Trench Town Upsetters: The Lee Perry Sessions

~ Release by Bob Marley & The Wailers (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1: Soul Rebels
#TitleRatingLength
1Soul Rebel
recording of:
Soul Rebel
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
3:44
2Try Me
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-08)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-08)
edit of:
Try Me (longer mix) by Bob Marley & The Wailers
recording of:
Try Me (in 1970-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:59
3It's Alright
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
It’s Alright (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:35
4No Sympathy
recording of:
No Sympathy
lyricist and composer:
Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:14
5My Cup
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
My Cup (in 1970-08)
writer and arranger:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music and Rondor Music (London) Ltd.
arrangement of:
I Guess I'll Have to Cry, Cry, Cry
3:32
6Soul Almighty
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Soul Almighty (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
2:41
7Rebel's Hop (aka Rude Boy/Cloud Nine)
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-12)
drums (drum set):
Carlton “Carly” Barrett (in 1970-12)
guitar:
Alva “Reggie” Lewis (in 1970-12), Peter Tosh (in 1970-12) and Rannie “Bop” Williams (in 1970-12)
keyboard:
Glen Adams (in 1970-12)
percussion:
Uziah “Sticky” Thompson (in 1970-12)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-12)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-12) and Bunny Wailer (in 1970-12)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Rebel’s Hop (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist), Curtis Mayfield, Barrett Strong and Norman Whitfield
publisher:
Jamrec Music and Rondor Music (London) Ltd.
medley of:
Cloud Nine
medley of:
Rude Boy
medley of:
Keep On Moving
2:37
8Corner Stone
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
Corner Stone (in 1970-12)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
2:28
9Four Hundred Years
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Ranford “Rannie Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Peter Tosh (in 1970-11)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Four Hundred Years (in 1970-11)
writer:
Lee “Scratch” Perry and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:30
10No Water
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
No Water (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:08
11Reaction
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Reaction (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
3.82:40
12My Sympathy
producer:
Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recording of:
Four Hundred Years (in 1970-11)
writer:
Lee “Scratch” Perry and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:43
13Keep On Moving
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02) and Rannie “Bop” Williams (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Keep On Moving (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and Cayman Music Inc
is based on:
I Gotta Keep On Movin’
3:05
14Don't Rock My Boat (aka Satisfy My Soul)
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Don’t Rock the Boat (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and Cayman Music Inc
4.54:31
15Put It On
recording of:
Put It On
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bronjo Music
3:06
16Fussing and Fighting
recording of:
Fussing and Fighting
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
2:28
17Duppy Conqueror V4
recording of:
Duppy Conqueror
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3:30
18Memphis
edit of:
Duppy Conqueror (version 4) by Bob Marley & The Wailers
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
recording of:
Memphis (reggae instrumental)
composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
2:57
19Soul Rebel V4
recording of:
Soul Rebel
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
3:44
20Riding High
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Riding High (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
42:47
21Kaya
edit of:
Kaya (1971 studio session) by Bob Marley & The Wailers
recording of:
Kaya (Lee “Scratch” Perry song) (in 1971-01)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and New Town Sound Ltd.
recording of:
Kaya (Bob Marley song)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
version of:
Kaya (Lee “Scratch” Perry song)
2:31
22African Herbsman
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
African Herbsman (in 1971-02)
additional lyricist:
Bob Marley (Jamaican reggae artist)
lyricist and composer:
Richie Havens, Joe Price (Richie Havens collaborator) and Mark Roth
publisher:
Bronjo Music and Cayman Music Inc
version of:
Indian Rope Man
42:27
23Stand Alone
recording of:
Stand Alone
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
2:09
24Sun Is Shining (aka To the Rescue)
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-03)
drums (drum set):
Carlton “Carly” Barrett (in 1971-03)
guitar:
Alva “Reggie” Lewis (in 1971-03) and Rannie “Bop” Williams (in 1971-03)
melodica:
Peter Tosh (in 1971-03)
organ:
Tyrone Downie (in 1971-03)
percussion:
Uziah “Sticky” Thompson (in 1971-03)
repeater:
Bunny Wailer (in 1971-03)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-03)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-03) and Bunny Wailer (in 1971-03)
recorded at:
Studio 17 in Jamaica
recording of:
Sun Is Shining (original version) (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
4.52:13
25Brain Washing
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Brain Washing (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
42:38
26Mr. Brown (aka Dracula)
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Mr. Brown (in 1971-01)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Rondor Music (London) Ltd.
43:32
▼ CD 2: African Herbsman
#TitleRatingLength
1Lively Up Yourself
engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1971-08)
drums (drum set):
Carlton “Carly” Barrett (in 1971-08)
guitar:
Alva “Reggie” Lewis (in 1971-08)
organ:
Tyrone Downie (in 1971-08)
percussion:
Uziah “Sticky” Thompson (in 1971-08)
piano:
Peter Tosh (in 1971-08)
tenor saxophone:
Tommy McCook (in 1971-08)
trombone:
Vin Gordon (in 1971-08)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-08)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-08) and Bunny Wailer (in 1971-08)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica (in 1971-08)
recording of:
Lively Up Yourself (in 1971-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
32:52
2Small Axe
edit of:
Small Axe (1970 studio session) by Bob Marley & The Wailers
recording of:
Small Axe (in 1970-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.63:44
3Trench Town Rock
producer:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
recording of:
Trenchtown Rock (in 1969)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.93:00
4All in One
recording of:
All in One
writer:
Al Anderson (Bob Marley & The Wailers guitarist), Junior Braithwaite, Bob Marley (Jamaican reggae artist), Lee “Scratch” Perry and Bunny Wailer
publisher:
Cayman Music Inc
medley of:
Lonesome Feeling
medley of:
Duppy Conqueror
medley of:
Simmer Down
medley of:
It Hurts to Be Alone
medley of:
Love & Affection
medley of:
Put It On
medley of:
Bend Down Low
medley of:
Nice Time
medley of:
One Love / People Get Ready
3:33
5Natural Mystic
recording of:
Natural Mystic
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
55:12
6Rainbow Country
recording of:
Rainbow Country (in 1975)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Blue Mountain Music Ltd.
55:48
7Mellow Mood
engineer:
Carlton Lee
producer:
Danny Sims, Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1968-06)
percussion:
Denzil Laing (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley and Peter Tosh
arranger:
Arthur Jenkins
recorded at:
Wirl Studio in Kingston, Jamaica (in 1968-06)
recording of:
Mellow Mood (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Irish Town Songs
52:33
8Run for Cover
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
recording of:
Run for Cover (in 1970-11)
is based on:
Soul Rebel
43:15
9Man to Man (aka Who the Cap Fits)
lead vocals:
Bob Marley (Jamaican reggae artist)
recording of:
Who the Cap Fit (in 1970-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
3:31
10Chances Are
recording of:
Chances Are (in 1968-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:17
11Hammer
engineer:
Carlton Lee
producer:
Danny Sims
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley (in 1968-06) and Peter Tosh (in 1968-06)
recorded at:
Wirl Studio in Kingston, Jamaica (in 1968-06)
recording of:
Hammer (in 1968-06)
writer:
Bob Marley (Jamaican reggae artist)
42:53
12How Many Times
recording of:
How Many Times
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
EMI April Music Inc. and Shakat Music Publishing
2:23
13There She Goes
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1968-06)
recording of:
There She Goes (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
52:33
14Touch Me
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston, Jamaica
recording of:
Touch Me (in 1968)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:05
15Treat Your Right
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bunny Wailer
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston, Jamaica
recording of:
Treat You Right
writer:
Jimmy Norman and Al Pyfrom
2:10
16You Can't Do That to Me
recording of:
The World is Changing (in 1968)
writer:
Bob Marley (Jamaican reggae artist), Jimmy Norman and Al Pyfrom
2:49
17Soul Shakedown Party
recording of:
Soul Shakedown Party
lyricist, writer and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Fifty Six Hope Road Music Limited and Odnil Music
3:07
18Stop the Train
engineer:
Carlton Lee
producer:
Leslie Kong
recording of:
Stop That Train (on 1970-05-05)
lyricist, writer and composer:
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:20
19Caution
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05), Alva “Reggie” Lewis (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Caution (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
52:44
20Soul Captives
engineer:
Carlton Lee
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Soul Captives (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
52:03
21Can't You See
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
additional tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Can’t You See (in 1970-05)
lyricist and composer:
Peter Macintosh
writer:
Peter Tosh
2:44
22Soon Come
engineer:
Carlton Lee
producer:
Leslie Kong
additional lead vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) and Bunny Wailer
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Soon Come (in 1970-05)
3.82:16
23Cheer Up
engineer:
Carlton Lee
producer:
Leslie Kong
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston, Jamaica (on 1970-05-19)
recording of:
Cheer Up (on 1970-05-19)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.852:03
24Back Out
producer:
Leslie Kong (in 1970-05)
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Back Out (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
42:13
25Do It Twice
engineer:
Carlton Lee (in 1970-05)
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Do It Twice (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
4.52:45
26Go Tell It on the Mountain
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Peter Tosh (in 1970-05)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston, Jamaica (in 1970-05)
recording of:
Go, Tell It on the Mountain (catch-all for arrangements) (in 1970-05)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
Go, Tell It on the Mountain
3.53:14