Cantatas

~ Release by Bononcini, Caldara, Handel, Scarlatti; Gérard Lesne, Il Seminario Musicale (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Plainte sur la mort de Monseur Lambert
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Du Buisson5:21
2Pirame et Tisbé : [Prélude] Gravement / Récitatif : Pirame, pour Tisbé
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: I. Récitatif “Pirame, pour Tisbé, dès la plus tendre enfance” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:17
3Pirame et Tisbé : Air : Si votre tendresse est extrême
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: II. Air “Si vôtre tendresse est extrême” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:30
4Pirame et Tisbé : Récitatif : Tisbé, pour résister à l’ardeur
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: III. Récitatif “Tisbé, pour résister à l’ardeur de ses vœux” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault0:48
5Pirame et Tisbé : Air : Au pied de ces tombeaux
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: IV. Récitatif “Aux pieds de ces tombeux sacrés” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault1:36
6Pirame et Tisbé : Air : Vole, vole, dit-elle
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: VI. Air “Vole, vole, dit-elle amour” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:26
7Pirame et Tisbé : Plainte : Quoi ? Tisbé, tu n’es plus ?
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: VIII. Plainte “Quoi ? Tisbé tu n’és plus” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:44
8Pirame et Tisbé : Air : Venez, monstres affreux
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: IX. Prélude “Venez monstres affreux” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:38
9Pirame et Tisbé : Air : Amour, qui voudra désormais s’empresser
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Pirame et Tisbé: XI. Air “Amour, qui voudra desormais” (from 1997-04-01 until 1997-04-04)
lyricist:
Marie de Louvencourt
composer:
Louis‐Nicolas Clérambault (in 1713)
part of:
Pirame et Tisbé
Louis‐Nicolas Clérambault2:36
10L’Amant timide : Récitatif : La beauté qu’adore Philène
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois0:59
11L’Amant timide : Air : Fuyez, juyez, nuages sombres
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois2:46
12L’Amant timide : Récitatif : Mais c’en est fait
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois0:35
13L’Amant timide : Air : Vous qui différez la présence
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois4:32
14L’Amant timide : Récitatif : Tandis que le berger
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois0:59
15L’Amant timide : Air : Dans le moment le plus tendre
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Philippe Courbois1:35
16Aminte et Lucrine : [Prélude] Tendrement et coulé / Air : Que mon destin, hélas, est déplorable !
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier3:41
17Aminte et Lucrine : Récitatif : C’est ainsi que l’Amour
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier1:13
18Aminte et Lucrine : Air : Divine protectrice
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier3:17
19Aminte et Lucrine : Récitatif : La déesse, sensible à ses tristes accents
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier0:52
20Aminte et Lucrine : Oracle : Diane est irritée
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier1:22
21Aminte et Lucrine : Récitatif : La perfide à l’instant est conduite à l’autel
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier3:02
22Aminte et Lucrine : Air : Vous qui soumettez à vos lois
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Nicolas Bernier1:53
23Les Festes bolonnoises : [Prélude]
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Jean-Baptiste Stuck3:36
24Les Festes bolonnoises : Récitatif : Quel bruit fait retentir
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Jean-Baptiste Stuck0:52
25Les Festes bolonnoises : Air : Volez, volez, charmants Amours
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Jean-Baptiste Stuck3:51
26Les Festes bolonnoises : Récitatif : Bientôt un héros glorieux
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Jean-Baptiste Stuck1:20
27Les Festes bolonnoises : Air : Que de la Seine à la Tamise"
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
Jean-Baptiste Stuck3:16
▼ CD 2
#TitleArtistRatingLength
1Questo silenzio ombroso : Questo silenzio ombroso
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti2:00
2Questo silenzio ombroso : Dolce piange romito usignuolo
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti2:23
3Questo silenzio ombroso : Or mentr’io dormo
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti4:28
4Filli che esprime la sua fede à Fileno: Introduzione
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti2:56
5Filli che esprime la sua fede à Fileno: Recitativo: Filen, mio caro bene
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:25
6Filli che esprime la sua fede à Fileno: Aria: Chiedi pur ai monti
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti6:21
