The Classics Discovered 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
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1“Pastoral” Symphony no. 6 in F major op. 68: Allegro ma non troppo (Cheerful Impressions Awakened by Arrival in the Country)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:07
2“Pastoral” Symphony no. 6 in F major op. 68: Andante molto mosso (Scene by the Brook)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven14:18
3“Pastoral” Symphony no. 6 in F major op. 68: Allegro (Merry Gathering of Country Folk) / Allegro (Thunderstorm) / Allegretto (Shepherd’s Song, Thanksgiving After the Storm)
orchestra:
Orchester der Wiener Volksoper
conductor:
Édouard Lindenberg
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven20:18
4Carmen Suites no. 1 & no. 2: Les Toréadors
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:24
5Carmen Suites no. 1 & no. 2: Aragonaise
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet4:17
6Carmen Suites no. 1 & no. 2: Intermezzo
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:25
7Carmen Suites no. 1 & no. 2: Les Dragons d’Alcala
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:39
8Carmen Suites no. 1 & no. 2: Habanera
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: II. Habanera (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
Georges Bizet2:06
9Carmen Suites no. 1 & no. 2: La Garde montante
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1967-01)
conductor:
Charles Munch (conductor and violinist) (in 1967-01)
balance engineer:
Arthur Lilley (engineer) (in 1967-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Carmen Suite no. 2: V. La Garde montante (in 1967-01)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:40
10Carmen Suites no. 1 & no. 2: Danse bohème
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:42