ASCAP)
Loggins & Messina4.52:51
20I Can Help
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs and Combine Music Corp.
Billy Swan52:58
21Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.153:00
22That Lady (Part One)
partial recording of:
That Lady
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
version of:
Who’s That Lady
The Isley Brothers53:15
23Lady Marmalade
producer:
Allen Toussaint
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
edit of:
Lady Marmalade by LaBelle (American female vocal group, of "Lady Marmalade" fame)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle4.753:19
24Shining Star
engineer:
George Massenburg
co-producer:
Charles Stepney
producer:
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire and Charles Stepney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
writer:
Philip Bailey, Lorenzo Dunn and Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:50