7Filli che esprime la sua fede à Fileno: Recitativo: Ma se prova bastante
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:46
8Filli che esprime la sua fede à Fileno: Aria: Che ti sembra, son fedele
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti2:27
9Marc’Antonio e Cleopatra: Recitativo: Cleopatra, mia Reina
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:44
10Marc’Antonio e Cleopatra: Aria: Parto dunque, o mio tesoro
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti3:07
11Marc’Antonio e Cleopatra: Recitativo: Antonio, e qual destino
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:25
12Marc’Antonio e Cleopatra: Aria: Vo goder senza contrasto
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti3:08
13Marc’Antonio e Cleopatra: Recitativo: Somministriamo a Giove
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:28
14Marc’Antonio e Cleopatra: Duo: Deh, mio ben, troppo ti sprona
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti2:24
15Marc’Antonio e Cleopatra: Recitativo: Regina, è scritto in ciel
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:47
16Marc’Antonio e Cleopatra: Duo: Dunque, mio core
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:40
17E pur vuole il cielo e amore: E pur vuole il cielo e amore
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti5:51
18E pur vuole il cielo e amore: In si duro martire che più penar
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti3:49
19Ero e Leandro: Recitativo: Leandro, anima mia
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:13
20Ero e Leandro: Aria: Non mi togliete il bene
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti3:24
21Ero e Leandro: Recitativo: Vieni, Leandro, a consolar
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:51
22Ero e Leandro: Aria: La speranza dice al core
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:28
23Ero e Leandro: Recitativo: Cosi fra se parlava
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:44
24Ero e Leandro: Aria: Di donna amante
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti3:02
25Clori et Mirtillo: Recitativo: Mentre sul carro aurato
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:25
26Clori et Mirtillo: Aria: Più di te
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:53
27Clori et Mirtillo: Recitativo: Ma come in questi prati
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:20
28Clori et Mirtillo: Aria: No, non disperar
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:01
29Clori et Mirtillo: Recitativo: Dimmi, intatta per me
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:13
30Clori et Mirtillo: Aria: Sì, per te, mio bene
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:00
31Clori et Mirtillo: Recitativo: E tu, Clori gentile
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti0:14
32Clori et Mirtillo: Duo: Sin che il sole spande i rai
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1995-12-18 until 1995-12-21)
alto vocals:
Gérard Lesne (countertenor) (from 1995-12-18 until 1995-12-21)
soprano vocals:
Sandrine Piau (soprano) (from 1995-12-18 until 1995-12-21)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1995-12-18 until 1995-12-21)
Alessandro Scarlatti1:24
▼ CD 3
#TitleArtistRatingLength
1Medea in Corinto
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
alto vocals:
Gérard Lesne (countertenor) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Medea in Corinto (in 1990-06)
composer:
Antonio Caldara
Antonio Caldara14:44
2Soffri, mio caro Alcino
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
alto vocals:
Gérard Lesne (countertenor) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Soffri, mio caro Alcino (in 1990-06)
composer:
Antonio Caldara
Antonio Caldara8:26
3Sonata da camera in D major, op. 2 no. 3: Preludio
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata da camera in D major, op. 2 no. 3: I. Preludio (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata da camera in D major, op. 2 no. 3
Antonio Caldara1:22
4Sonata da camera in D major, op. 2 no. 3: Allemanda
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata da camera in D major, op. 2 no. 3: II. Allemanda (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata da camera in D major, op. 2 no. 3
Antonio Caldara2:38
5Sonata da camera in D major, op. 2 no. 3: Giga
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata da camera in D major, op. 2 no. 3: III. Giga (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata da camera in D major, op. 2 no. 3
Antonio Caldara1:46
6D’improvviso
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
alto vocals:
Gérard Lesne (countertenor) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
D'improvviso amor ferisce (in 1990-06)
composer:
Antonio Caldara
Antonio Caldara10:14
7Sonata a tre in E minor, op. 1 no. 5: Grave
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata a tre in E minor, op. 1 no. 5: I. Grave (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata a tre in E minor, op. 1 no. 5
Antonio Caldara2:18
8Sonata a tre in E minor, op. 1 no. 5: Vivace
