Tracklist

CD 1
# Title Rating Length
1 Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso 14:37
2 Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": II. Andante 3 5:36
3 Concerto for Piano and Orchestra No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai 7:09
4 Concerto for Piano and Orchestra No. 23 in A major, K. 488: I. Allegro 4 10:50
5 Concerto for Piano and Orchestra No. 23 in A major, K. 488: II. Andante 5:57
6 Concerto for Piano and Orchestra No. 23 in A major, K. 488: III. Allegro assai 8:02
7 Fantasy in C minor, K. 475 11:04

Credits

CD 1

piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) (tracks 1–3)
Daniel Gerard (classical pianist) (tracks 4–6)
Angela Giulini (pianist) (tracks 1, 3)
Leonard Hokanson (pianist) (tracks 1, 3)
Peter Schmalfuss (pianist) (track 7)
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) (tracks 1–6)
István Székely (pianist) (tracks 1, 3)
Silvia Čápová (pianist) (tracks 1, 3)
grand piano [Klavier / Piano (Steinway)]:
Peter Schmalfuss (pianist) (1989) (track 7)
composer:
Wolfgang Amadeus Mozart (classical composer) (1785) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 1–3)
Wolfgang Amadeus Mozart (classical composer) (1786 – 1786-03-02) (tracks 4–6)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 1–6)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1–6)
Kurt Redel (flutist and conductor) (tracks 1, 3)
Alfred Scholz (tracks 1, 3)
orchestra:
Camerata Labacensis (tracks 1, 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (tracks 1, 3)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 1–6)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 1–6)
phonographic copyright by:
Madacy Entertainment Group, Inc. (do not use as a release label! later renamed Madacy Lifestyle Marketing, read annotations for sub-label to use) (2006) (track 7)
part of:
Köchelverzeichnis (original numbering) (number: 475) (track 7)
arrangements:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro (for piano and string quintet, Lachner) (track 4)
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (for piano and string quintet, Lachner) (track 5)
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai (for piano and string quintet, Lachner) (track 6)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - Munich 1836) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro (for flute, violin, cello and piano, Cramer - London 1827) (track 1)
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso (for piano and string quintet, Lachner) (track 1)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - London 1827) (track 2)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for flute, violin, cello and piano, Cramer - Munich 1836) (track 2)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - Munich 1836) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for flute, violin, cello and piano, Cramer - London 1827) (track 3)
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai (for piano and string quintet, Lachner) (track 3)
Fantasia for Piano in C minor, K. 475 (for two pianos, Grieg) (track 7)
is the basis for:
Sex’n fax (track 2)
part of:
parts:
recording of:
referred to in medleys: