Tracklist

CD 1
#TitleArtistRatingLength
1Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:42
2Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:31
3Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Adalbert Kraus (tenor)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:01
4Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Recitative (Basso) "Siehe, ich stehe vor der Tür"
bass vocals:
Wolfgang Schöne (bass-baritone)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:06
5Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Aria (Soprano) "Öffne dich, mein ganzes Herze"
soprano vocals:
Helen Donath (soprano)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach4:42
6Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Choral "Amen"
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach1:18
7Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:40
8Kantate, BWV 191 "Gloria in excelsis Deo": II. Aria (Duetto: Soprano, Tenore) "Gloria Patri"
soprano vocals:
Nobuko Gamo-Yamamoto (soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:34
9Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:36
10Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach7:40
11Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach1:08
12Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen"
soprano vocals:
Inga Nielsen (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach4:41
13Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:59
14Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach6:56
15Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh"
cornet:
Friedhelm Pütz and Johannes Ritzkowsky (hornist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (from 1980-02 until 1980-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach1:37

Credits

Release

ASIN:DE: B000024PCM [info]

Release group

part of:Die Bach-Kantate (Hänssler Classic) (number: 16) (order: 6)