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata a tre in E minor, op. 1 no. 5: II. Vivace (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata a tre in E minor, op. 1 no. 5
Antonio Caldara1:57
9Sonata a tre in E minor, op. 1 no. 5: Adagio
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata a tre in E minor, op. 1 no. 5: III. Adagio (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata a tre in E minor, op. 1 no. 5
Antonio Caldara2:37
10Sonata a tre in E minor, op. 1 no. 5: Vivace
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Sonata a tre in E minor, op. 1 no. 5: IV. Vivace (in 1990-06)
composer:
Antonio Caldara
part of:
Sonata a tre in E minor, op. 1 no. 5
Antonio Caldara1:19
11Vicino a un rivoletto
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor and balance engineer:
François Eckert (French classical recordings engineer & producer)
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1990-06)
alto vocals:
Gérard Lesne (countertenor) (in 1990-06)
conductor:
Gérard Lesne (countertenor) (in 1990-06)
recorded at:
Temple de la Villette in Paris, Île-de-France, France (in 1990-06)
recording of:
Vicino a un rivoletto (in 1990-06)
composer:
Antonio Caldara
Antonio Caldara20:34
▼ CD 4
#TitleArtistRatingLength
1Siedi, Amarilli mia: Preludio
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini2:40
2Siedi, Amarilli mia: Aria: Siedi, Amarilli mia
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:06
3Siedi, Amarilli mia: Arioso: Io ti miro
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini2:41
4Siedi, Amarilli mia: Recitativo: Ah! si che i tuoi begl’occhi
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:35
5Siedi, Amarilli mia: Aria: Se scherza e ride
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:00
6Lasciami un sol momento: Aria: Lasciami un sol momento
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini4:55
7Lasciami un sol momento: Recitativo: È possibile, o Dio
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:45
8Lasciami un sol momento: Aria: Soffro in pace
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini1:59
9Cello Sonata in A minor: Andante
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:35
10Cello Sonata in A minor: Allegro
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini1:24
11Cello Sonata in A minor: Menuet I: Grazioso – Menuet II
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:57
12Misero pastorello: Ritornello
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:02
13Misero pastorello: Recitativo: Misero pastorello
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:59
14Misero pastorello: Aria: Se tarda l’aurora
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:42
15Misero pastorello: Recitativo: Consolati, cor mio
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:58
16Misero pastorello: Aria: Si, si vi rivedrò
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini2:27
17Trio Sonata per due violini e continuo in D minor: Tempo giusto
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini4:23
18Trio Sonata per due violini e continuo in D minor: Spiritoso
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini1:40
19Trio Sonata per due violini e continuo in D minor: Lento
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini3:20
20Trio Sonata per due violini e continuo in D minor: Allegro
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini1:44
21Già la stagion d’amore: Recitativo: Già la stagion d’amore
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:48
22Già la stagion d’amore: Aria: Vaghe rose
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini4:51
23Già la stagion d’amore: Recitativo: Pastorella gentile
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini0:57
24Già la stagion d’amore: Aria: Occhi vezzosi
executive producer:
Patrick Mouyren
producer:
Michel Bernard (engineer / producer)
editor:
Anne Decoville
instruments:
Il Seminario Musicale (French baroque music ensemble) (in 1992-10)
alto vocals:
Gérard Lesne (countertenor) (in 1992-10)
balance engineer:
François Eckert (French classical recordings engineer & producer)
recorded at:
Église luthérienne Saint-Marcel in Paris, Île-de-France, France (in 1992-10)
Giovanni Battista Bononcini2:19
▶ CD 5

Credits

Release

photography:Alexandre Weinberger (photographer)
liner notes:Adélaïde de Place
liner notes translator:Hugh Graham
Gudrun Meier (linernotes, Übersetzung)
design:Sacha Davison Lunt
Discogs:https://www.discogs.com/release/11911609 [info]
ASIN:UK: B001BSH0YE [info]

Release group

includes:Amarilli: Cantatas for Solo Alto / Sonatas by Bononcini (composer, 1670-1747); Il Seminario Musicale (French baroque music ensemble), Gérard Lesne (countertenor)
Cantatas (Il Seminario Musicale) by Georg Friedrich Händel (German‐British baroque composer)
Cantates (Il Seminario Musicale) by Alessandro Scarlatti (composer)
Dans un bois solitaire : Cantates françaises by Gérard Lesne (countertenor), Il Seminario Musicale (French baroque music ensemble)
Medea, Cantates pour alto solo by Antonio Caldara; Il Seminario Musicale (French baroque music ensemble), Gérard Lesne (countertenor)