The John Adams Edition

~ Release by John Adams; Berliner Philharmoniker, Adams, Dudamel, Gilbert, Petrenko, Rattle (see all versions of this release, 1 available)

Tracklist

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Digital Media 1
#TitleArtistRatingLength
1Harmonielehre: Part I.
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2016-09-15 until 2016-09-17)
conductor:
John Adams (American minimalist composer) (from 2016-09-15 until 2016-09-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-09-15 until 2016-09-17)
recording of:
Harmonielehre: Part I (from 2016-09-15 until 2016-09-17)
composer:
John Adams (American minimalist composer) (from 1984 until 1985)
part of:
Harmonielehre
John Adams18:50
2Harmonielehre: Part II. The Anfortas Wound
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2016-09-15 until 2016-09-17)
conductor:
John Adams (American minimalist composer) (from 2016-09-15 until 2016-09-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-09-15 until 2016-09-17)
recording of:
Harmonielehre: Part II. The Anfortas Wound (from 2016-09-15 until 2016-09-17)
composer:
John Adams (American minimalist composer) (from 1984 until 1985)
part of:
Harmonielehre
John Adams12:08
3Harmonielehre: Part III. Meister Eckhardt and Quackie
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2016-09-15 until 2016-09-17)
conductor:
John Adams (American minimalist composer) (from 2016-09-15 until 2016-09-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-09-15 until 2016-09-17)
recording of:
Harmonielehre: Part III. Meister Eckhardt and Quackie (from 2016-09-15 until 2016-09-17)
composer:
John Adams (American minimalist composer) (from 1984 until 1985)
part of:
Harmonielehre
John Adams11:18
4Short Ride in a Fast Machine
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2016-12-02 until 2016-12-04)
conductor:
Alan Gilbert (conductor) (from 2016-12-02 until 2016-12-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-02 until 2016-12-04)
recording of:
Short Ride in a Fast Machine (from 2016-12-02 until 2016-12-04)
composer:
John Adams (American minimalist composer) (in 1986)
John Adams4:12
5City Noir: 1. The City and Its Double –
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
alto saxophone:
Timothy McAllister (saxophone) (from 2017-06-08 until 2017-06-10)
orchestra:
Berliner Philharmoniker (from 2017-06-08 until 2017-06-10)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2017-06-08 until 2017-06-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-06-08 until 2017-06-10)
recording of:
City Noir: I. The City and its Double (from 2017-06-08 until 2017-06-10)
composer:
John Adams (American minimalist composer) (in 2009)
part of:
City Noir
John Adams13:32
6City Noir: 2. The Song Is for You
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
alto saxophone:
Timothy McAllister (saxophone) (from 2017-06-08 until 2017-06-10)
orchestra:
Berliner Philharmoniker (from 2017-06-08 until 2017-06-10)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2017-06-08 until 2017-06-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-06-08 until 2017-06-10)
recording of:
City Noir: II. The Song is for You (from 2017-06-08 until 2017-06-10)
composer:
John Adams (American minimalist composer) (in 2009)
part of:
City Noir
John Adams8:32
7City Noir: 3. Boulevard Night
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
alto saxophone:
Timothy McAllister (saxophone) (from 2017-06-08 until 2017-06-10)
orchestra:
Berliner Philharmoniker (from 2017-06-08 until 2017-06-10)
conductor:
Gustavo Dudamel (conductor and violinist) (from 2017-06-08 until 2017-06-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-06-08 until 2017-06-10)
recording of:
City Noir: III. Boulevard Night (from 2017-06-08 until 2017-06-10)
composer:
John Adams (American minimalist composer) (in 2009)
part of:
City Noir
John Adams12:07
Digital Media 2
#TitleArtistRatingLength
1Lollapalooza
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2016-12-02 until 2016-12-04)
conductor:
Alan Gilbert (conductor) (from 2016-12-02 until 2016-12-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-02 until 2016-12-04)
recording of:
Lollapalooza (from 2016-12-02 until 2016-12-04)
composer:
John Adams (American minimalist composer) (in 1995)
John Adams6:36
2Scheherazade.2: 1. Tale of the Wise Young Woman – Pursuit by the True Believers
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
violin:
Leila Josefowicz (violinist) (from 2016-12-15 until 2016-12-17)
orchestra:
Berliner Philharmoniker (from 2016-12-15 until 2016-12-17)
conductor:
John Adams (American minimalist composer) (from 2016-12-15 until 2016-12-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-15 until 2016-12-17)
recording of:
Scheherazade.2: I. Tale of the Wise Young Woman; Pursuit by the True Believers (from 2016-12-15 until 2016-12-17)
composer:
John Adams (American minimalist composer)
part of:
Scheherazade.2
John Adams15:27
3Scheherazade.2: 2. A Long Desire (Love Scene)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
violin:
Leila Josefowicz (violinist) (from 2016-12-15 until 2016-12-17)
orchestra:
Berliner Philharmoniker (from 2016-12-15 until 2016-12-17)
conductor:
John Adams (American minimalist composer) (from 2016-12-15 until 2016-12-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-15 until 2016-12-17)
recording of:
Scheherazade.2: II. A Long Desire (Love Scene) (from 2016-12-15 until 2016-12-17)
composer:
John Adams (American minimalist composer)
part of:
Scheherazade.2
John Adams14:22
4Scheherazade.2: 3. Scheherazade and the Men with Beards
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
violin:
Leila Josefowicz (violinist) (from 2016-12-15 until 2016-12-17)
orchestra:
Berliner Philharmoniker (from 2016-12-15 until 2016-12-17)
conductor:
John Adams (American minimalist composer) (from 2016-12-15 until 2016-12-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-15 until 2016-12-17)
recording of:
Scheherazade.2: III. Scheherazade and the Men with Beards (from 2016-12-15 until 2016-12-17)
composer:
John Adams (American minimalist composer)
part of:
Scheherazade.2
John Adams10:11
5Scheherazade.2: 4. Escape, Flight, Sanctuary
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
violin:
Leila Josefowicz (violinist) (from 2016-12-15 until 2016-12-17)
orchestra:
Berliner Philharmoniker (from 2016-12-15 until 2016-12-17)
conductor:
John Adams (American minimalist composer) (from 2016-12-15 until 2016-12-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2016-12-15 until 2016-12-17)
recording of:
Scheherazade.2: IV. Escape, Flight, Sanctuary (from 2016-12-15 until 2016-12-17)
composer:
John Adams (American minimalist composer)
part of:
Scheherazade.2
John Adams8:15
6The Wound-Dresser
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
instruments:
Kirill Petrenko (conductor) (from 2017-03-22 until 2017-03-23)
baritone vocals:
Georg Nigl (baritone) (from 2017-03-22 until 2017-03-23)
orchestra:
Berliner Philharmoniker (from 2017-03-22 until 2017-03-23)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-03-22 until 2017-03-23)
recording of:
The Wound-Dresser (from 2017-03-22 until 2017-03-23)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
John Adams (American minimalist composer) (in 1988)
John Adams18:31
Digital Media 3
#TitleArtistRatingLength
1The Gospel According to the Other Mary, Act One, Scene 1: “The Next Day in the City Jail” (Mary, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene I. "The next day in the city jail we were searched for drugs" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:19
2The Gospel According to the Other Mary, Act One, Scene 1: “Now a Certain Woman Named Martha” (Countertenors, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene I. "Now a certain woman named Martha welcomed him Into her house" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:54
3The Gospel According to the Other Mary, Act One, Scene 2: “And She Had a Sister Named Mary” (Countertenors, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. "And she had a sister named mary" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams1:45
4The Gospel According to the Other Mary, Act One, Scene 2: “I Am Surprised That I Am Beginning to Pray Daily” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. "I am surprised that I am beginning to pray daily" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:28
5The Gospel According to the Other Mary, Act One, Scene 2: Chorus “En un día de amor yo bajé hasta la tierra" (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene II. Chorus "En un día de amor" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:43
6The Gospel According to the Other Mary, Act One, Scene 3: “Now a Certain Man Was Sick” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Now a certain man was sick, named Lazarus" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:19
7The Gospel According to the Other Mary, Act One, Scene 3: Lazarus Dies While His Sisters Await Jesus
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. Lazarus Dies (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:06
8The Gospel According to the Other Mary, Act One, Scene 3: “Why Standest Thou Afar off, O Lord?” (Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Why standest thou afar off, lord?" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:36
9The Gospel According to the Other Mary, Act One, Scene 3: “In My Own Quietly Explosive Here” (Mary, Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "In my own quietly explosive here" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:02
10The Gospel According to the Other Mary, Act One, Scene 3: “Don’t Touch My Left Arm” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Don't touch my left arm!" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:24
11The Gospel According to the Other Mary, Act One, Scene 3: “When Mary Was Come Where Jesus Was” (Countertenors, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "When Mary was come where Jesus was" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams3:46
12The Gospel According to the Other Mary, Act One, Scene 3: “Jesus Said, Take Ye Away the Stone” (Countertenors, Martha, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. "Jesus said, take ye away the stone" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:14
13The Gospel According to the Other Mary, Act One, Scene 3: “And When He Thus Had Spoken” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary, Act I Scene III. "And When He Thus Had Spoken" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer)
part of:
The Gospel According to the Other Mary: Act I
John Adams4:41
14The Gospel According to the Other Mary, Act One, Scene 3: Chorus “Drop Down, Ye Heavens, from Above”
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene III. Chorus "Drop down, ye heavens" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams2:55
15The Gospel According to the Other Mary, Act One, Scene 4: “Then Jesus Six Days Before the Passover” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams0:44
16The Gospel According to the Other Mary, Act One, Scene 4: “For the Grave Cannot Praise Thee” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene IV. "For the grave cannot praise thee" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams7:08
17The Gospel According to the Other Mary, Act One, Scene 4: “Then Took Mary a Pound of Ointment” (Countertenors, Mary, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:48
18The Gospel According to the Other Mary, Act One, Scene 5: “And There Were Some That Had Indignation Within Themselves” (Lazarus, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "And there were some who had indignation within themselves" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams1:53
19The Gospel According to the Other Mary, Act One, Scene 5: “We Know There Will Be No Utopias” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "We know there will be no utopias" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams6:17
20The Gospel According to the Other Mary, Act One, Scene 5: “Tell Me, How Is This Night Different” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act I, Scene V. "Tell me: how is this night different from all other night?" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act I
John Adams11:37
21The Gospel According to the Other Mary, Act Two, Scene 1: Chorus “Who Rips His Own Flesh Down the Seams”
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene I. Chorus "Who rips his flesh down the seams" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams4:01
22The Gospel According to the Other Mary, Act Two, Scene 1: “Martha and Mary, Not Knowing What Was Happening” (Countertenors, Chorus, Lazarus, Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams5:58
23The Gospel According to the Other Mary, Act Two, Scene 2: Introduction
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:20
24The Gospel According to the Other Mary, Act Two, Scene 2: “Up at Two a.m., Picketed All Day” (Martha)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene II. "Up at two A.M., picketed all day" (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams1:58
25The Gospel According to the Other Mary, Act Two, Scene 2: “The Said Defendants” (Men’s Chorus, Martha)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:52
26The Gospel According to the Other Mary, Act Two, Scene 2: Chorus “Jesus, incomparable perdonador de injurias” (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:11
27The Gospel According to the Other Mary, Act Two, Scene 3: “And They Were Come unto a Place Called Golgotha” (Countertenors, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
recording of:
The Gospel According to the Other Mary: Act II, Scene III. Golgotha (from 2017-01-26 until 2017-01-28)
composer:
John Adams (American minimalist composer) (in 2012)
part of:
The Gospel According to the Other Mary: Act II
John Adams6:14
28The Gospel According to the Other Mary, Act Two, Scene 3: “Daughters of Jerusalem, Weep Not for Me” (Women’s Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:37
29The Gospel According to the Other Mary, Act Two, Scene 3: “Now There Stood by the Cross of Jesus” (Martha, Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams1:14
30The Gospel According to the Other Mary, Act Two, Scene 3: “When Jesus Saw His Mother” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:13
31The Gospel According to the Other Mary, Act Two, Scene 4: “When the Rain Began to Fall” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:54
32The Gospel According to the Other Mary, Act Two, Scene 4: “On Earth When He Heard the First Rain” (Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:35
33The Gospel According to the Other Mary, Act Two, Scene 4: “His Son Cried Out to Him” (Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams1:56
34The Gospel According to the Other Mary, Act Two, Scene 5: “Now in the Place Where He Was Crucified There Was a Garden” (Countertenors)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:30
35The Gospel According to the Other Mary, Act Two, Scene 5: Mary Awakens on the Third Morning
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams2:24
36The Gospel According to the Other Mary, Act Two, Scene 5: Chorus “It Is Spring” (Chorus, Mary)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams4:17
37The Gospel According to the Other Mary, Act Two, Scene 6: “And, Behold, There Was a Great Earthquake” (Soloists, Chorus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
contralto vocals:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
tenor vocals:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams3:09
38The Gospel According to the Other Mary, Act Two, Scene 6: “Why Seek Ye the Living Among the Dead?” (Women’s Chorus, Martha, Countertenors, Mary, Men’s Chorus, Lazarus)
sound engineer:
René Möller
producer:
Christoph Franke (producer and sound engineer)
choir vocals:
Rundfunkchor Berlin (from 2017-01-26 until 2017-01-28)
contralto vocals [Martha]:
Tamara Mumford (mezzo soprano) (from 2017-01-26 until 2017-01-28)
countertenor vocals:
Daniel Bubeck (countertenor) (from 2017-01-26 until 2017-01-28), Brian Cummings (counter-tenor) (from 2017-01-26 until 2017-01-28) and Nathan Medley (countertenor) (from 2017-01-26 until 2017-01-28)
mezzo-soprano vocals [Mary Magdalene]:
Kelley O'Connor (American mezzo-soprano) (from 2017-01-26 until 2017-01-28)
tenor vocals [Lazarus]:
Peter Hoare (tenor) (from 2017-01-26 until 2017-01-28)
orchestra:
Berliner Philharmoniker (from 2017-01-26 until 2017-01-28)
conductor:
Simon Rattle (conductor) (from 2017-01-26 until 2017-01-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2017-01-26 until 2017-01-28)
John Adams7:36