That’s Him

~ Release by Abbey Lincoln (see all versions of this release, 6 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
A1Strong Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
5:03
A2Happiness Is Just a Thing Called Joe
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
Happiness Is a Thing Called Joe (on 1957-10-28)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:57
A3My Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
My Man (Mon homme) (Channing Pollock lyrics)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:58
A4Tender as a Rose
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
Tender as a Rose
lyricist and composer:
Phil Moore (composer, jazz pianist and orchestra leader)
3:00
A5That’s Him
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
That’s Him (One Touch of Venus)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
part of:
One Touch of Venus (1943 musical)
3:24
B1I Must Have That Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
I Must Have That Man (on 1957-10-28)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
4:00
B2Porgy
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:26
B3When a Woman Loves a Man
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-10-28)
piano:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-10-28)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:29
B4Don’t Explain
recorded in:
New York, New York, United States (on 1957-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Wynton Kelly (on 1957-10-28)
tenor saxophone:
Sonny Rollins (on 1957-10-28)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-10-28)
vocals:
Abbey Lincoln (on 1957-10-28)
cover recording of:
Don’t Explain (on 1957-10-28)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
6:42