| # | Title | Artist | Rating | Length |
|---|
| 1 | For All We Know | Vikki Carr | | 3:18 |
| 2 | Theme from Shaft | Isaac Hayes | 4.5 | 3:18 |
| 3 | The Morning After | Maureen McGovern | | 2:24 |
| 4 | The Way We Were | Shirley Bassey | | 2:49 |
| 5 | We May Never Love Like This Again | Maureen McGovern | | 2:13 |
| 6 | I'm Easy | Keith Carradine | | 3:06 |
| 7 | Evergreen | Paul Williams | | 3:02 |
| 8 | You Light Up My Life | Debby Boone | 5 | 3:39 |
| 9 | Last Dance | Donna Summer | | 3:23 |
| 10 | It Goes Like It Goes | Jennifer Warnes | | 2:53 |
| 11 | Fame | Irene Cara | 5 | 3:50 |
| 12 | Arthur's Theme- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
| Christopher Cross | 5 | 3:53 |
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