Secular Cantatas, BWV 206–207

~ Release by Johann Sebastian Bach; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: I. Chorus “Schleicht, spielende Wellen, und murmelt gelinde!”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde!" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:23
2Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: II. Recitativo (Bass) “O glückliche Veränderung!”
bass vocals:
Michael Volle (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": II. Recitativo (Bass) "O glückliche Veränderung!" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:32
3Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: III. Aria (Bass) “Schleuß des Janustempels Türen”
bass vocals:
Michael Volle (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": III. Aria (Bass) "Schleuß des Janustempels Türen" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach4:34
4Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: IV. Recitativo (Tenor) “So recht! beglückter Weichselstrom!”
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IV. Recitativo (Tenor) "So recht! beglückter Weichselstrom!" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:50
5Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: V. Aria (Tenor) “Jede Woge meiner Wellen”
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": V. Aria (Tenor) "Jede Woge meiner Wellen" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach5:44
6Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: VI. Recitativo (Alt) “Ich nehm zugleich an deiner Freude teil”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VI. Recitativo (Alt) "Ich nehm zugleich an deiner Freude teil" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:14
7Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: VII. Aria (Alt) “Reis von Habsburgs hohem Stamme”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VII. Aria (Alt) "Reis von Habsburgs hohem Stamme" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:16
8Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: VIII. Recitativo (Sopran) “Verzeiht, bemooste Häupter starker Ströme”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VIII. Recitativo (Sopran) "Verzeiht, bemooste Häupter starker Ströme" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:54
9Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: IX. Aria (Sopran) “Hört doch! der sanften Flöten Chor”
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IX. Aria (Sopran) "Hört doch! der sanften Flöten Chor" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:34
10Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: X. Recitativo (Sopran, Alt, Tenor, Bass) “Ich muß, ich will gehorsam sein”
alto vocals:
Ingeborg Danz (mezzo soprano)
bass vocals:
Michael Volle (baritone)
soprano vocals:
Christine Schäfer (soprano)
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": X. Recitativo (Sopran, Alt, Tenor, Bass) "Ich muß, ich will gehorsam sein" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:42
11Kantate, BWV 206 “Schleicht, spielende Wellen, und murmelt gelinde!”: XI. Chorus “Die himmlische Vorsicht der ewigen Güte”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1994-06)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": XI. Chorus "Die himmlische Vorsicht der ewigen Güte" (in 1994-06)
premiered in:
Leipzig, Sachsen, Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:53
12Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: I. Chorus “Auf, schmetternde Töne der muntern Trompeten”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Profil Edition Günter Hänssler
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach4:17
13Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: II. Recitativo (Tenor) “Die stille Pleiße spielt”
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": II. Recitativo (Tenor) "Die stille Pleiße spielt" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:52
14Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: III. Aria (Tenor) “Augustus’ Namenstages Schimmer”
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": III. Aria (Tenor) "Augustus' Namenstages Schimmer" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:42
15Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: IV. Marche
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": XI. Marche (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:24
16Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: V. Recitativo (Sopran, Bass) “Augustus’ Wohl ist der treuen Sachsen Wohlergehn”
bass vocals:
Michael Volle (baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IV. Recitativo (Sopran, Bass) "Augustus' Wohl ist der treuen Sachsen Wohlergehn" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:53
17Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: VI. Aria (Sopran, Bass) “Mich kann die süße Ruhe laben”
bass vocals:
Michael Volle (baritone)
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": V. Aria (Sopran, Bass) "Mich kann die süße Ruhe laben" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach4:42
18Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: VII. Ritornello
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VI. Ritornello (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:03
19Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: VIII. Recitativo (Alt) “Augustus schützt die frohen Felder”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VII. Recitativo (Alt) "Augustus schützt die frohen Felder" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach0:57
20Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: IX. Aria (Alt) “Preiset, späte Folgezeiten”
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VIII. Aria (Alt) "Preiset, späte Folgezeiten"
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach5:14
21Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: X. Marche
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": XI. Marche (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:38
22Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: XI. Recitativo (Sopran, Alt, Tenor, Bass) “Ihr Fröhlichen, herbei”
alto vocals:
Ingeborg Danz (mezzo soprano)
bass vocals:
Michael Volle (baritone)
soprano vocals:
Christine Schäfer (soprano)
tenor vocals:
Stanford Olsen (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IX. Recitativo (Sopran, Alt, Tenor, Bass) "Ihr Fröhlichen, herbei" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:12
23Kantate, BWV 207a “Auf, schmetternde Töne der muntern Trompeten”: XII. Chorus “August lebe, lebe König”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": X. Chorus "August lebe, lebe König" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:50
24Kantate, BWV 207 “Vereinigte Zwietracht der wechselnden Saiten”: I. Recitativo (Tenor) “Wen treibt ein edler Trieb”
tenor vocals:
Marcus Ullmann
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 2000-03)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:00
25Kantate, BWV 207 “Vereinigte Zwietracht der wechselnden Saiten”: II. Recitativo (Sopran, Bass) “Dem nur allein soll meine Wohnung offen sein”
bass vocals:
Klaus Häger (Bariton)
soprano vocals:
Marlis Petersen (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 2000-03)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:04
26Kantate, BWV 207 “Vereinigte Zwietracht der wechselnden Saiten”: III. Recitativo (Alt) “Es ist kein leeres Wort”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 2000-03)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (in 2000-03)
premiered in:
Leipzig, Sachsen, Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen, Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:56

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 64) (order: 64)