Century: La musique des siècles, Volume 4: Trouvères & Troubadours: Minnesänger & other Courtly Arts

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Track Organization:
1-3: Les Troubadours
4-10: Les Trouvères
11-13: Cantigas de Santa Marìa
14-16: Les Minnesänger
17-18: Les Carmina Burana

Annotation last modified on 2015-11-13 21:00 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1A l'entrada del temps clar
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor) (in 1977-06)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1977-06)
recording of:
A l'entrada del tens clar (in 1977-06)
lyricist and composer:
[anonymous] (special purpose artist)
Anonyme fin XIIᵉ siècle2:48
2Vida
flute [flûte de berger]:
René Clemencic (conductor)
spoken vocals [récitant]:
Yves Rouquette
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor)
recording of:
Vida
writer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn2:37
3Sitot me soi
organ [orgue portatif]:
René Clemencic (conductor)
soprano vocals [soprano]:
Pilar Figueras (Soprano)
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor)
recording of:
Sitot me soi
writer:
Folquet de Marselha
Folquet de Marselha11:13
4Volez vous que je vous chant
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
Anonyme4:36
5Efforcier m'estuet ma voiz (instrumental)
shawm:
Ian Harrison (Member of Les haulz et les bas who plays shawm, bagpipe, et al.)
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
instrumental recording of:
Efforcier m'estuet ma voiz
composer:
Gautier de Coincy
Gautier de Coincy1:49
6Hyer matin a l'enjournee
tenor vocals [voix]:
Steven Harrold (tenor) and Julian Podger (English tenor vocalist & choral conductor)
recording of:
Hyer matin a l'enjournee
composer:
Gautier de Coincy
Gautier de Coincy0:54
7Hyer matin / Bendicamus Domino
tenor vocals [voix]:
Steven Harrold (tenor), Ian Honeyman (English tenor, specialized in Baroque and early music) and Julian Podger (English tenor vocalist & choral conductor)
recording of:
Hyer matin / Bendicamus Domino
composer:
Gautier de Coincy
Gautier de Coincy1:02
8Ja pour yver
tenor vocals [voix]:
Ian Honeyman (English tenor, specialized in Baroque and early music)
orchestra:
The Harp Consort (Guernsey-based international early music ensemble)
conductor:
Andrew Lawrence‐King (Early music harpist and conductor)
recording of:
Ja pour yver
composer:
Gautier de Coincy
Gautier de Coincy13:34
9Deus est ensi conme li pellicanz
psaltery [psaltérion medieval] and psaltery [psalterion]:
Andrew Lawrence‐King (Early music harpist and conductor)
baritone vocals [voix] and tenor vocals:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
Deus est ensi conme li pellicanz (in 1997-02)
writer:
Thibaud de Champagne (French medieval ruler & trouvère, c. 1201-1253) (in 1250)
Thibaut de Champagne4:45
10Entre Adan et Anikel / Chiès bien séans
choir vocals:
Theatre of Voices (vocal ensemble founded by Paul Hillier)
chorus master:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music)
recording of:
Entre Adan et Anikel / Chiès bien séans
writer:
Adam de la Halle (French poet-composer trouvère, fl. 13th century)
Adam de la Halle1:13
11Cantigas de Santa María, No. 116: Bailemos nós ja todas tres, CSM 116
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
recording of:
Bailemos nós ja todas tres (based on Cantiga 116)
lyricist:
Airas Núñez
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
is based on:
Cantiga de Santa María no. 116 "Dereit' é de lume dar"
Alfonso X el Sabio2:57
12Cantigas de Santa María, No. 15: Todos los santos, CSM 15 (instrumental)
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
instrumental recording of:
Cantiga de Santa María no. 15 "Todos los santos"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 15)
part of:
Cantigas de Santa María
Alfonso X el Sabio3:05
13Quantas sabedes amar
orchestra:
The Dufay Collective (UK early music ensemble led by William Lyons)
recording of:
Cantigas (7) de Amigo, song cycle for voice and accompaniment, V. Quantas sabedes amar
lyricist:
Martín Codax
translator:
Elsa Beaulieu, Sharon A. Fechter and Maricruz Gil
Martín Codax5:55
14Sic an, guldîn huon !
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
countertenor vocals [contre-ténor]:
Drew Minter (countertenor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
recording of:
Sic an, guldîn huon!
writer and composer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal6:13
15Ich lobe ein wip (instrumental)
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
instrumental recording of:
Ich lobe ein wib
writer:
Tannhäuser (Minnesänger, ca. 1205 - ca. 1270)
Tannhäuser3:32
16Owê dirre nôt
citole:
Kevin Mason (theorbo and lute player)
rebec:
David Douglass (conductor, violinist, producer)
vielle:
David Douglass (conductor, violinist, producer) and Mary Springfels (viola da gamba player and conductor)
countertenor vocals [contre-ténor]:
Drew Minter (countertenor)
orchestra:
The Newberry Consort
conductor:
Mary Springfels (viola da gamba player and conductor)
recording of:
Owe dirre not
writer:
Neidhart von Reuenthal (German singer & composer, fl. c. 1210-1240)
Neidhart von Reuenthal4:00
17Carmina Burana, No. 200: Bacche, bene venies (CB 200)
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor)
recording of:
Bacche, bene venies
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 200)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:02
18Carmina Burana, No. 34: Deduc Syon uberrimas (CB 34)
recording engineer:
Alberto Paulin and Pierre Studer
tabor:
Walter Schiefer
baritone vocals:
R. Clemencic (conductor)
countertenor vocals:
Zeger Vandersteene (Belgian tenor, opera singer) (in 1974)
countertenor vocals [contre-ténor II]:
Hans Breitschopf
vocals:
Schola
orchestra:
Clemencic Consort (Austrian baroque / early music ensemble)
conductor:
René Clemencic (conductor) (in 1974)
performer:
Clemencic Consort (Austrian baroque / early music ensemble) (in 1974)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (from 1975 until 1976, in 1978, in 1990)
recording of:
Deduc Syon uberrimas (CB 34) (in 1974)
part of:
Carmina Moralia and Carmina Burana (number: 34)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:55